"Death of a Hero: A Novel" by Richard Aldington is a novel written in the early 20th century. It follows George Winterbourne—from his Victorian-bred upbringing through his service on the Western Front—to dissect the hypocrisies of family, love, and patriotism, and the psychic wreckage of war, as told by a sharp, disillusioned friend-narrator. Expect a mordant anti‑war portrait featuring George, his self-dramatizing mother, ineffectual father, wife Elizabeth, and mistress Fanny, with the
narrative doubling as an indictment of a generation’s moral bankruptcy. The opening of the novel sets its method and mood: in a letter-preface the author declares he will ignore conventional form—a “jazz novel” and a threnody for a lost generation—followed by a note on censorship. The prologue recounts George’s death near the Armistice and, with savage irony, shows how little he is mourned: his father retreats into mawkish Catholic piety and is soon killed in an accident; his mother turns the news into theatrical self‑pity and erotic consolation with a “clean, straight” officer, quarrels over George’s effects, and remarries; his wife receives the telegram while returning home tipsy with a Swedish painter and coolly notifies Fanny; Fanny later moves on and marries. The narrator recalls his frontline friendship with George, charts his nerve collapse after long service, and suggests his death may have been a form of self‑destruction; a spare, military funeral leads to the narrator’s vow to “atone” by telling George’s life. Part One then rewinds to 1890s England, sketching George’s parents: George Augustus, a timid solicitor dominated by his pious mother, and Isabel Hartly, vigorous but vulgar and poor; their marriage, built on pretence and sexual ignorance, begins with a painful wedding night, grinding dependence, and humiliations in the in‑laws’ house. Isabel’s resentment hardens, yet she becomes fiercely devoted to her baby—George—whose birth closes this opening canvas of origins. (This is an automatically generated summary.)
