The Devil and Parson Church; or, Birds of a feather
Date: 2019-01-02T00:00:00+00:00
Keywords: Church; J. (John); approximately 1780-approximately 1825 -- Trials; litigation; etc.; Trials (Sodomy) -- England

The Project Gutenberg eBook of The Devil and Parson Church; or, Birds of a feather

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Devil and Parson Church; or, Birds of a feather

Author: Anonymous

Release date: January 2, 2019 [eBook #58599]

Language: English

Credits: Transcribed from the [1817] T. Kaygill edition by David Price. Many thanks to the Bodleian for allowing their copy to be consulted in this transcription

*** START OF THE PROJECT GUTENBERG EBOOK THE DEVIL AND PARSON CHURCH; OR, BIRDS OF A FEATHER ***

Transcribed from the [1817] T. Kaygill edition by David Price, email ccx074@pglaf.org.  Many thanks to the Bodleian for allowing their copy to be consulted in this transcription.

THE
DEVIL
AND
PARSON CHURCH;

OR,
BIRDS OF A FEATHER.

A WHIMSICAL AND SATIRICAL POETIC EFFUSION,
Illustrative of a
DARK TRANSACTION,
Lately brought to Light;
IN WHICH, A WELL KNOWN
POPULAR PREACHER
WAS A
Principal Performer,
WITH INTRODUCTORY REMARKS.

“We’ll have thee—
Painted upon a pole, and under written,
Here you may see the Monster.”

Altered from Shakspeare.

London:
Printed by T. Kaygill, 36, Frith-Street, Soho;
And Published by Kaygill, 12, Benjamin-Street,
Clerkenwell.
May be had of all Booksellers.

Price 2d.

THE hero of the subjoined poem, has for many years been suspected of being guilty of the most abominable and atrocious practices; his intimacy with the Vere Street nest of miscreants is too well known to be again repeated, as are also his detestable letters, sent to men, to entice them to participate in his guilt.  At the Middlesex Sessions, July 12, 1813, he was tried for an attempt on William Webster, but acquitted; from which time, he has been considered innocent by his misled followers.  But on the 26th of September, 1816, he made an assault on Adam Foreman, (apprentice to Mr. Patrick, potter, Vauxhall,) with an intent to commit a vile act; for which attempt, by the laudable exertions of the lad’s father, and Mr. Patrick, he was indicted at the Surrey Assizes, Croydon, on Saturday, Aug. 16th, 1817, and found guilty; he will be brought up the first day of next Term to receive judgement, in The Court of King’s Bench.  Mr. Gurney undertook his cause with reluctance.

While the prosecution of Church was pending, one of the parish officers of St. George’s, Southwark, was applied to by Mrs. Church for the relief of a man who was in distress at Mr. Church’s house.  The officer waited on the man, and on interrogating him, in the presence of Mrs. Church, and a daughter of Church’s, by his first wife, (an interesting female, about seventeen years of age;) he confessed he had been confined in Newgate one year and a day, for an assault of an abominable nature, and was partly supported there by Mr. Church; upon hearing which, Mrs. Church was so much affected, that she was with difficulty prevented from throwing herself out of the window of the room.  As soon, however as she had somewhat recovered from this farther proof of the brutal propensity of her husband, she expressed a wish that the circumstance should not be made known; to which the officer acquiesced, on condition, that if a verdict of guilty was found, he should then be at liberty to give it full publicity.

The following confessional letter, from Church, was sent to the Rev. Mr. L—, two days after the offence had been committed.—

Dear Sir—I can scarcely write this note, my soul is too deeply pierced.  About eight or nine years ago Dr. Draper left the church in the Borough, and God opened Chapel-court for me, many attended and have been blest; now a singular providence, but a most distressing one, has occurred to take me shortly from my dear, dear family and beloved congregation.  But God has sent Mr. L—to preach the truth to my poor dispersed flock, at least so it appears to me, and I would do all the good to promote the success of Mr. L— that my poor people might not be starved till I return to them in peace, which may be many months.  My heart is broken, my enemies have ruined me at last, and I shall never surmount it; an unpleasant affair happening at Vauxhall, is added too, and I must take the consequences: no arm can help, relieve, or deliver, but the Lord’s, and I feel persuaded the Lord will not: judge my feelings if you can.  I shall secretly come and hear you, to get all the good I can to a heart deprest, disconsolate, and full of woe.  Oh, the joy of my enemies!  Oh, the distress of my friends!  Oh, my poor heart!  Let a sigh go up to God for me when you can.

Your’s, in the utmost distress,

J. C.

The following character has been given of Church by Mr. and Mrs. Gee, of the New Cut, who keep a cake-shop, where he once lodged:—

“Mr. Church, the minister, lodged at our house a year and a half, and left last year at Lady-day.

“We were in hopes that we were about to have a godly praying minister in our house; and to be sure the first night he had somewhat like a prayer, and that once afterwards were the only times he ever went to family prayer in our house.  Nor could they have any prayer, as he would be frequently out almost all hours of the night, and would lie in bed till ten in the morning.  Several times he and his wife would have skirmishings and fightings between themselves, while the children would be left to run about the streets out of school hours, and allowed to keep company with children that would swear in our hearing most shockingly.  His children were always left to be very dirty, and would be sent sometimes three or four times in the morning for spirituous liquors of all sorts.  As for reading good books, or even the bible, he scarce ever thought of it, but would spend a deal of his time in loose and vain talk, in walking about, and fawning upon young men, that was his chief delight.

“Sundays and working days were all alike to them, for they would send out to buy liquors, and whatever else they wanted, on Sundays as well as other days.

“The house would be more frequently like a play-house (I might say a brothel) than a minister’s house, where a set of young people would come and behave more indecently than ought to be mentioned.  Even one Sunday morning they made such an uproar as that they broke one of the windows, then they would go with him to his chapel, and, after that, he would give the sacrament to such disorderly people, let there characters be ever so loose.

“He was always ready to go fast enough out to dinner or supper where he could get good eating and drinking, but poor people might send to him from their sick bed times and times before he would come to them.  Seeing so many inconsistences, and shocking filthiness in their rooms, (though they always paid their rent) we were determined to give them warning to quit our house, and we do not think that a worse man or woman ever came into any house before, especially as Mr. Church pretended to preach the gospel; such hypocrites are much worse than others, and, besides this, we never heard a man tell lies so fast in all our lives.  It is a great grief to us that we ever went to hear him preach, or suffered him to stop so long in our house.”

George and Frances Gee.

It appears from the testimony of George Tarrier, and James Russell, of Redcross-st.; and William Williams, of the Mint; that the Rev. John Church, on the 16th of November, 1809, attended at the funeral of Richard Oakden, a clerk in the Bank, who was hung before Newgate, for an abominable offence, on 14th November, 1809.  This pious minister and his partizans returned to the Hat and Feathers, Gravel-lane, kept by a Mr. Richardson, where the funeral set out from, to partake of a jovial dinner.  His conduct here, it seems, was beyond description.

It is averred, that his wife, upon hearing the infamy of his conduct took to drinking, to avoid reflection, which soon occasioned her death.  But, within the last three months, since he has been charged with the above detestable offence, in order (we presume under the mask of hypocrisy,) to rescue, in some degree, his character from the public odium with which it had been marked, he has been induced to marry a respectable woman, who kept a seminary for young ladies at Hammersmith.  The verdict of ‘Guilty’ had been scarcely pronounced, when the relatives of the children, with the greatest promptitude possible, took them all away from the said school.

Since his conviction, Church has resided at the house of A FRIEND, where HIS FOLLOWERS are admitted to see him on producing a card signed by himself, on which are inscribed certain texts of scripture.  Will this wretch never cease blaspheming the holy scriptures by his appropriation of them?

From his own account, the profits arising from the Surrey Tabernacle was from 1000l. to 1200l. annually.

The reader will perceive by the following whimsical poem, that his old friend and colleague, when he had safely ensnared him, left him to extricate himself in the best manner he could.

THE
DEVIL & PARSON CHURCH;
OR,
Birds of a Feather.

Old Lucifer came on earth one day,
When he was in merry plight,
To look for a meal of dainty prey,
To pamper his appetite!

He stalk’d thro’ the courts of law, but grinn’d
To find stale picking was there;
For his maw both BENCH and BAR had thinn’d,
And all look’d devilish bare.

He walk’d up the Park, and down the MELL,
To catch some rare rich sinner,
Whom he might drag on his horns to hell,
And pick his bones for dinner.

But nought was there but a bawd or two,
Scatter’d along the benches.
Whose visages look’d most BLEACH’D and BLUE,
For none would buy their wenches.

He went to the mansions round about,
And just by way of frolic,
He pinch’d this courtier’s toe with the gout,
And gave to that the cholic.

Yet thro’ the circle he found not one,
But still his chops kept licking;
No morsel of meat—no tempting bone
That could deserve his picking.

Then over Westminster bridge he trudged,
Clad in his murky jacket,
And swore that before he homeward budg’d,
He’d still kick up a racket

He came to a place by wits y’clep’d
Fields, though no grass was growing,
Where flocks of Cyprians alone are kept,
Seeds of disaster sowing.

And into a chapel here he popp’d
That head of his so prying,
And anxious to hear what pass’d there, stopp’d
Attracted by the sighing.

And there he beheld, with strait comb’d locks,
And eyes with ardour filling,
A KNAVE, who rock’d like one in the stocks,
And spoke in strains most killing.

As soon as the DE’EL the wight discern’d,
And saw what he was after,
Altho’ to mince the VILLAIN he burn’d,
Had well nigh burst with laughter.

Up to the pulpit he straightway went
With face as bold as Turpin;
Quoth he to himself—“Sure heav’n ne’er meant
Such place for thee to chirp in!”

He ask’d of the Clerk the Parson’s name,
“Church!” quoth the amen-grinder;
“A saint he is of unequall’d fame,
A staunch game gospel-finder!”

“I’ll plumb his depth:” the devil then quoth,
And up the steps he mounted,
And as he march’d up, the Clerk most loth,
Shook, as his steps he counted.

He mounted the steps, the Parson’s eye
Soon glanc’d the Demon coming,
But he felt not frighten’d, coy nor shy,
But still kept on his strumming.

The FIEND suggested, the sermon done,
They should to a rendezvous,
Where they might each have a taste of fun,
With an Adonis or two.

Now Church who us’d from his infancy,
In such things to be dabbling,
Squeez’d the fiend’s fist, and wink’d his eye,
And then cut short his gabbling.

Away they went, as the DEV’L had said,
Both arm in arm together,
And up to the place of meeting sped,
Like horses to their tether.

And then the frolic and fun began,
And heav’n look’d on with sorrow,
And sigh’d that man should make beast of man
As ’erst in vile Gomorrah!

Now the DEV’L had set his net so well
To catch the PIOUS GUDGEON,
That into the MESH he promptly fell,
Flound’ring in doleful DUDGEON.

And then the DEVIL relax’d his claw,
And left him melancholy,
Within the clutches of Mister Law,
To trounce him for his folly.

Off flew the DEV’L to hell to prepare
His FRYING-PAN and DRIPPING,
To fry the FLAT when he got him there,
Whom he had just caught tripping.

And now good people with one accord,
Who us’d to hear him praying,
Go get a new priest, and ask the Lord
To keep the knave from straying.

FINIS.

Kaygill, Printer, 36, Frith-Street, Soho.

*** END OF THE PROJECT GUTENBERG EBOOK THE DEVIL AND PARSON CHURCH; OR, BIRDS OF A FEATHER ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

Table of Contents

- THE DEVIL AND PARSON CHURCH;

- THE DEVIL & PARSON CHURCH; OR, Birds of a Feather.

- THE FULL PROJECT GUTENBERG LICENSE