Index of the Project Gutenberg Works of Nathaniel Hawthorne
Date: 2019-04-14T00:00:00+00:00
Keywords: Indexes

The Project Gutenberg eBook of Index of the Project Gutenberg Works of Nathaniel Hawthorne

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Index of the Project Gutenberg Works of Nathaniel Hawthorne

Author: Nathaniel Hawthorne

Editor: David Widger

Release date: April 14, 2019 [eBook #59280]
Most recently updated: February 25, 2021

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF NATHANIEL HAWTHORNE ***

INDEX OF THE PROJECT GUTENBERG

WORKS OF

NATHANIEL
HAWTHORNE

Compiled by David Widger

CONTENTS

Click on the ## before many of the titles to view a linked
table of contents for that volume.

Click on the title itself to open the original online file.

##  THE HOUSE OF
THE SEVEN GABLES

##
TWICE-TOLD
TALES

##
TWICE
TOLD TALES
Beneath
An Umbrella
On The
Sea-Shore
Main
Street
A
Bell's Biography
Sylph
Etherege
Old
News
Old
Ticonderoga
The
Man Of Adamant
The
Wives Of The Dead
John
Inglefield's Thanksgiving
Little
Daffydowndilly

##
MOSSES
FROM AN OLD MANSE
The
Old Manse
A
Select Party
Fire
Worship
Buds
And Bird Voices
Monsieur
Du Muroir
The
Hall Of Fantasy
The
New Adam And Eve
The
Christmas Banquet
The
Intelligence Office
P.'s
Correspondence
Earth's
Holocaust
Passages
From A Relinquished Work
Sketches
From Memory
The
Old Apple Dealer
A
Virtuoso's Collection

##
THE
SNOW IMAGE et al.

THE
SNOW IMAGE, Illustrated

##
THE
GREAT STONE FACE et al.

##
GRANDFATHER'S
CHAIR

##
THE
BLITHEDALE ROMANCE

##
THE
MARBLE FAUN, Vol. I

##
THE
MARBLE FAUN, Vol. II

##
LIFE
OF NATHANIEL HAWTHORNE

##
DOCTOR
GRIMSHAWE'S SECRET

##
OUR
OLD HOME, Vol. I

##
OUR
OLD HOME, Vol. II

##
SKETCHES
AND STUDIES

##
TALES
AND SKETCHES FROM MEMORY

##
OTHER
TALES AND SKETCHES
Journal of A Solitary Man
Dr.
Bullivant
A Book
Of Autographs
An Old
Woman's Tale
Time's
Portraiture
Browne's
Folly

##
BIOGRAPHICAL
SKETCHES

##
BIOGRAPHICAL
STORIES

##
HISTORY
AND BIOGRAPHY

##
WONDER
BOOK

##
A
WONDER BOOK AND TANGLEWOOD TALES

##
TANGLEWOOD
TALES

##
THE
SCARLET LETTER

##
THE
SCARLET STIGMA

##
LITTLE
MASTERPIECES

LOVE
LETTERS Vol. 1

LOVE
LETTERS Vol. 2

SEPTIMIUS
FELTON

FANSHAWE

THE ANCESTRAL
FOOTSTEP

THE DOLIVER
ROMANCE

PASSAGES
FROM THE AMERICAN NOTEBOOKS, V1

PASSAGES
FROM THE AMERICAN NOTEBOOKS, V2

PASSAGES
FROM THE ENGLISH NOTEBOOKS, V1

PASSAGES
FROM THE ENGLISH NOTEBOOKS, V2

THE
FRENCH AND ITALIAN NOTEBOOKS, V1

THE
FRENCH AND ITALIAN NOTEBOOKS, V2

TABLES OF CONTENTS OF VOLUMES

THE HOUSE OF THE SEVEN GABLES

By Nathaniel Hawthorne

TABLE OF CONTENTS

CHAPTER |

INTRODUCTORY
NOTE

AUTHOR'S
PREFACE

I.

THE
OLD PYNCHEON FAMILY

II.

THE
LITTLE SHOP-WINDOW

III.

THE
FIRST CUSTOMER

IV.

A DAY
BEHIND THE COUNTER

V.

MAY
AND NOVEMBER

VI.

MAULE'S
WELL

VII.

THE
GUEST

VIII.

THE
PYNCHEON OF TO-DAY

IX.

CLIFFORD
AND PHOEBE

X.

THE
PYNCHEON GARDEN

XI.

THE
ARCHED WINDOW

XII.

THE
DAGUERREOTYPIST

XIII.

ALICE
PYNCHEON

XIV.

PHOEBE'S
GOOD-BYE

XV.

THE
SCOWL AND SMILE

XVI.

CLIFFORD'S
CHAMBER

XVII.

THE
FLIGHT OF TWO OWLS

XVIII.

GOVERNOR
PYNCHEON

XIX.

ALICE'S
POSIES

XX.

THE
FLOWER OF EDEN

XXI.

THE
DEPARTURE

TWICE-TOLD TALES

Nathaniel Hawthorne

CONTENTS

The
Gray Champion

The
Wedding Knell

The
Minister's Black Veil

The
May-Pole of Merry Mount

The
Gentle Boy

Mr.
Higginbotham's Catastrophe

Wakefield

The
Great Carbuncle

David
Swan

The
Hollow of the Three Hills

Dr.
Heidegger's Experiment

LEGENDS OF THE PROVINCE HOUSE

I. Howe's
Masquerade

II. Edward
Randolph's Portrait

III. Lady
Eleanore's Mantle

IV. Old
Esther Dudley

The
Ambitious Guest

Peter
Goldthwaite's Treasure

The
Shaker Bridal

Endicott and the Red Cross

TWICE-TOLD TALES.

By Nathaniel Hawthorne

CONTENTS.

| PAGE

THE
GRAY CHAMPION

5

SUNDAY
AT HOME

15

THE
WEDDING-KNELL

23

THE
MINISTER'S BLACK VEIL

33

THE
MAYPOLE OF MERRY MOUNT

49

THE
GENTLE BOY

63

MR.
HIGGINBOTHAM'S CATASTROPHE

99

LITTLE
ANNIE'S RAMBLE

113

WAKEFIELD | 123

A
RILL FROM THE TOWN PUMP

133

THE
GREAT CARBUNCLE

141

THE
PROPHETIC PICTURES

159

DAVID
SWAN

175

SIGHTS
FROM A STEEPLE

183

THE
HOLLOW OF THE THREE HILLS

191

THE
TOLL-GATHERER'S DAY

197

THE
VISION OF THE FOUNTAIN

204

FANCY'S
SHOW-BOX

211

DR.
HEIDEGGER'S EXPERIMENT

218

LEGENDS
OF THE PROVINCE HOUSE:

I. HOWE'S
MASQUERADE

233

II. EDWARD
RANDOLPH'S PORTRAIT

249

III. LADY
ELEANORE'S MANTLE

263

IV. OLD
ESTHER DUDLEY

281

THE
HAUNTED MIND

294

THE
VILLAGE UNCLE

300

THE
AMBITIOUS GUEST

313

THE
SISTER-YEARS

323

SNOWFLAKES | 332

THE
SEVEN VAGABONDS

338

THE
WHITE OLD MAID

358

PETER
GOLDTHWAITE'S TREASURE

370

CHIPPINGS
WITH A CHISEL

393

THE
SHAKER BRIDAL

405

NIGHT-SKETCHES | 412

ENDICOTT
AND THE RED CROSS

419

THE
LILY'S QUEST

427

FOOTPRINTS
ON THE SEASHORE

435

EDWARD
FANE'S ROSEBUD

447

THE
THREEFOLD DESTINY

455

MOSSES FROM AN OLD MANSE AND OTHER STORIES

Nathaniel Hawthorne

CONTENTS

The
Birthmark

Young
Goodman Brown

Rappaccini's
Daughter

Mrs.
Bullfrog

The
Celestial Railroad

The
Procession of Life

Feathertop:
A Moralized Legend

Egotism; or, The Bosom Serpent

Drowne's
Wooden Image

Roger
Malvin's Burial

The
Artist of the Beautiful

THE SNOW IMAGE

By Nathaniel Hawthorne

CONTENTS

The
Snow Image: A Childish Miracle

The
Great Stone Face

Ethan
Brand

The
Canterbury Pilgrims

The
Devil in Manuscript

My
Kinsman, Major Molineux

THE GREAT STONE FACE

AND OTHER TALES OF THE WHITE MOUNTAINS

By Nathaniel Hawthorne

1882

CONTENTS

INTRODUCTION
THE GREAT STONE FACE
THE AMBITIOUS GUEST
THE GREAT CARBUNCLE
SKETCHES FROM MEMORY

THE WHOLE HISTORY OF GRANDFATHER’S CHAIR

or
TRUE STORIES FROM NEW ENGLAND HISTORY, 1620-1808

By Nathaniel Hawthorne

CONTENTS

AUTHOR’S PREFACE
GRANDFATHER’S CHAIR.
PART I. 1620-1692.
CHAPTER I. GRANDFATHER AND THE CHILDREN AND THE CHAIR.
CHAPTER II. THE PURITANS AND THE LADY ARBELLA.
CHAPTER III. A RAINY DAY.
CHAPTER IV. TROUBLOUS TIMES.
CHAPTER V. THE GOVERNMENT OF NEW ENGLAND.
CHAPTER VI. THE PINE-TREE SHILLINGS.
CHAPTER VII. THE QUAKERS AND THE INDIANS.
CHAPTER VIII. THE INDIAN BIBLE.
CHAPTER IX. ENGLAND AND NEW ENGLAND.
CHAPTER X. THE SUNKEN TREASURE.
CHAPTER XI. WHAT THE CHAIR HAD KNOWN.
APPENDIX TO PART I.
PART II. 1692-1763.
CHAPTER I. THE CHAIR IN THE FIRELIGHT.
CHAPTER II. THE SALEM WITCHES.
CHAPTER III. THE OLD-FASHIONED SCHOOL.
CHAPTER IV. COTTON MATHER
CHAPTER V. THE REJECTED BLESSING.
CHAPTER VI. POMPS AND VANITIES.
CHAPTER VII. THE PROVINCIAL MUSTER.
CHAPTER VIII. THE OLD FRENCH WAR AND THE ACADIAN EXILES
CHAPTER IX. THE END OF THE WAR.
CHAPTER X. THOMAS HUTCHINSON.
APPENDIX TO PART II.
PART III. 1763-1803.
CHAPTER I. A NEW-YEAR’S DAY.
CHAPTER II. THE STAMP ACT.
CHAPTER III. THE HUTCHINSON MOB.
CHAPTER IV. THE BRITISH TROOPS IN BOSTON.
CHAPTER V. THE BOSTON MASSACRE.
CHAPTER VI. A COLLECTION OF PORTRAITS.
CHAPTER VII. THE TEA PARTY AND LEXINGTON.
CHAPTER VIII. THE SIEGE OF BOSTON.
CHAPTER IX. THE TORY’S FAREWELL.
CHAPTER X. THE WAR FOR INDEPENDENCE.
CHAPTER XI. GRANDFATHER’S DREAM.
APPENDIX TO PART III.

THE BLITHEDALE ROMANCE

By Nathaniel Hawthorne

CONTENTS

I.

OLD
MOODIE

II. | BLITHEDALE

III.

A
KNOT OF DREAMERS

IV.

THE
SUPPER-TABLE

V.

UNTIL
BEDTIME

VI.

COVERDALE'S
SICK CHAMBER

VII.

THE
CONVALESCENT

VIII.

A
MODERN ARCADIA

IX.

HOLLINGSWORTH,
ZENOBIA, PRISCILLA

X.

A
VISITOR FROM TOWN

XI.

THE
WOOD-PATH

XII.

COVERDALE'S
HERMITAGE

XIII.

ZENOBIA'S
LEGEND

XIV.

ELIOT'S
PULPIT

XV.

A
CRISIS

XVI. | LEAVE-TAKINGS

XVII.

THE
HOTEL

XVIII.

THE
BOARDING-HOUSE

XIX.

ZENOBIA'S
DRAWING-ROOM

XX.

THEY
VANISH

XXI.

AN
OLD ACQUAINTANCE

XXII. | FAUNTLEROY

XXIII.

A
VILLAGE HALL

XXIV.

THE
MASQUERADERS

XXV.

THE
THREE TOGETHER

XXVI.

ZENOBIA
AND COVERDALE

XXVII. | MIDNIGHT

XXVIII.

BLITHEDALE
PASTURE

XXIX.

MILES
COVERDALE'S CONFESSION

THE MARBLE FAUN

or The Romance of Monte Beni

By Nathaniel Hawthorne

Volume One of Two

CONTENTS

CHAPTER I | MIRIAM, HILDA, KENYON, DONATELLO
CHAPTER II | THE FAUN
CHAPTER III | SUBTERRANEAN REMINISCENCES
CHAPTER IV | THE SPECTRE OF THE CATACOMB
CHAPTER V | MIRIAM'S STUDIO
CHAPTER VI | THE VIRGIN'S SHRINE
CHAPTER VII | BEATRICE
CHAPTER VIII | THE SUBURBAN VILLA
CHAPTER IX | THE FAUN AND NYMPH
CHAPTER X | THE SYLVAN DANCE
CHAPTER XI | FRAGMENTARY SENTENCES
CHAPTER XII | A STROLL ON THE PINCIAN
CHAPTER XIII | A SCULPTOR'S STUDIO
CHAPTER XIV | CLEOPATRA
CHAPTER XV | AN AESTHETIC COMPANY
CHAPTER XVI | A MOONLIGHT RAMBLE
CHAPTER XVII | MIRIAM'S TROUBLE
CHAPTER XVIII | ON THE EDGE OF A PRECIPICE
CHAPTER XIX | THE FAUN'S TRANSFORMATION
CHAPTER XX | THE BURIAL CHANT
CHAPTER XXI | THE DEAD CAPUCHIN
CHAPTER XXII | THE MEDICI GARDENS
CHAPTER XXIII | MIRIAM AND HILDA

THE MARBLE FAUN,

or The Romance of Monte Beni

By Nathaniel Hawthorne

Volume II. of III.

CONTENTS

CHAPTER XXIV | THE TOWER AMONG THE APENNINES
CHAPTER XXV | SUNSHINE
CHAPTER XXVI | THE PEDIGREE OF MONTE BENI
CHAPTER XXVII | MYTHS
CHAPTER XXVIII | THE OWL TOWER
CHAPTER XXIX | ON THE BATTLEMENTS
CHAPTER XXX | DONATELLO'S BUST
CHAPTER XXXI | THE MARBLE SALOON
CHAPTER XXXII | SCENES BY THE WAY
CHAPTER XXXIII | PICTURED WINDOWS
CHAPTER XXXIV | MARKET-DAY IN PERUGIA
CHAPTER XXXV | THE BRONZE PONTIFF'S BENEDICTION
CHAPTER XXXVI | HILDA'S TOWER
CHAPTER XXXVII | THE EMPTINESS OF PICTURE GALLERIES
CHAPTER XXXVIII | ALTARS AND INCENSE
CHAPTER XXXIX | THE WORLD'S CATHEDRAL
CHAPTER XL | HILDA AND A FRIEND
CHAPTER XLI | SNOWDROPS AND MAIDENLY DELIGHTS
CHAPTER XLII | REMINISCENCES OF MIRIAM
CHAPTER XLIII | THE EXTINCTION OF A LAMP
CHAPTER XLIV | THE DESERTED SHRINE
CHAPTER XLV | THE FLIGHT OF HILDA'S DOVES
CHAPTER XLVI | A WALK ON THE CAMPAGNA
CHAPTER XLVII | THE PEASANT AND CONTADINA
CHAPTER XLVIII | A SCENE IN THE CORSO
CHAPTER XLIX | A FROLIC OF THE CARNIVAL
CHAPTER L | MIRIAM, HILDA, KENYON, DONATELLO

CONCLUSION

THE LIFE AND GENIUS OF NATHANIEL HAWTHORNE

By Frank Preston Stearns

CONTENTS

| PREFACE
| THE LIFE AND GENIUS OF NATHANIEL HAWTHORNE
CHAPTER I. | SALEM AND THE HATHORNES: 1630-1800
CHAPTER II. | BOYHOOD OF HAWTHORNE: 1804-1821
CHAPTER III. | BOWDOIN COLLEGE: 1821-1825.
CHAPTER IV. | LITTLE MISERY: 1825-1835
CHAPTER V. | EOS AND EROS: 1835-1839
CHAPTER VI. | PEGASUS AT THE CART: 1839-1841
CHAPTER VII. | HAWTHORNE AS A SOCIALIST: 1841-1842
CHAPTER VIII. | CONCORD AND THE OLD MANSE: 1842-1845
CHAPTER IX. | “MOSSES PROM AN OLD MANSE”: 1845
CHAPTER X. | FROM CONCORD TO LENOX: 1845-1849
CHAPTER XI. | PEGASUS IS FREE: 1850-1852
CHAPTER XII. | THE LIVERPOOL CONSULATE: 1852-1854
CHAPTER XIII. | HAWTHORNE IN ENGLAND: 1854-1858
CHAPTER XIV. | ITALY
CHAPTER XV. | HAWTHORNE AS ART CRITIC: 1858
CHAPTER XVI. | “THE MARBLE FAUN”: 1859-1860
CHAPTER XVII. | HOMEWARD BOUND: 1860-1862
CHAPTER XVIII. | IMMORTALITY
| APPENDICES
| APPENDIX A
| APPENDIX B
| APPENDIX C
| INDEX

DOCTOR GRIMSHAWE’S SECRET

A ROMANCE

By Nathaniel Hawthorne

CONTENTS

PREFACE

DOCTOR GRIMSHAWE’S SECRET

CHAPTER I
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.

CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.

CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.

CHAPTER XVI.
CHAPTER XVII.
CHAPTER XVIII.
CHAPTER XIX.
CHAPTER XX.

CHAPTER XXI.
CHAPTER XXII.
CHAPTER XXIII.
CHAPTER XXIV.
CHAPTER XXV.

APPENDIX

OUR OLD HOME

A Series of English Sketches

by Nathaniel Hawthorne

CONTENTS

OUR OLD HOME.
CONSULAR EXPERIENCES.
LEAMINGTON SPA.
ABOUT WARWICK.
RECOLLECTIONS OF A GIFTED WOMAN.
LICHFIELD AND UTTOXETER.
PILGRIMAGE TO OLD BOSTON.
NEAR OXFORD.
SOME OF THE HAUNTS OF BURNS.
A LONDON SUBURB.
UP THE THAMES.
OUTSIDE GLIMPSES OF ENGLISH POVERTY.
CIVIC BANQUETS.

OUR OLD HOME

By Nathaniel Hawthorne

Volume II. Of II.

CONTENTS

| PAGE
Lord Nelson | Frontispiece.
NEAR OXFORD | 281
Blenheim | 292
The Thames at Oxford from Folly Bridge | 318
Magdalen College, Oxford, from the Cherwell | 322
SOME OF THE HAUNTS OF BURNS | 325
Robert Burns | 334
Burns's Birthplace, Alloway Parish, near Ayr | 350
The Auld Brig o' Doon, Ayr | 354
Alloway Kirk | 356
A LONDON SUBURB | 359
A Country House | 364
The Houses of Parliament | 374
UP THE THAMES | 411
London Bridge | 412
Tower of London, showing Traitors' Gate | 428
St. Paul's Cathedral | 430
Poets' Corner, Westminster Abbey | 452
OUTSIDE GLIMPSES OF ENGLISH POVERTY | 470
An English Almshouse | 500
CIVIC BANQUETS | 527

SKETCHES AND STUDIES

by Nathaniel Hawthorne

CONTENTS

LIFE OF FRANKLIN PIERCE.

PREFACE.
CHAPTER I.

CHAPTER II.
CHAPTER III.

CHAPTER IV.
CHAPTER V.

CHAPTER VI.
CHAPTER VII.

CHIEFLY ABOUT WAR MATTERS.
ALICE DOANE’S APPEAL.
THE ANCESTRAL FOOTSTEP
THE ANCESTRAL FOOTSTEP.

TALES AND SKETCHES

By Nathaniel Hawthorne

CONTENTS

I. The
Inland Port.

II. Rochester.

III. A
Night Scene.

TALES AND SKETCHES

By Nathaniel Hawthorne

CONTENTS

My
Visit To Niagara

The
Antique Ring

Graves
And Goblins

BIOGRAPHICAL STUDIES

By Nathaniel Hawthorne

CONTENTS

Mrs.
Hutchinson

Sir
William Phips

Sir
William Pepperell

Thomas
Green Fessenden

Jonathan
Cilley

TRUE STORIES OF HISTORY AND BIOGRAPHY

Biographical Stories

By Nathaniel Hawthorne

CONTENTS

BENJAMIN
WEST.

SIR
ISAAC NEWTON.

SAMUEL
JOHNSON.

OLIVER
CROMWELL.

BENJAMIN
FRANKLIN.

QUEEN
CHRISTINA.

TRUE STORIES FROM HISTORY AND BIOGRAPHY

by Nathaniel Hawthorne

CONTENTS

Preface

THE
WHOLE HISTORY OF GRANDFATHER'S CHAIR

Part
I

Chapter
I

Chapter
II

THE
LADY ARBELLA

Chapter
III

Chapter
IV

Chapter
V

Chapter
VI

THE
PINE-TREE SHILLINGS

Chapter
VII

Chapter
VIII

THE
INDIAN BIBLE

Chapter
IX

Chapter
X

THE
SUNKEN TREASURE

Chapter
XI

Part
II

Chapter
I

Chapter
II

Chapter
III

THE
OLD-FASHIONED SCHOOL

Chapter
IV

Chapter
VI

THE
REJECTED BLESSING

Chapter
VII

Chapter
VIII

THE
PROVINCIAL MUSTER

Chapter
IX

THE
ACADIAN EXILES

Chapter
X

Chapter
XI

Part
III

Chapter
I

Chapter
II

Chapter
III

THE
HUTCHINSON MOB

Chapter
IV

Chapter
V

THE
BOSTON MASSACRE

Chapter
VI

Chapter
VII

Chapter
VIII

Chapter
IX

THE
TORY'S FAREWELL

Chapter
X

Chapter
XI

GRANDFATHER'S
DREAM

Biographical
Stories

Chapter
I

Chapter
II

BENJAMIN
WEST

Chapter
III

SIR
ISAAC NEWTON

Chapter
IV

SAMUEL
JOHNSON

Chapter
V

SAMUEL
JOHNSONâ?"continued.

Chapter
VI

OLIVER
CROMWELL

Chapter
VII

BENJAMIN
FRANKLIN

Chapter
VIII

BENJAMIN
FRANKLINâ?"continued

Chapter
IX

QUEEN
CHRISTINA

A WONDER BOOK FOR GIRLS & BOYS

By Nathaniel Hawthorne

With 60 Designs By Walter Crane

CONTENTS

| PAGE

THE
GORGON'S HEAD.

Tanglewood Porch.—Introductory to The Gorgon's Head | 1
The Gorgon's Head | 7
Tanglewood Porch.—After the Story | 39

THE
GOLDEN TOUCH.

Shadow Brook.—Introductory to The Golden Touch | 42
The Golden Touch | 46
Shadow Brook.—After the Story | 69

THE
PARADISE OF CHILDREN.

Tanglewood
Play-Room.—Introductory to The Paradise of Children

73

The Paradise of
Children

78

Tanglewood
Play-Room.—After the Story

100

THE
THREE GOLDEN APPLES.

Tanglewood
Fireside.—Introductory to The Three Golden Apples

102

The Three Golden
Apples

109

Tanglewood
Fireside.—After the Story

136

THE
MIRACULOUS PITCHER.

The Hill-Side.—Introductory to The Miraculous Pitcher | 140

The Miraculous
Pitcher

144

The Hill-Side.—After the Story | 170

THE
CHIMÆRA.

Bald-Summit.—Introductory to The Chimæra | 172
The Chimæra | 176
Bald-Summit.—After the Story | 206

LIST OF DESIGNS

Half-Title | i
Frontispiece—Bellerophon on Pegasus. |
Title | iii
Preface | v
Tailpiece | vi
Contents | vii
List of Designs | ix
Tailpiece | x
Headpiece—Tanglewood Porch | 1

THE
GORGON'S HEAD—Headpiece

7

Perseus and the Graiæ | 22
Perseus armed by the Nymphs | 26
Perseus and the Gorgons | 32
Perseus showing the Gorgon's Head | 36
Tailpiece | 38
Headpiece—Tanglewood Porch, After the Story | 39
Tailpiece | 41
Headpiece—Shadow Brook | 42

THE
GOLDEN TOUCH—Headpiece

46

The
Stranger appearing to Midas

50

Midas'
Daughter turned to Gold

62

Midas with the Pitcher | 66
Tailpiece | 68
Headpiece—Shadow Brook, After the Story | 69
Tailpiece | 72
Headpiece—Tanglewood Play-Room | 73
Tailpiece | 77

THE
PARADISE OF CHILDREN—Headpiece

78

Pandora wonders at the Box | 80
Pandora desires to open the Box | 86
Pandora opens the Box | 92
Tailpiece | 96
Headpiece—Tanglewood Play-Room, After the Story | 100
Headpiece—Tanglewood Fireside | 102
Tailpiece | 108

THE
THREE GOLDEN APPLES—Headpiece

109

Hercules and the Nymphs | 112
Hercules and the Old Man of the Sea | 120
Hercules and Atlas | 126
Tailpiece | 135
Headpiece—Tanglewood Fireside, After the Story | 136
Tailpiece | 139
Headpiece—The Hill-Side | 140
Tailpiece | 143

THE
MIRACULOUS PITCHER—Headpiece

144

Philemon and Baucis | 144

The
Strangers in the Village

148

The
Strangers entertained

158

Tailpiece | 169
Headpiece—The Hill-Side, After the Story | 170
Tailpiece | 171
Headpiece—Bald Summit | 172
Tailpiece | 175

THE
CHIMÆRA—Headpiece

176

Bellerophon at the Fountain | 180
Bellerophon slays the Chimæra | 200
Tailpiece | 205
Headpiece—Bald Summit, After the Story | 206
Tailpiece | 210

A WONDER BOOK

AND TANGLEWOOD TALES

FOR GIRLS AND BOYS

By Nathaniel Hawthorne

With Pictures By Maxfield Parrish

CONTENTS

Preface

A
WONDER BOOK

THE
GORGON'S HEAD

THE
GOLDEN TOUCH

THE
PARADISE OF CHILDREN

THE
THREE GOLDEN APPLES

THE
MIRACULOUS PITCHER

THE
CHIMÆRA

TANGLEWOOD
TALES

THE
WAYSIDE

THE
MINOTAUR

THE
PYGMIES

THE
DRAGON'S TEETH

CIRCE'S
PALACE

THE
POMEGRANATE SEEDS

THE
GOLDEN FLEECE

ILLUSTRATIONS

Jason and the Talking Oak
Pandora
Atlas
Bellerophon by the Fountain of Pirene
The Fountain of Pirene
Cadmus Sowing the Dragon's Teeth
Circe's Palace
Proserpina
Jason and his Teacher
The Argonauts in Quest of the Golden Fleece

TANGLEWOOD TALES

Nathaniel Hawthorne

Illustrated by V. F. Sterrett

CONTENTS

The
Minotaur

The
Pygmies

The
Dragon's Teeth

Circe's
Palace

The
Pomegranate Seeds

The
Golden Fleece

ILLUSTRATIONS

Cadmus beheld a female figure, wonderfully beautiful
He tugged and toiled amain
She whipped up the snakes and ascended high over the city
"Thou hast slain the monster", cried Ariadne, clasping her hands
He concluded that his dear son had been eaten by the Minotaur
This giant and these pygmies were all brethren
The giant gave them his brotherly kindness
They were constantly at war with the cranes

"Alas!
my dear children", answered poor Queen Telephassa

"Sacred
Oracle of Delphi, wither shall I go"?

This pitiless reptile had killed his poor companions
At a distance he beheld stately towers
The voyagers examined the web of cloth

"Wretch"!
cried Circe

They brought along with them a great many beautiful shells
So she peeped into the entrance of the cave
They arrived at the sunniest spot in the world
"I shall not touch it I assure you", said she
"What shall I do"? said he
"I am the king's daughter"
At the appointed hour he met the beautiful Medea
"What is it"? asked Jason

THE SCARLET LETTER

By Nathaniel Hawthorne

Illustrated

CONTENTS

| | Page
| The Custom House.—Introductory | 1
THE SCARLET LETTER.
I. | The Prison-Door | 51
II. | The Market-Place | 54
III. | The Recognition | 68
IV. | The Interview | 80
V. | Hester at her Needle | 90
VI. | Pearl | 104
VII. | The Governor's Hall | 118
VIII. | The Elf-Child and the Minister | 129
IX. | The Leech | 142
X. | The Leech and his Patient | 155
XI. | The Interior of a Heart | 168
XII. | The Minister's Vigil | 177
XIII. | Another View of Hester | 193
XIV. | Hester and the Physician | 204
XV. | Hester and Pearl | 212
XVI. | A Forest Walk | 223
XVII. | The Pastor and his Parishioner | 231
XVIII. | A Flood of Sunshine | 245
XIX. | The Child at the Brook-side | 253
XX. | The Minister in a Maze | 264
XXI. | The New England Holiday | 277
XXII. | The Procession | 288
XXIII. | The Revelation of the Scarlet Letter | 302
XXIV. | Conclusion | 315

ILLUSTRATIONS

| Page
The Custom-House | 1
The Prison Door | 49
Vignette,—Wild Rose | 51
The Gossips | 57
“Standing on the Miserable Eminence” | 65
“She was led back to Prison” | 78
“The Eyes of the wrinkled Scholar glowed” | 87
The Lonesome Dwelling | 93
Lonely Footsteps | 99
Vignette | 104
A touch of Pearl's baby-hand | 113
Vignette | 118
The Governor's Breastplate | 125
“Look thou to it! I will not lose the child!” | 135
The Minister and Leech | 148
The Leech and his Patient | 165
The Virgins of the Church | 172
“They stood in the noon of that strange splendor” | 185
Hester in the House of Mourning | 195
Mandrake | 211
“He gathered herbs here and there” | 213
Pearl on the Sea-Shore | 217
“Wilt thou yet forgive me?” | 237
A Gleam of Sunshine | 249
The Child at the Brook-Side | 257
Chillingworth,—“Smile with a sinister meaning” | 287
New England Worthies | 289
“Shall we not meet again?” | 311
Hester's Return | 320

THE SCARLET STIGMA

A Drama In Four Acts

By James Edgar Smith

Founded upon Nathaniel Hawthorne's Novel,
"The Scarlet Letter".

Act
I

Scene
I
Scene
II
Scene
III

Act
II

Scene
I
Scene
II
Scene
III

Act
III

Scene
I
Scene
II
Scene
III

Act
IV

Scene
I
Scene
II

Transcriber's
Note

LITTLE MASTERPIECES

Nathaniel Hawthorne

CONTENTS

| PAGE

Editor's
Introduction

V

Dr.
Heidegger's Experiment

1

The
Birthmark

21

Ethan
Brand

53

Wakefield | 83

Drowne's
Wooden Image

101

The
Ambitious Guest

125

The
Great Stone Face

141

The
Gray Champion

177

*** END OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF NATHANIEL HAWTHORNE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project
Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project
Gutenberg Literary Archive Foundation at the address specified in
Section 4, “Information about donations to the Project Gutenberg
Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

Table of Contents

INDEX OF THE PROJECT GUTENBERG WORKS OF NATHANIEL HAWTHORNE

- Compiled by David Widger

- CONTENTS

- Click on the ## before many of the titles to view a linked table of contents for that volume. Click on the title itself to open the original online file.

TABLES OF CONTENTS OF VOLUMES

THE HOUSE OF THE SEVEN GABLES

- TABLE OF CONTENTS

TWICE-TOLD TALES

- Nathaniel Hawthorne

- CONTENTS

TWICE-TOLD TALES.

- CONTENTS.

MOSSES FROM AN OLD MANSE AND OTHER STORIES

- Nathaniel Hawthorne

- CONTENTS

THE SNOW IMAGE

- CONTENTS

THE GREAT STONE FACE AND OTHER TALES OF THE WHITE MOUNTAINS

- CONTENTS

THE WHOLE HISTORY OF GRANDFATHER’S CHAIR

- or TRUE STORIES FROM NEW ENGLAND HISTORY, 1620-1808 By Nathaniel Hawthorne

- CONTENTS

THE BLITHEDALE ROMANCE

- CONTENTS

THE MARBLE FAUN

- or The Romance of Monte Beni By Nathaniel Hawthorne

- Volume One of Two

- CONTENTS

THE MARBLE FAUN,

- or The Romance of Monte Beni By Nathaniel Hawthorne

- Volume II. of III.
- CONTENTS
- CONCLUSION

THE LIFE AND GENIUS OF NATHANIEL HAWTHORNE

- CONTENTS

DOCTOR GRIMSHAWE’S SECRET

- A ROMANCE
- CONTENTS PREFACE DOCTOR GRIMSHAWE’S SECRET
- APPENDIX

OUR OLD HOME

- A Series of English Sketches

- CONTENTS

OUR OLD HOME

- Volume II. Of II. CONTENTS

SKETCHES AND STUDIES

- CONTENTS LIFE OF FRANKLIN PIERCE.

TALES AND SKETCHES

- CONTENTS

TALES AND SKETCHES

- CONTENTS

BIOGRAPHICAL STUDIES

- CONTENTS

TRUE STORIES OF HISTORY AND BIOGRAPHY

- Biographical Stories

- CONTENTS

TRUE STORIES FROM HISTORY AND BIOGRAPHY

- CONTENTS

A WONDER BOOK FOR GIRLS & BOYS

- CONTENTS

- LIST OF DESIGNS

A WONDER BOOK

- AND TANGLEWOOD TALES

- FOR GIRLS AND BOYS
- With Pictures By Maxfield Parrish
- CONTENTS
- ILLUSTRATIONS

TANGLEWOOD TALES

- Nathaniel Hawthorne

- Illustrated by V. F. Sterrett CONTENTS

- ILLUSTRATIONS

THE SCARLET LETTER

- Illustrated
- CONTENTS
- ILLUSTRATIONS

THE SCARLET STIGMA

- A Drama In Four Acts

- Founded upon Nathaniel Hawthorne's Novel, "The Scarlet Letter".

- Transcriber's Note

LITTLE MASTERPIECES

- Nathaniel Hawthorne
- CONTENTS
- THE FULL PROJECT GUTENBERG LICENSE