Gleanings in Europe : Italy, vol. 1 of 2 by James Fenimore Cooper
"Gleanings in Europe : Italy, vol. 1 of 2" by James Fenimore Cooper is a travelogue written in the early 19th century. It presents an American traveler’s lettered impressions of Italy’s cities, roads, art, inns, and society, mixing scenes on the way with historical reflection and sharp, often humorous, observation. The narrative moves from market squares and river crossings to galleries, salons, and a ducal court, shaping a vivid portrait of Italy’s
landscapes and manners as seen by a curious, independent-minded visitor. The opening of the work follows the narrator from Milan across the Lombard plain to Lodi (with a quack tooth-puller and heaps of frog legs), offering a skeptical retelling of the battle at the Adda before crossing the Po to Piacenza and through the duchy of Parma, Modena, and Bologna. He notes Austrian garrisons and decayed brick walls, learns to bargain at inns, inspects Castle Guelfo, admires Parma’s Correggio and the separate campanile and baptistery, remarks on Modena’s polished composition floors, and strolls Bologna’s snow-proof arcades and leaning towers. A mountain crossing brings a comic scare about banditti (a “suspect” peasant proves to be summoning oxen), a courier’s trick that costs him rooms, a solitary inn with honest hosts, and finally Florence—with its marbled cathedral square and oversized mosquitoes. Settling in a Florentine palazzo-fortress, he describes cheap grand lodgings, noble families selling wine by the flask, the gentle, indolent Tuscan temperament, and moving encounters with antique masterpieces in the tribune, then surveys a cosmopolitan winter scene: diplomats, English amateur theatricals (and a coarse caricature of Americans), Prince Borghese’s receptions, and a starry opera audience. A coastal excursion takes him through Lucca and Pisa (arguing the leaning tower was designed to lean), the Campo Santo and tiny Moorish-gothic Spina chapel, and to Leghorn’s port where he relishes the sea air, hears praise of the American ship Delaware, visits the Protestant cemetery (Smollett and a fallen U.S. officer), and warns invalids off Italy’s winter climate. He then recounts a formal audience at the Pitti—details of dress, etiquette, Habsburg-Lorraine succession, and a frank exchange with the Grand Duke about America—closing with political reflections on monarchy and aristocracy. The section ends amid carnival gaiety at a masked ball, with white dominos, a Polish dance, towering English guardsmen, and musings on how easy travel blends nations and spreads opinions. (This is an automatically generated summary.)
Carla Foust, Emmanuel Ackerman and the Online Distributed Proofreading Team at www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)
