Forest Pictures in the Adirondacks
Date: 2020-02-17T00:00:00+00:00
Keywords: Adirondack Mountains (N.Y.) -- Poetry

The Project Gutenberg eBook of Forest Pictures in the Adirondacks

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Forest Pictures in the Adirondacks

Author: Alfred Billings Street

Illustrator: John Augustus Hows

Release date: February 17, 2020 [eBook #61432]
Most recently updated: October 17, 2024

Language: English

Credits: Produced by Chuck Greif (This file was produced from images
available at The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK FOREST PICTURES IN THE ADIRONDACKS ***

Contents.

(In certain versions of this etext [in certain browsers] clicking on the image will bring up a larger version.)

(etext transcriber's note)

FOREST PICTURES

IN THE

A D I R O N D A C K S

By

JOHN A. HOWS

WITH ORIGINAL POEMS BY ALFRED B. STREET

NEW YORK:
JAMES G. GREGORY, 540, BROADWAY.
M DCCC LXV.

Entered according to Act of Congress, in the year 1864,
By JAMES G. GREGORY,
In the Clerk’s Office of the District Court of the United States for the Southern District of New York.

C. A. ALVORD, ELECTROTYPER AND PRINTER.

CONTENTS.

| PAGE
At Rest | 1
The Storm Mountain | 5
The Rapids | 9
The Shallow | 13
The Lower Saranac | 17
The Waterfall | 21
The Mountain Raven | 25
The Cataract | 29
My Canoe | 33
The Devil’s Pulpit | 37
The Bell Owl | 41
The Upper Saranac | 45
The Ausable | 49
Buttermilk Falls | 53
The Racket | 57
The Loon | 61

The Illustrations engraved by Messrs. Bobbett & Hooper.

AT REST.

The soft Southwest says, Take thy rest
To-day upon Nature’s kindly breast!

Those trees, that throw a network glow,
Of sable and gold, on the floor below,

Gleamed out last night, enamelled bright
In the kindling flush of my camp-fire’s light.

From far crept fine the panther’s whine,
And moaned and moaned the sorrowing pine.

The hemlock spread my fragrant bed,
And I lay till the live roof sang o’erhead.

Yes, balmy breeze, I’ll take sweet ease,
Brimful of blisses, under the trees!

On yon dim spray, in russet gray,
Sits the Saranac Nightingale piping away!

That speck upon the cloud just won,
Is the black mountain eagle drinking the sun!

I’ll launch my boat, and idly float
O’er the winding water, and all things note:

All things that gleam along the stream—
Water-bird, water-fly, blossom, or beam.

And thus the hours I’ll wing with flowers,
And speed them away in these dreamy bowers.

THE STORM MOUNTAIN.

The mountain frowns black to the battling storm.
He bristles his bayonet-pines to dare
The flashing, charge of the wrathful air.
But yet the sunlight, cheery and warm,
Kindling the darkness, paling the glare,
Tells that the fierce warring foe will deform
The scene little longer, but, shorn of his sway,
Breaking and dwindling, will vanish away.
While, scattered like stars in the glancing glow,
Lilies gleam out from the lake’s deep gloom;
And trees rich chequer of shadow throw
Where wild birds warble and wild flowers bloom,
And waterfalls tinkle in foamy flow.

Symbol of life in its shadow and sheen!
Even when sorrow is shading the heart,
Hope’s ray cheerily dances between,
Telling the tempest will soon depart.

Symbol of thee, with the lake of thy tears,
Oh land, and thy mountain of strife and of sorrow!
But bright through the battle-rack Hope appears,
Smiling in promise of golden morrow.

THE RAPIDS.

Ho, the headlong rapids
How they rush and rave,
Roaring through the forest
Like the stormy wave!
How the curbless war-steeds
Frenzied leap and strain!
See the frantic war-steeds
Toss their flashing mane!

Brief the noontide thunder!
Brief the lightning’s ray!
Ever rolls the bolt here,
Ever gleams the spray!
Woe, the crossing panther,
Woe, the drinking deer,
Should the monster grasp them
With his fangs of fear!

See the shattered pine-trees
How they lean and rock,
As the bounding surges
Beat with endless shock!
Dashing, tearing, tumbling,
Down the surges go!
Ho, the tusks of granite
How they champ the snow!

THE SHALLOW.

I LOVE the little shoal, the sandy shallow of the lake,
Where towers the azure moosehead, glows the crimson Indian pink;
Where proudly sails the golden-footed, purple-pinioned drake,
And the yellow-throated, gem-eyed frog stares, hours, upon the brink!

There the darning-needle crooks among the rushes bristling round,
The brassy deer-fly plants its tingling arrow in the skin;
The water-soldier’s helmet shines, the eel-grass rich is wound
In wavy floss of floating plumes to every stir within.

The sunlight, piercing downward, shows the shadows in their play
Mottling the amber ooze, and there the water-beetles glance;
There twist the gleamy, sunken twigs, the red-fin glistens gay,
The spring uptwirls its glittering grains in endless circling dance.

And there the moon-white lily spreads her nightly-hiding cup,
The sun-hued sister glows upon her pedestal of green;
There glides the muskrat’s spotty head, bright air-bells bubble up,
And there the little shiner casts its flash of silver sheen.

And when the plume moth skims the shoal, the kingly trout comes in
With golden bronze and ruby gems and leopard-mantled back;
There, rippling, wades the lordly buck, and with wide echoing din
Salutes the loon the hunter’s moon along its sparkling track.

And ofttimes too there rounds to view, where spreads the grassy park,
A reckless crew in birch canoe, with chorus rolling round,
To set the camp, to trim the lamp, and, by the margin dark,
Float for the deer with eye and ear on every sight and sound.

There undulates the water-shield, up points the pennoned grass;
The rocking swallow seeks the gnat, the night-hawk rumbles o’er;
The water-spider’s globule shoots in silver through the glass
And floats the fire-fly’s throbbing torch of gold along the shore.

THE LOWER SARANAC.

Lightly flies my fleet bark across the glittering water,
Sweetly talk the ripples before the furrowing prow,
Mellow streams the sunset within the skirting forest,
Mellow melts the west wind in kisses on my brow.

Oh this life is glorious, this life within the wild-wood!
Far, oh, far away flee the troubles of our lot!
Wide expands the bosom, a boyish heart is dancing,
Dancing with the gladness o’erflowing every spot!

Dreamy like the past stands-the distant blue Tahawhus;
Gleamy like the present, old Moosehead rears his crest;
Filmy like the future in front the bowery island;
Sparkling like our wishes the water’s ripply breast.

Look, a wandering snowflake, the white gull in the distance!
Indian pink on pinions, the red-bird’s darting glow!
Upward leaps the trout, and afar the loon is floating,
Dotting dark the sun-gleam, then flashing bright below.

Turn the buoyant bark through the elm’s cathedral archway!
Nestles cool the cove filled with babble of the brook,
Sunny specks, and spice from the lily’s pearly scallops;
So from glare of life hides some sweet domestic nook.

Onward then again, for the sunset now has kindled
Higher his grand camp-fire, and shines our tent before!
Crimson clouds are painting the purpled lake’s enamel,
Golden gauzes gleam in the glades along the shore.

Onward, onward, thus do we press upon our journey,
Moved by restless longing, Heaven calling us away;—
Oh, may fading life be illumined like the sunset,
Beaming brighter, brighter, till darkness veils the day!

THE WATERFALL.

When the fir-tree dreams in the drowsy haze
Of the motionless August hour;
When even the eager-leafed aspen droops,
And asleep is the bird in its bower;
Wakeful alone sends the waterfall then
Its mellow, melodious hum,
Wafting a coolness where all is heat,
And music where all is dumb.

In the bloomy May, when the buoyant day
Is breezy and sunny and glad;
When the lithe boughs sweep and the swift brooks leap,
And the birds sing and soar as if mad;
Amid this orchestral blithesomeness,
This pæan of Spring-time’s reign,
The waterfall’s bound fills the scene all round
With its blending, exulting strain.

In its crannies the hair-stemmed columbine nods,
The fern in its sprinkles drips;
And the little black dipper all over the bridge
Of the spanning pine-tree skips.
And the bubbles they toss on the smitten gloss
Of the dashing and flashing pool;
Where the angler scoops up his wreathed hopple-leaf cup,
And the trout poises deep in the cool.

THE MOUNTAIN RAVEN.

Oh the pine-tree gaunt is the raven’s haunt
On the mountain’s misty crown,
Where the wild wind sings and the wild-wood swings,
And the cataract tumbles down!
And the mountain’s gloom has tinged his plume,
The waterfall’s flash his eye,
And the blast’s hoarse shout, as it rocks about
The cedar-top, tunes his cry.

When the Lightning rears his flashing spears
In his fierce, red, terrible wrath,
The raven awakes, and his shout outbreaks
In the gloom of his shadowy path.
Oh, never the blast doth its fury cast
Abroad but the raven is there!
As drives the ship in the hurricane’s grip,
He darts through the billowy air.

On the skeleton limb stands the raven grim,
Whetting his beak in glee,
While, quaking in fear, lies the bleeding deer,
For it knows what its doom shall be!
Oh the raven he hates, and never he mates
With the sunshine so merry and bright;
The ghoul of the woods, in their shadow he broods,
And his wing is a blot on the light.

THE CATARACT.

The cataract’s catapult shakes the crag
Where the dead pine stands like the antlered stag.
One broad billow it boldly hurls;
And, shocked to its centre, the water whirls
Wild into madness of foam, and springs
Forward in chaos of frantic wrath;—
Ever upsoaring on misty wings,
White with the torment that whelms its path.
Cataract, bounding so fierce and free!
Sternness, not beauty, is fittest for thee!
Not where the Saranac nightingale weaves
Webs of soft song to the red of the west
Should the grand roar of thy anthem arise!
But where the shriek of the black eagle cleaves
Wildly the gorge from some pinnacle-crest,
Where a weird darkness haunts ever the skies!
Not where the summer day glitters in splendor,
Or, sweet and tender, the moon lights the dome!
But where the swift burning zigzag of lightning
Darts crimson brightening, to kindle thy foam!
Not where the deer drinks at dawn from the dingle
Where richly mingle the dark and the bright!
But where the wolf, from his cliff-cavern prowling,
Fills with wild howling the storm of the night!
Not where blue violets nod over the emerald sod;
Not where the golden-rod, vase-like, outspreads;
But where the cedar dark lifts its rough, seamy bark,
Where scarce a sunny spark sunny joy sheds.
Fierce bounding cataract! thus should it be!
Sternness and gloom, not grace, beauty, for thee!

MY CANOE.

You may boast of the haughty three-decker
That darkens the deep with her sail,
And the shocks of whose thunder majestical
Deaden the might of the gale!
How she crushes the billows beneath her,
The glory and pride of her crew!
But give me my light, little bubble,
My light, little, tight-built canoe!

Her curved frame is wrought of the fir-tree
And birch bark, the hue of the sun.
As over the carry we trudge along
Lizard-like, both seem as one.
Though buoyant as air, she is steady
When the tempest comes bellowing through;—
How she shoots, as the lake roars and whitens,
My faithful, tried, speedful canoe!

How she steals on the deer in his grazing!
And creeps to the trout in his sleep!
She vies with the pine-tree’s soft melody;
Wakening the lute of the deep.
When winter blears bleakly the forest,
And the water binds gray to its blue,
Safe and sound in her covert I leave her,
Till spring calls again my canoe.

THE DEVIL’S PULPIT.

Tupper’s Lake.

Sternly and darkly upheaves the rock,
Throne for the thunder when storm is nigh;—
Battered and cleft in each century’s shock,
Broadly its furrowed brow flouts the sky;
Bare save the cedars that clutch the seams
And moss-gold streaked like the sunset gleams.

Glossy the lake in its lovely hush;
Winds the deep cove at the crag’s steep foot;
But keen white lightnings have seen the crush
Of the stately pine-tree, branch and root.
Splintered and scorched on the rocks it lies,
Where proudly its plume once sought the skies.

The breath of the storm now blots the crag;
Ghostly and grim point the skeleton trees;
Blacken the rifts;—but the lightnings lag;—
Blacken the cedars;—no stir of breeze;—
Blacker and blacker the great crag’s scowl;—
Hark! the fierce storm-lion’s distant growl!

The rocks below gleam a ghastly light;
The fish-hawk cowers for shelter there;
The distant island frowns, robed in night;
See, the lake leaps to a startling glare!
The growl has deepened—a roar—a crash—
Thicken red lightnings, white surges dash.

Gloomy the crag, like a guilty dream!
Motions all over tell writhing boughs;
Billows break on it, down torrents stream,
Flashing through darkness; the strong blast ploughs
O’er it and down it;—thus ever should be
Wild crag and wild storm in company!

THE BELL OWL.

In the heart of the wood dwells the little Bell Owl.
Where the cedar lifts, high up, its steeple;
There he lolls all the day, a gray ball, all away
From the wild’s singing, gambolling people.
But when the red torch of the day has burnt down,
And large looms the shadow-like hill;
When the bark of the black fox is heard from the glade,
And the black cat seeks prey by the rill,
Then, tinkle link tinkle, the little Bell Owl
Makes clear the dark quietude thrill.

Oh, the little Bell Owl finds a sometimes retreat
In the tree-bole brown ruin is eating,
Where he dozes, then starts to the rattling tat tat
That the woodpecker’s drumstick is beating.
He shrinks from all light, e’en the woods beaming white
In the delicate snow of the moon;
To the star-eyes alone, for they blink like his own,
Does he deign his sweet musical boon.
Then, tinkle tink tinkle, the little Bell Owl
The sleepy depths wakes with his tune.

Oh, the little Bell Owl loves the darksomest dells
Where the foxfire its silver is shedding;
And the grass flits in fits to the network of gold
From the lightning-fly’s fairy-like threading.
And perchance, should the hunter camp down on the moss,
From his dream of the midnight he springs,
And, though naught meets his sight but his hound bathed in light,
Still the bell in the cedar-top rings;
Still, tinkle tink tinkle, the little Bell Owl
Abroad his full melody flings.

THE UPPER SARANAC.

Wild forest lake, thy waters spread
A mirror for the welkin’s bound!
Thy breezes glide with rippling tread;
Thy linking brooks send tinkling sound.

Down to thy wave the fish-hawk swoops;
The wood-duck floats within thy bays;
Its trunks the water-maple groups
Along thy banks of leafy maze.

The gull darts by, a flash of snow;
Deep from thy brink green pictures gleam;
The loon shouts o’er, and shoots below;
The soft haze folds thee in a dream.

The lily lifts its creamy cup
In thy broad shallows, amber clear;
And there the thatch shoots bristling up,
And there steals down the drinking deer.

On thy bright breast each fairy isle
Strews its rock-vase, with foliage brimmed;
And from thee grandly, pile on pile,
Soar the steep crags with thunders rimmed.

In thy smooth glades the camp-fire flames;
The hunter’s light boat tracks thy wave;
Thy ooze in caves the muskrat frames;
The otter, in thee loves to lave.

Wild forest lake! oh, would my home,
My happy home, were reared by thee!
Thence would my full heart never roam,
From care and trouble ever free.

THE AUSABLE.

IN the stately Indian Pass,
From my fount of shadowy glass,
I struggle along in hollow song on my blind and caverned way.
Sharp, splintered crags ascend,
Wild firs above me bend,
And I leap and dash with many a flash to find the welcome day.

The lean wolf laps my flow;
In my pointed pools below,
The grand gray eagle’s tawny eye like lightning fires the gloom.
Not oft is the warbling bird
In my jagged cradle heard,
For I am the child of the savage and wild, not pet of the sun and bloom.

I smite, in headlong shocks,
Roots clutching the ragged rocks,
And the blocks of my sable basins and the chasms my fury ploughs,
Where the raven, as o’er he flies,
Sees the frown of his deepest dyes,
As the murkiest pall of the forest is flung from the dungeon-boughs.

Old Whiteface cleaves apart
In dizziest heights his heart
For the roll of my rocky waters, and I lighten and thunder through.

And sometimes I tame my will
To sing like the wren-like rill,
And I mirror the flower and bending bower and laugh in the open blue.

But sometimes the cataract-rain
Fills my breast with frantic disdain,
And my boiling deep shoots torrent-like, lashing and crashing past;—
Whole forests I tear in my wrath;
Whole hamlets I strew on my’ path,
Till my wild waves break upon the lake, and I slumber in peace at last.

BUTTERMILK FALLS.

Racket River.

Where thick o’er the panther ledges
Its crescents the fir-tree curls,
And the rough yellow pine hangs frowning,
The river its cataract hurls.
Threading in darkness the forest
It bursts into light at the spring,
And it shouts to the hovering eagle,
“Ho, ho! I am free as thy wing!
Shriek, blend thy brave tones to my shouting
As down my bright garlands I fling!”

Faint with his thirst, the hunter
No spruce-drop nor moss-drip can see;—
Hark! rolls on his ear a low rumble,
“Haste! here foams a goblet for thee!”
On, on, through the thickets he plunges;—
Now he catches a flashing of white;
Now he hears the bold shout of the torrent;—
“Ho, ho! steep thy lip in delight!
Thou, scorning the moose in his fury,
Again feel the glow of thy might!”

Rich pluming the bright black basin
The vetch with the vervain blends;
And in the light breeze of the dashing
The crumpled blue iris bends.
Sky-pictures of silver and sapphire
Are traced on the mirror clear;—
Sing the ripples the white plunge awakens
“Ho, ho! for the wolf-hunted deer!
Dash, dart of the wilds, in my waters!
Then urge in new strength thy career!”

RACKET RIVER.

My spirit grieves, oh, river of leaves!
For the magic thy wild green beauty weaves!

From no slight spring light bubbles upfling
To trickle through pebbles, round ferns to swing.

But thou dost break, full up and awake,
From the soaring Blue Mountain’s cradled lake.

Linked lakes then pass thy picture-bright glass
On through the forest’s unbounded mass.

Thy wave now roves by colonnade groves;
Now blackens in bush-blotting, tamarack coves.

By dingles green, now it ripples in sheen,
Now crumbles to foam in some rocky ravine.

The Indian Plume burns ruddy in bloom
Like a torch of the gnomes in thy bordering gloom.

The harebell wakes by thy dashing breaks;
There, the wiry-hooked, golden-nooked columbine quakes.

Mossily tressed on the gray pine’s crest
Looms, ragged and russet, the fish-hawk’s nest.

Down yon smooth sides the black otter slides;
In this deep basin the white-fish hides:

See yon grassed park where the cedars dark
Have planted their tents round the shanty of bark!

To what sweet eves, oh, river of leaves!
To what glad dawnings fond memory cleaves!

Oft did I float o’er the golden gloat
Of the moon, in my buoyant, black, Saranac boat.

The soft white light made the dead tree bright,
And pearled into brilliance the tangled night.

Thus glows the spell of tree, wave, and dell,
Oh, river of leaves! but, at last, farewell!

THE LOON.

Tupper’s Lake.

Tameless in his stately pride, along the lake of islands,
Tireless speeds the lonely loon upon his diving track;—
Emerald and gold emblazon, satin-like, his shoulder,
Ebony and pearl inlay, mosaic-like, his back.
Sailing, thus sailing, thus sails the brindled loon,
When the wave rolls black with storm, or sleeps in summer noon.

Sailing through the islands, oft he lifts his loud bravura;—
Clarion-clear it rings, and round ethereal trumpets swell;—
Upward looks the feeding deer, he sees the aiming hunter,
Up and then away, the loon has warned his comrade well.
Sailing, thus sailing, thus sails the brindled loon,
Pealing on the solitude his sounding bugle-tune.

Sacred is the loon with eye of wild and flashing crimson;
Eye that saw the Spirit Hah-wen-ne-yo through the air
Falling, faint a star—a shaft of light—a shape of splendor—
Falling on the deep that closed that shining shape to bear.
Sailing, thus sailing, thus sailed the brindled loon
With the grand shape falling all a-glitter from the moon.

Long before the eagle furls his pinion on the pine-top,
Long before the blue-bird gleams in sapphire through the glen;
Long before the lily blots the shoal with golden apples,
Leaves the loon his southern sun to sail the lake again.
Sailing, then sailing, then sails the brindled loon,
Leading with his shouting call the Spring’s awakening croon.

Long after bitter chills have pierced the windy water,
Long after Autumn dies, all dolphin-like away;
Long after coat of russet dons the deer for winter,
Plies the solitary loon his cold and curdled bay.
Sailing, there sailing, there sails the brindled loon,
Till in chains no more to him the lake yields watery boon.

*** END OF THE PROJECT GUTENBERG EBOOK FOREST PICTURES IN THE ADIRONDACKS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

Table of Contents

- FOREST PICTURES IN THE A D I R O N D A C K S

- CONTENTS.

- AT REST.

- THE STORM MOUNTAIN.

- THE RAPIDS.

- THE SHALLOW.

- THE LOWER SARANAC.

- THE WATERFALL.

- THE MOUNTAIN RAVEN.

- THE CATARACT.

- MY CANOE.

- THE DEVIL’S PULPIT. Tupper’s Lake.

- THE BELL OWL.

- THE UPPER SARANAC.

- THE AUSABLE.

- BUTTERMILK FALLS. Racket River.

- RACKET RIVER.

- THE LOON. Tupper’s Lake.

- THE FULL PROJECT GUTENBERG LICENSE