The Snowflake, and Other Poems
Date: 2016-11-28T00:00:00+00:00
Keywords: Canadian poetry -- 19th century

The Project Gutenberg eBook of The Snowflake, and Other Poems

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Snowflake, and Other Poems

Author: Arthur Weir

Release date: November 28, 2016 [eBook #53623]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Larry B. Harrison, Chuck Greif and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK THE SNOWFLAKE, AND OTHER POEMS ***

BY THE SAME AUTHOR

————
FLEURS DE LYS, and OTHER POEMS
1887, E. M. Renouf, Montreal
————
THE ROMANCE OF SIR RICHARD, SONNETS, and OTHER POEMS
1890, W. Drysdale & Co., Montreal

THE SNOWFLAKE

AND

O T H E R   P O E M S

BY

ARTHUR WEIR

MONTREAL:
JOHN LOVELL & SON
1897

Copyrighted, 1896, by Arthur Weir, Montreal.

CONTENTS.

| PAGE
THE SNOWFLAKE | 1
THE MASQUE OF THE YEAR | 11
THE MUSE AND THE PEN | 21
THE BEAVER MEADOW | 27
VOYAGEUR SONG | 31
DEDICATORY ODE | 34
ENTERING PORT | 36
WILD FLOWERS | 38
DEDICATORY BALLAD | 41
TIMOR MORTIS CONTURBAT ME | 44
ON NEW YEAR’S EVE | 46
IN THE CLOSING HOURS | 50
WHERE HEAVEN IS | 51
NEW YEAR’S EVE | 53
PEGASUS | 55
IT WOULD BE EASY TO BE GOOD | 57
THE LITTLE TROOPER | 59
CUPID’S DISGUISES | 61
MUSIC | 63
BABY’S STOCKING | 65
MY DIVINITY | 66
THE SLEEPING SOUL | 69
THE MOTHER | 71
PLUCK FLOWERS IN YOUTH | 73
O FOOLISH HEART | 74
MY HEART’S A MERRY ROVER | 75
THE CIGARETTE SMOKER | 77
TAKE ME AS YOU FIND ME | 78
AT THE TRYST | 79
SONNETS IN CALIFORNIA | 80
THE POOL OF SANT’ OLINE | 83
WINTER IN THE SOUTH | 85
THE KINDERGARTEN | 87
THE POET | 89
GOLD TRESSES | 91
EN ROUTE | 93
AT DAWN | 95
MY STAR | 97
TO A PICTURE | 99
THE POET AND HIS RHYMES | 101
TO AN INFANT | 103
TO SCOTLAND | 105
ROSINA VOKES | 106
A LITTLE MAID | 107
SAMSON AND DELILAH | 109
MY LADY’S BONNET | 110
FLOWERS AND FEARS | 111
THE ROSEBUD | 112
NIL DESPERANDUM | 113
FLESH AND SPIRIT | 114
IN CHURCH | 115
SUCCOR THE CHILDREN | 116
THE SUNSET LESSON | 117
AS FROM THE NECTAR-LADEN LILY | 118
MUMMY THOUGHTS | 119
TO CERTAIN NATURE POETS | 120
THE PATRIARCH’S DEATH | 121
OH, WERE IT NOT | 122
FAREWELL | 123
THE TIDE | 124
MY COMRADE | 125
MY GIFT | 127
HAMLIN’S MILL | 128
A BALLADE OF JOY | 130
REMEMBRANCE | 132
THE GLOVE | 133
THE MAGIC BOW | 135
AT THE SEASIDE | 137
THE ORPHANS | 138
ALADDIN’S LAMP | 139
SONG | 142
QUATRAINS | 143

TO

HUGH GRAHAM, Esq.,

TO WHOSE

ENCOURAGEMENT, TASTE AND ENTERPRISE

THE AUTHOR

IS LARGELY INDEBTED

FOR

WHATEVER OF PUBLIC FAVOR HE ENJOYS,

THIS VOLUME

IS

Gratefully Dedicated.

ERRATA (corrected in this etext)
Page 23, Second verse, first line, for “And” read “As.”
Page 24, Second verse, last line, for “Thinkest” read “think’st.”
Page 27, Third verse, third line, last word, read “athirst.”
Page 86, Second verse, second line, for “a many” read “many a.”
Page 44, for Conterbat, read “Conturbat” throughout.

T H E   S N O W F L A K E

AND OTHER POEMS.

THE SNOWFLAKE.

Fierce Neptune’s daughter, beneath the water,
In grottoes cool dwelt I,
And, laughing, hid in the seashell’s lid,
As fishes arrowed by.
My feet were free to the undersea;
I played amidst its gloom,
And in the deep where the mermaids weep
Above the hero’s tomb,
Where the sea snake strips dainty maiden lips
Of kisses once so warm,
And the lifeless child, by the eddies wild,
Is torn from the mother’s arm.
The foam-browed billow my head would pillow
Upon its bosom fair,
While the restless sweep of the moon-led deep
Would drift us here and there.
I oft would float in the dainty boat
The Nautilus oared for me,
Out, far, far out, where a noisy rout
Of breakers leapt in glee;
Or further urge to the world’s dim verge,
Where heaven meets the wave,
And the seagull’s wing was the only thing
To follow us was brave.
Then called by the blast, as it glided past,
I would turn and clap my hands,
As the waves were tossed on the tropic coast,
And furrowed the silver sands.

Where, with weedy locks, the bare limbed rocks
Bend over the foaming sea,
I oft resorted, and, as I sported,
The sunbeams played with me.
We would dance all day in the prismed spray,
Or in the blossoms hide,
That, trembling, clung to the crags and hung
Above the boiling tide.
Oftimes the cool, green depths of a pool
Would lure me down to rest,
Till the sunbeams came in a path of flame
And found me in my nest.
With colors gaily they decked me daily,
And tempted me to fly
Afar from the foam of my ocean home
Aloft in the cloudless sky.
But I said them nay, for the leaping spray,
And cool, green depths of sea,
Than the flight of birds and the sunbeams’ words
Were dearer far to me.
“I had seen,” I said, “to the sky o’erhead
My sisters, laughing, soar
For a merry flight through the azure bright,
And never saw them more.
I love my home in the ocean foam,
I love the moonlit sands,
And I would sigh in the depths of sky
And die in distant lands.”

But who can prove to the plea of love,
Unyielding and unkind?
At love’s low call we hasten all,
Like leaves at the voice of wind.
And ere the moon at the night’s high noon
Had twelve times orbed grown,
My heart was stirred at a whispered word,
My soul was not mine own.
My lover was fair as the balmy air
That follows after storm,
When the careless sea, with a song of glee,
Trips over the shallows warm.
He was the first through the gloom that burst
To bring the dawn to me,
And he was the last from my sight that passed
When darkness walked the sea.
One shimmering day, as asleep I lay
Upon the tide-worn sand,
He stole apart, with an eager heart,
From all the sunny band.
He came to me, as I lay thought free,
And bent my couch above,
And while I slumbered, with words unnumbered,
He pleaded for my love;
Then as I woke at the words he spoke,
And rising turned to flee,
I was closely pressed to his ardent breast,
And kisses were rained on me.

“My heart’s own dearest,” he cried, “why fearest
Thou to take flight with me?
Is there aught more fair than the realms of air
In yonder sullen sea?
Is the sea-gull’s scream or the under gleam
Of billows rushing by
More sweet to thee than the melody
Of larks in the azure sky?
Oh, be thou my bride, and side by side
We’ll float upon the breeze
O’er river and town, o’er forest and down,
Wherever we twain shall please.
We’ll swim in the wine of the luscious vine
Which brims the crystal high,
And when of her lover the fond words move her,
We’ll dance in the maiden’s eye.
We’ll scale vast mountains and o’er gay fountains
Hover in noon’s warm glare,
And when night lowers, shall sleep in flowers
That sway in the dewy air.
And shouldst thou tire, nor more desire
The airy plains to roam,
But pine again for the leaping main
And the drench of flying foam,
We need but glide on the leaf-sown tide
Of some swift coursing stream
To our home at last, and the happy past
Shall be but a varied dream.”

I could but yield as he thus appealed,
And clasping hand in hand,
With a parting glance at the sea’s expanse,
Dun rocks and silver strand,
We mounted high in the glowing sky,
And, leaving home behind,
Fared swiftly forth to the distant north
Upon the balmy wind.
O’er tangled brakes where the twilight makes
For evermore its home,
And the tiger sleeps and the cobra creeps,
And prowling jackals roam,
We floated fast, till the hills, at last,
To bar our path appeared,
And many a peak its forehead bleak
And tawny flanks upreared.
O’er many a cleft in the rocks bereft
Of life and the sunlight’s sheen,
Wild torrents were hurled to the under world,
And wheeled the eagles keen.
In faltering lines, the famished pines
Pressed up the mountain sides,
And sang to the blast, as it hurried past,
The song of the ocean tides,
Till I yearned once more for the tropic shore
Beside the emerald waves,
And my sisters gay and the dashing spray
And ocean’s weedy caves.

On, on we went, till the distance lent
The hills an azure hue,
And the earth beneath was a naked heath
Where winds in anger blew.
We saw the smoke like a wave that broke
Above the homes of men,
And in the bowers of the meadow flowers
Took rest for flight again.
A myriad sights were a thousand delights
As on through space we sped,
But the happy day soon faded away
And the sun in the west lay dead.
Then the shadows of death with their icy breath
Drew ever more surely nigh,
And in frightened crowds the murky clouds
Swept under the ebon sky.
Afar in the north a fire flamed forth
And flickered with ghastly light,
Like a lamp that burns when a soul returns
To God in the dead of night.
Gloom blotted the hills and the tinkling rills
Were bound in frosty chains,
And the flowers once gay all lifeless lay
Upon the dreary plains.
There was no sound in the air around,
No voice upon earth below,
Save the angry beat of the wild winds’ feet,
That wandered to and fro.

In a frenzy of fear, with many a tear,
I clung to my darling’s breast,
For the wintry night with its baleful light
My timorous soul distressed.
“Beloved,” he cried, “sweet sea-nurtured bride,
My love brings sorrow to thee,
For I feel at my heart the pitiless dart
That Death has made keen for me.”
I cried, “There are caves in the amethyst waves
Wherein love may make life sweet,
Oh! haste and return, ere the elements stern
Have beaten us under their feet.”
There was no reply to my passionate cry,
No answering kiss to mine,
And I felt in the storm from my trembling form
My lover’s arms untwine.
All heavy he grew, like a wounded sea mew
That dies in the midmost air,
And fell without sound to the frosty ground,
And lay like a dead bird there.
The tresses of gold on his forehead cold
I parted, and kissed his brow,
But his lips nor smiled at my fondling wild,
His eyes nor knew me now.
And the icy blast, as it thundered past
The hollow wherein he lay,
Tore him apart from my anguished heart,
And carried him away.

I heard the trees moan in an undertone
As the storm king struck them low,
And the river flood grew still as he stood
And bade it cease to flow.
There was no flower in that sad hour
Had strength to lift its head,
And I was alone in a land unknown
And mourned my love for dead.
Then in countless hosts, like white-robed ghosts,
My sisters lost drew near,
And hemmed me round, but they made no sound
My breaking heart to cheer.
Each wore a star that glittered afar,
Amid her flowing hair,
And they went and came like the lightless flame
That pierced the northern air.
They floated high to the pitiless sky
And gathered on the heath,
Till their myriad feet did mingle and meet,
And hide the earth beneath.
And was it a dream that I should seem
A snowy robe to don,
And tread without pleasure their swift, weird measure,
As the wintry wind piped on.
Methought we flowed through that drear abode
In sheets of spray and foam,
As erst with hope and mirth on the slope
Of waves in our ocean home.

Then many a day in a trance I lay
Upon the dreary plain,
Till, at last, I heard the pipe of a bird,
And my heart grew warm again.
At the bird’s sweet call through night’s thick pall
The faint sun peered and shone,
As of yore at home through the flying foam
He looked from the gates of dawn.
He looked and smiled, and the air, beguiled,
Grew warm and bright again,
And my sisters all each to each did call,
As erst in the joyous main.
Like the leaping rills from the sunny hills
That tinkle to the sea,
They sang as they glanced in the sun and danced
On the rivers rushing free.
The flowers awoke from their sleep, and broke
With many an emerald spear
And banner bright to the warm sunlight
Through the leaves of the bygone year.
And one with a crown of gold bent down
And took me to its heart,
“Poor waif of the storm,” it said, “grow warm
And share of my joy a part.
In the sky above there are many will love
A heart as pure as thine;
Leave grief with the past, like the shadow we cast
As we hasten where sunbeams shine.”

I dwelt in the bower of the generous flower
For many a quiet day,
Till, on soft winds blown, the seeds were sown;
And then I wandered away.
For sake of my love, the sun above
Upraised me to the sky,
And east and west I went on my quest,
But my dear one found not I.
Oft I heard from brooks in shadowy nooks
My sisters call to me
To join their throng as they drifted along,
Seeking the distant sea.
And hearing their lays in the woodland ways
Through autumn’s golden air,
A yearning came that I could not name,
Stronger than my despair.
“If I must live on when my love is gone,”
I murmured to my soul,
“Oh, let it be by the throbbing sea
My sisters make their goal.
There let me rest like a child on the breast,
Close to its great warm heart,
Till my sorrows cease and I am at peace,
O lover, where thou art.”
So I sought the brook, and the sky forsook,
And reached the sea at last,
In whose briny waves and weedy caves
I brood upon the past.

THE MASQUE OF THE YEAR.

(Time is discovered seated in the midst of a bevy of maidens, each of whom represents a month.)

TIME.

Behold me, Time, inexorable Time,
Twin brother of Death. Like him all hearts I tame.
As babes with baubles play, so I with fame.
I weigh all deeds, judge every poet’s rhyme,
Sift heroes, smile at life’s quaint pantomime,
Put down the present great, and oft reclaim
From sad oblivion some forgotten name,
Uplifting it to heights that are sublime.
I sit, amid the months, upon my throne,
Waiting to greet the New Year drawing nigh,
And though it brings a destiny unknown,
Naught need ye fear, since God is in the sky.
Fate is God’s choice; be therefore of good cheer.
Let mirth and song welcome each new crowned year.

JANUARY.

Far have I come, out of darkness, from chaos,
The land of the future, dread realm unknown,
Out of silence, alone.
I have trodden the ice-fields of drear Baccalaos,
Heard the grinding of bergs in the seas of the north
As the gale urged them forth,
And at midday have looked on the sun’s feeble glory
With a smile of disdain, for the warmth that he felt
Ne’er my bosom could melt.
Death and stillness are mine, and, save wolves on a foray,
All is still, all is shrouded, all Nature’s asleep,
Under snow hidden deep.
I am the ruler of uncreate chaos,
Queen of absolute void, which life comes not anear—
First month of the year.

FEBRUARY.

I am the month of beginnings. I bear
In my bosom the seed of all changes to come.
As yet I am dumb,
But Hope has been born in the breast of Despair.
The pine boughs stir under their burden of snow,
As though promise they know,
Yet the sun shines no stronger, there’s naught that foretells
The coming of summer. No song of a bird
In the woodland is heard,
Not a sound, save the stroke of the axe, as it fells
Some wood king, whose form sinks beneath the keen blade,
With a crash, through the glade;
Yet the spirit of Nature’s awake, and the air
Thrills with love. I soothe grief with my wonderful balm,
Second month that I am.

MARCH.

I am the month of unrest and of yearning,
Of wild and untamable hatred and love.
I glide through the grove,
Calling on Summer, so slow in returning.
I seek for the fruit, bud, leaf, blossom and all.
When they heed not my call,
The winds I unleash, which, like hounds on the scent,
Give voice round the farmsteads, and course o’er the moors,
With a hundred detours,
Till they leap on the forests, whose branches are rent.
I heap up the snowdrifts, bind firmer the streams,
And defy the sun’s beams.
My heart throbs with hate, and all tenderness spurning,
With winter again I span heaven’s blue arch.
I am passionate March.

APRIL.

I am the month of transition. My breast
Heaves with sweet, delicate hope, that beguiles
Dreamy Earth into smiles.
Through woodlands deserted I go on my quest,
And summon the blood-root and shad-bush to flower
Though they fade in an hour.
I drop gentle rain on the faded, brown grasses,
And loosen the soil for all tender, green shoots,
To push up from their roots.
I summon the birds, and where’er my foot passes,
Sleeping Nature arouses itself at my call.
I am helpful to all.
While no ecstacy’s mine, I am never distressed,
But tranquilly wander, to fate reconciled.
I am April, the mild.

MAY.

I am the month of gay Summer’s beginning,
When earth with its verdure smiles up at the sky,
And the mayflowers shy,
And sun-loving blossoms, their way to light winning
Through strewn leaves of autumn, mute emblems of death,
Perfume with their breath,
The zephyrs released from their fetters of frost.
The streams murmur cheerily under their banks
Their melodious thanks
For sweet freedom regained, as they flow and are lost
In the broad, sunny river, that rushes along
To the sea, with a song.
Chill Winter’s forgot, with its woe and its sinning.
Youth leaps in my veins—I am young, I am gay—
I am love-kindling May.

JUNE.

I am the month of sweet, virginal joy,
When Earth, as the sun its first passion discloses,
Blushes with roses,
When all things are new, and nothing can cloy.
The birds, in a cloudland of leafage concealed,
By their songs are revealed.
All is young, all is love. In the shadowy vales,
In woodland and meadow, all Nature’s awake.
At the wind’s kiss, the lake
Breaks forth into smiles; but as yet passion fails
To weary itself. Soul is searching for soul,
And has not reached its goal.
Life leaping to life doth each moment employ,
And love doth all Nature’s grand chorus attune.
I am virginal June.

JULY.

I am the month of warm, passionate love,
When Earth silent lies, with shy longings opprest,
While soft sighs stir her breast.
All unclasped is her zone, and the Sun’s warm lips prove
Her lips ruby treasures, and make her soul his
With many a kiss.
I wander abroad in the murmurous hours,
While the silvery moonbeams sift down on the scene,
Rustling leafage between.
I whisper of joy to the slumbering flowers,
As, with petals close folded, like child hands in prayer,
They rest on the air,
And I drop cooling dews from the clear sky above
On the moist brow of Earth, as still she doth sigh.
I am July.

AUGUST.

I am the month of sweet langour and dreaming.
In the shadowy depths of the woods I recline,
While afar stand the kine,
Thoughtful, knee-deep, where cool waters are streaming
Over the sands, and at hand, loud and clear,
The cicada I hear.
Afar, by the plunging green waves of the sea,
I wander at times, when the shimmer of heat
Disturbs my retreat;
Or amid rugged crags, where the wind wanders free,
I sit in the shelter of hills, by the brook
That leaps forth from its nook
Adown the swart cliff, with its silver spray gleaming,
And I muse on the past with a rapturous sigh.
Dreamy August am I.

SEPTEMBER.

I am the month that brings peace to the weary,
The flush to the apple, the gold to the leaf,
And the grain to the sheaf.
I am the month that prepares for the dreary,
Long days of midwinter, when Earth lies asleep
Under snow hidden deep.
After the yearning of Spring and the passion
Of hot days of Summer, I cool the warm brow,
And the seeds that the plough
Gave to earth I give back, shaped in daintier fashion.
At the touch of my hand every toiler forgets
All life’s weeds and its frets,
And the heart that was grieving becomes again cheery.
When I rule, men no longer their sorrows remember.
I am September.

OCTOBER.

I am the hush ere the coming of storm.
I am the eventide, lulling to rest,
Upon Earth’s kindly breast,
Her offspring, the flowers, till they nestle up warm,
Folding their leaves and their blossomy eyes
Closing, child-wise.
I warn the still woodland, that doffs its gay dress
And upsprings, like a warrior armed for the fray,
To meet the dread day
When the Tempest’s huge shoulders against it shall press.
I breathe to the streams the fell tidings, until
Every bickering rill,
With a tremor of fear, seaward hurls its lithe form
In mad flight, ere with fetters the Ice King draws nigh.
October am I.

NOVEMBER.

I am the priestess of frost, and I bring
The winds in my train. I am vestured in snow,
And wherever I go
The ice maidens deck me with jewels, and fling
Crystal arches o’er streams that flow sombrely by
Beneath the grey sky.
Earth under my feet a soft carpeting spreads,
And from valley and hill, as I pass on my rounds,
There re-echo no sounds.
The lean, famished forests bow down their high heads
As among them I wander. The stars hold their breath
As, dread omen of death,
Flits the mystic aurora with rustling wing
High above, and some meteor falls like an ember.
I am November.

DECEMBER.

I am the month when worn Earth lies at rest
Under the eiderdown snow, that clings close
To her form in repose,
As her gossamer drape to the virgin, whose breast
Rises and falls as she dreams of her love.
Through the keen air above
The stars glow like watch-fires of summer. Anon
Come the jingle of sleigh-bells, a laugh and a shout,
As gay youth, in mad rout,
Sweeps merrily down the white road, and is gone.
Then silence returns, till the winds howl in glee,
Or some frost-riven tree
Shrieks aloud in its pain. Yet Earth sleeps, undistressed.
All ended her task, she has naught now to fear,
December is here.

(The clock strikes)
January | “One.” | July | “Seven.”
February | “Two.” | August | “Eight.”
March | “Three.” | September | “Nine.”
April | “Four.” | October | “Ten.”
May | “Five.” | November | “Eleven.”
June | “Six.” | December | “Twelve.”
(The New Year Enters.)

THE NEW YEAR.

I am here, I have come from the home of the morning;
I am flushed with hope’s wine; I have treasures for all.
The old year is sped, let it serve as a warning
That the moments I bring shall bear fruit ere they fall.
The past none can alter; its grief and its sinning
Are writ for all time in the volume of life,
But behold me, the New Year, new records beginning;
Let love be their burden, not envy and strife.

CHORUS OF MONTHS.

Welcome, welcome, with chime of merry bell,
Welcome to thy kingdom, O monarch pure and true!
In gladness we will serve thee. Ah! rule this great earth well;
Efface the sorrows of the past, and all past joys renew.
We, the children of the sun,
Who watch the precious moments run,
Will wreathe thy brow with stars of snow and flowers sweet and fair.
But while we sow the fruits of earth,
That man shall garner in with mirth,
To Time alone belongs the power
Of harvesting each ripened hour.
Welcome, welcome, with chime of merry bell!
Another year is given to man to sow and reap his life.
When next the mystic book is sealed, what story will it tell?
Will it speak of love triumphant, will it tell of sin and strife?
O mortal man, remember
Every year has its December,
And when the year has ended naught can change the record there.

THE MUSE AND THE PEN.

The Muse, renowned in ancient story,
But seldom seen these humdrum times,
Came down to earth, in all her glory,
To put new life in modern rhymes.
“Forsooth,” she said, “I’m tired of hearing
Mechanic singers, every one,
With forced conceits and thin veneering,
Serving the lamp, and not the sun.”

The Muse was but a simple maiden,
Who loved the woodlands, meads and streams,
With odorous buds her gown was laden,
Her hair was bright with rippling gleams;
And murmuring an Arcadian ditty,
She wandered, with uncertain feet,
In wonder, through the crowded city,
Bewildered by each clattering street.

She gazed upon the hurrying mortals,
Each busy with his own affairs.
She spumed some lauded poets’ portals,—
“Let monthlies print such stuff as theirs.”
A milkman nodded her a cheery
“Bon jour, ma’mselle,” in ready French,
And as she passed a cabman beery,
He hiccoughed, “there’s a likely wench.”

She met a red-faced, buxom Chloe,
A dapper Strephon, full of airs;
The one in vesture cheap and showy,
The other versed in brutal stares;
And shocked and weary, hot and muddy,
Into the nearest house she turned,
And found herself within the study
Of one whose pen his living earned.

She looked quite curiously about her
(Being of a curious turn of mind),
To learn if he did also flout her
And still in life some pleasure find.
Shortly she marked his desk, half hidden
Beneath a mass of copious notes,
And turned to it and read, unchidden,
Of chartered banks and chartered boats.

She read that crops were thriving better,
But that the country needed rain;
And then another item met her
On “Watered stocks, the country’s bane.”
She read of “interest rates as under,
With money still in poor demand,”
And let the item fall, to wonder
Were poets wealthy in the land.

She read that “none who float on paper
Long raise the wind, for all their craft,”
“Bulls up a tree, a market caper,”
“A house in trouble with a draft.”
She read of butter growing stronger
And cheese more lively every day,
That baker’s flour will rise no longer,
And of “a serious cut in hay.”

As still she turned the litter over,
Reading an item now and then,
She did beneath the pile discover
And pounce upon the writer’s pen;
And by the charm the Muse possesses
She made it speak like flesh and blood,—
Oh! happy Pen, to have her tresses
Fall round thee in that solitude!

“Dear Pen,” she cried, “in what strange service
Is this I find thy skill employed?
Thy master’s style seems bright and nervous,
Yet is of sense a little void.”
The Pen replied: “O gracious lady,
Trade questions are considered here,
And thou wilt find transactions shady
By master’s hand made easily clear.”

The pouting Muse her pretty shoulder
Shrugged as she listened to the Pen.
“Thy master must than ice be colder
If thus content to write for men.
Go, bid him frame a graceful sonnet,
A simple poem from his heart,
And I will gently breathe upon it
And to its body life impart.”

Again the Pen: “O goddess puissant,
My master lacks nor heart nor skill
To turn a stanza, but of recent
Days he hath hungry mouths to fill.
He loves thee, but he may not show it,
And Pegasus must drag the plough,
For men would starve him as a poet
Who earns at least a pittance now.”

The Muse waxed wroth: “Would not my beauty
All else thy master make forget?”
The Pen replied: “The path of duty
My master hath not swerved from yet.
Thy beauty haunts his every vision,
Sweet on his ear thine accents fall;
Yet could he tread the fields Elysian,
Think’st thou, while suffering loved ones call?”

“But I can make his name immortal.”
“Immortal shame!” replied the Pen.
“When he should pass Death’s sombre portal
And stand before his God, what then?
He hath a God-like, awful function,
To shield his own from want and wrong;
Wouldst have him, then, without compunction,
Barter his birthright for a song?

“I am his trusted friend. Unflagging,
I help him win his daily bread.
Though heart may ache, or thought be lagging,
Still must the ink be ever shed.
Yet oft he lays me down, and, sighing,
Looks through the casement at the stars;
And then I know his soul is trying
Vainly to pass beyond its bars.

“A soldier in the war of labor,
He battles on, from day to day,
Swinging the gold-compelling sabre,
Nor finding time to pluck a spray.
Nay, more! he must, through glorious bowers,
Press harshly on, with heavy tread,
Crushing to earth the beauteous flowers
With which he fain had wreathed thy head.”

The Muse grew pensive. Softly sighing,
She said: “Now pity him I can.
Strong, purposeful and self-denying,
Here I have what I seek, a Man.
Would that this noble self-surrender,
These high resolves, this purpose stern,
Might yet the grander verse engender,
And brighter make his genius burn!

“How grief must gnaw his heart asunder
As still Fate balks him, day by day!”
“Nay!” cried the Pen, “thou may’st wonder,
But know, my master’s heart is gay.
Perchance at times, a pang concealing,
His face grows sad; but not for long,
For sweet, loved arms, around him stealing,
Fill all his soul with unvoiced song.”

The Muse above the table bending,
Laid her warm lips upon the Pen,
A thrill throughout its fibres sending:
“This for thy master.” Slowly then,
She passed away; and after, never
The writer labored, but a throng
Of fancies cheered him, singing ever:
“The Muse hath crowned each unvoiced song.”

THE BEAVER MEADOW.

’Tis a meadow green as an emerald’s heart
In the heart of an emerald wood,
And a crystal stream doth loiter and dart
Through the sun-smitten solitude.
The orioles glance like flashes of fire
From foliaged limb to limb,
And the harsh frogs pipe in a ceaseless choir
From the marsh, when day grows dim.

When the grey, cold Dawn in her robes of mist,
O’er meadow and wood and stream,
Looks forth from her tower of amethyst,
She sees the wild duck gleam
In the slender reeds that have waded out,
Far out, in the sinuous brook,
And she hears the loon, like a wary scout,
Shrill keen from his secret nook.

Long years ago when our fathers first,
Fearless and full of hope,
With love of venture and wealth athirst,
O’er river and mountain slope,
To this woodland came, a lakelet lay
As bright as a burnished shield,
Where now the rivulet waters play,
And the loud frogs pipe, concealed.

And a wonderful town with its sunward domes,
And wondrous people stood,
Where the deep mouthed frogs have now their homes,
And the wild ducks lurk and brood.
Grand were the fronts and the pictured walls
Of the Inca’s ancient sway,
But the town that stood where the streamlet calls,
More wondrous was than they.

Not a listless brain nor an idle hand
Was there in all that town,
But strong defences the people planned,
And hewed the great trees down.
The rippling stream, with consummate art,
In barriers huge they pent,
And made their home in the new lake’s heart,
And dwelt therein content.

But woe to the town and its people all!
Earth giveth no deathless joy,
And where man’s merciless glances fall
The simple they fain destroy.
The brutal and covetous Spanish horde
That raided the Aztec land,
Put its people and chieftains to the sword,
Its cities to the brand.

And here in this northern wilderness,
This wonderful beaver town,
That baffled the elemental stress
Before our sires went down.
Its stately domes and its barriers vast,
Its sinuous streets, its lake,
The hunter destroyed and overcast,
For a little riches’ sake.

He slaughtered the noble beaver kings,
And loosened the fettered stream.
And now the reeds, like a thousand strings,
With music as of a dream,
In the night wind mourn the departed lake
And the stately beaver town,
While the rippling waves in the rushes break,
As the stream goes eddying down.

And musing here on the grassy site
Of the beaver colony,
My soul is carried in fancy’s flight
To the site of Ville Marie,
Where the Hochelagans, or beaver race
Of Indians, dwelt of old,
Their name renowned from their mountain’s base
To where the ocean rolled.

Hochelaga the Beaver Meadow meant,
And where the beaver dwelt
Long since, the white man pitched his tent,
And before heaven knelt.
He felled the trees and he stayed the tide
Of tribesmen rushing down,
And, like the beaver, he builded wide
And strong a mighty town.

The curious skill and the council sage,
And the beaver’s love of toil,
Became as well his heritage
As the broad and fruitful soil.
Then honor be to the beaver’s name,
And praise to the beaver’s skill,
And in the labor that makes for fame
May we all prove beavers still.

VOYAGEUR SONG.

Our mother is the good green earth,
Our rest her bosom broad;
And sure, in plenty and in dearth,
Of our six feet of sod,
We welcome Fate with careless mirth
And dangerous paths have trod,
Holding our lives of little worth
And fearing none but God.

Where, ankle deep, bright streamlets slide
Above the fretted sand,
Our frail canoes, like shadows, glide
Swift through the silent land;
Nor should, broad-shouldered, in some tide
Rocks rise on every hand,
Our path will we confess denied,
Nor cowardly seek the strand.

The foam may leap like frightened cloud
That hears the tempest scream,
The waves may fold their whitened shroud
Where ghastly ledges gleam;
With muscles strained and backs well bowed
And poles that breaking seem,
We shoot the sault, whose torrent proud
Itself our lord did deem.

The broad traverse is cold and deep,
And treacherous smiles it hath,
And with its sickle of death doth reap,
With woe for aftermath;
But though the wind-vext waves may leap,
Like cougars, in our path,
Still forward on our way we keep,
Nor heed their futile wrath.

Where glitter trackless wastes of snow
Beneath the northern light,
On netted shoes we noiseless go,
Nor heed though keen winds bite.
The shaggy bears our prowess know,
The white fox fears our might,
And wolves, when warm our camp fires glow,
With angry snarls take flight.

Where forest fastnesses extend,
Ne’er trod by man before,
Where cries of loon and wild duck blend
With some dark torrent’s roar,
And timid deer, unawed, descend
Along the lake’s still shore,
We blaze the trees and onward wend
To ravish nature’s store.

Leve, leve and couche, at morn and eve
These calls the echoes wake.
We rise and forward fare, nor grieve
Though long portage we make,
Until the sky the sun gleams leave
And shadows cowl the lake;
And then we rest and fancies weave
For wife or sweetheart’s sake.

DEDICATORY ODE.

(Read at the unveiling of the Monument erected in the Parliament Grounds at Ottawa to the Memory of the Rt. Hon. Sir John A. Macdonald.)

Here, in the solemn shadow of these walls,
Wherein his voice long held the land in sway;
Here, where the cadence of the distant falls
Seems a lament for grandeur passed away,
We, who have reaped where he had sown, now bring
To him this thanksgiving,
This tribute to the unforgotten great,
That, for all time, men may revere his name,
And children learn the secret of true fame,
True greatness emulate.

We paid long since the tribute of our tears,
When, at his post, the veteran statesman died;
But now that grief has been assuaged by years,
We mourn not, but rejoice, with sober pride,
That one of earth’s immortals, wise and strong,
Dwelt in our midst so long,
Teaching large thoughts and love of liberty,
And, Atlas-like, upon his shoulders bore
Our world of care, until, life’s turmoil o’er,
He passed from us away.

He found the seven sisters of the North,
The Sea-Queen’s daughters, in primeval woods,
By lonely streams, lamenting, and them forth
He led from desert lands and solitudes.
The Pleiades of nations, they have shone
Upon Britannia’s throne;
With every passing year, their golden light
Waxing in lustre, until every land
In wonder looks upon the glorious band
That breaks the Northern night.

He walked through life triumphant. Fortune’s son,
What were to others barriers, were to him
But gates, through which his high success was won.
He held strange spirit commune with the dim
Shapes of the future. His far-reaching mind
Some harmony did find
In elements discordant; and man’s strength
And weakness served with him the noble end
To build a nation and all factions blend
In brotherhood, at length.

And shall we, in whose midst so long he dwelt,
Who had commune so long with his great mind,
Forsake his teachings, and, like Israel, melt
Our gold to rear false gods! Shall we grow blind
To those large thoughts, that tolerance which long
Made this Dominion strong?
Nay, never so! He left an heritage
Worthy himself and us; be ours the pride
To bind this new Dominion, rich and wide
Closer from age to age.

ENTERING PORT.

(In Memoriam The Rt. Hon. Sir John S. D. Thompson.)

Hark to the solemn gun and tolling bell!
What ship is this, that, dark as night or death,
Is entering port upon the sullen swell,
While an expectant nation holds its breath?

From many a threatening port her cannon gape,
Above her deck the flag of Britain flies;
Like some sad dream she comes, her sombre shape
Crushing the waves that in her pathway rise.

One of the Sea Queen’s ocean walls is she,
Grim guardian of her honor, yet that prow
Ne’er upon nobler errand cleft the sea,
Nor guarded Britain’s honor more than now.

Day after day uprose the golden sun,
Night after night it sank beneath the wave,
Pointing the vessel on that carried one
The Empire honored to his western grave.

As Truth led that strong soul where’er it would
Onward through strife to honor without stain,
So is he brought through ocean’s solitude,
With but the billows for his funeral train.

No warrior he the blood of men that shed,
His was the higher task to make them one,
And Canada, awaiting now her dead,
With tears attests the task was nobly done.

Yet, not within this sea-borne funeral car
The patriot lies. He is no longer here,
But onward, upward still, he journeys far
Beyond our ken to some still nobler sphere.

The harbor of his earthly wishes won,
Fresh from new honors from his Sovereign’s hand,
To him the summons came. Earth’s voyage done,
He set his bark towards the eternal strand.

He has gone forth, and leaves us but his name
And this cold clay that waits the silent tomb;
Yet passing years shall never dim his fame,
Nor love forget him in their gathering gloom.

With tolling bell and beat of muffled drum,
With mournful boom of cannon, lay him down
Within the sepulchre, to which shall come
Faintly the murmur of his native town.

In death he knit the Empire closer yet,
Causing unnumbered hearts to throb as one.
Here by his tomb may Canada forget
The bigotry that he had fain undone.

With his Queen’s wreath upon his pulseless breast,
Lulled by the murmur of the restless wave,
Life’s voyage done, he takes his well-earned rest,
In port, at last, with God beyond the grave.

WILD FLOWERS.

In Arcady, the happy swain,
Who wandered through the woods and meadows,
Oft turned his head and oft was fain
To start or smile at shifting shadows.
Sometimes, within a verdant brake,
He saw a wood-nymph’s graceful form
Gleam white, and felt her beauty make
His heart beat fast, his cheek grow warm.

Sometimes while loitering by a brook,
Whose ripples dreamy music made,
He spied in some sequestered nook
A naiad, on the marge who played,
Or when the breeze the leafage stirred
On drowsy summer afternoons,
Sometimes afar he thought he heard
The satyrs pipe their merry tunes.

But Jupiter no longer wooes
Antiope, nor Venus’ lips
Tremble as she Adonis sues,
And he from her embracement slips.
No longer nymph nor naiad now,
Nor faun nor satyr haunts the wood,
Gone is Diana with her bow,—
The woodland is a solitude.

Are nymph and naiad gone indeed,
And is there now no Arcady?
A fairy choir in wood and mead
In gentle accents answer, “Nay.”
And those who leave the world awhile
With nature’s spirit to commune,
May still see nymphs in woodland aisle
And naiads bathe at sunny noon.

Beside the murmurous streams that wind
Beneath the tangled foliage-meshes
Some sleeping naiad we may find,
With charms the inmost soul deems precious.
And deep within the tawny shade
Of pathless forests we may meet
Some true wood-nymph, who, unafraid,
Receives us in her cool retreat.

At every step through sunny wood,
Beneath our feet the wild flowers spring,
Nymphs of that sylvan solitude
That us to love their beauty bring;
And still we follow, as of old
The swain pursued the fleeting shape,
For once their graces we behold
None can their mystic lure escape.

At every step beside the stream,
Some nodding blossom beckons still.
We see its slender figure gleam
Chastely beside the crystal rill.
Perchance it droops its dainty head,
Or looks us fearless in the face,—
Ah, no, the naiads are not fled,
The stream is still their dwelling-place.

Earths turmoil has but dulled our ears,
Its dust has but obscured our sight.
The pipes of Pan whoever hears
Will see as well the woodland sprite.
The revels of the leaves and wind,
The sudden glimpse of blossoming flowers,
These are his prize who leaves behind
The world, and strays through Nature’s bowers.

Oh, had I in Arcadia dwelt
I would have watched for every gleam
Of shoulder, as some naiad svelt
Clove the clear crystal of the stream;
I would have followed in pursuit
Of artful nymph through tangled brakes,
And heard with joy the satyr’s flute,
Whose melody soft echo wakes.

And so, from earliest days of spring,
When the first wild flower lifts its head,
Till autumn, when the breezes fling
Broadcast the dying leaves and dead,
Through sensuous summer’s golden hours
I roam the vast, Canadian woods,
Seeking the wild Canadian flowers,
True nymphs of sylvan solitudes.

DEDICATORY BALLAD.

(Written for the unveiling of the Monument erected by the Citizens of Montreal to Paul Chomedy de Maisonneuve.)

The leaf in the forest had budded, of verdure a billowy sea
Over the woodland was flowing, o’erwhelming valley and lea.
The great river, bright in the sunshine, set the isle in a circlet of gold
As it swept to its tryst with the ocean, through realms of riches untold.

The slow-moving oar cleft the water, the balmy May breeze filled the sails,
As the wanderers drew near their haven, afar from the sea and its gales;
From the land of their fathers afar, and anear the keen Iroquois knives.
But the pilgrims, to fear ever strangers, to the Cross had entrusted their lives.

Not sordid were they. Not the treasures of earth they had come to pursue,
Not for honor nor glory. Far nobler the object our sires had in view.
To carry the cross to the savage, braving danger and hardship they came.
They came for the love of the Virgin, a city to found in her name.

Their hearts were o’erflowing with gladness. They sang as they drew near the strand.
Their barks gently touched on the shingle, and Maisonneuve, leaping to land,
Bent his knee, and the others knelt with him, uplifting their voices in prayer
To the Ruler of all, while, prophetic, the priest in his vestments stood there.

The shadows of twilight were falling, the frog loudly piped in the marsh,
The wild duck lurked in the shallows, and anear screamed the kingfisher harsh,
High above swept the night-hawk in circles, in the meadow the fireflies gleamed bright
And were caught, to adorn the rude altar with garlands of pulsating light.

The wanderers calmly sought slumber. The sentinel stood at his ease,
The rivulet gurgled and eddied, and answered the murmuring trees,
The mountain loomed dark in the distance, and the wolf looking down from the height,
In wonder and awe, saw the camp fire that burned on a city’s birth night.

If you ask how that mustard seed flourished, and spread its great branches abroad,
If you ask at what sacrifice nourished or watered with what noble blood?
Lo! the pages of history answer. There ’tis written in letters of gold
How each was a Christian and soldier, who founded Ville Marie of old.

They lived on the confines of chaos. Whenever the savage horde broke
On the ill-fated colony, they were the first whose arm parried the stroke.
They were Dollards in heart, and went even to torture and death with a smile,
While the women, like angels of mercy, stanched their wounds and their woes did beguile.

None braver, and no one more gentle, none wiser in council than he,
Maisonneuve, this, the new world’s defender, who for God held his whole life in fee.
He led them in worship, consoled them when thickly their troubles did fall,
Maisonneuve the undaunted, the founder, Æneas of old Montreal.

And here where he battled lone-handed with savages thirsting for blood,
Where now beats the pulse of a city, the heart of a new nationhood,
Long years may his monument stand that our children may ask and be told
Of the leader who founded Ville Marie, and honor the heroes of old.

TIMOR MORTIS CONTURBAT ME.

(The Fear of Death Affrights Me.)

Shall I too sing, as he sang of old,
The tuneful singer beyond the sea,
When life’s flame sank and his blood waxed cold,
Timor mortis conturbat me.

Earth is so fair to look upon,
And life so sweet, though there sorrows be,
Why welcome the summons to be gone?
Timor mortis conturbat me.

Wife that I love as the sea the moon,
Babes that prattle about my knee;
Has heaven itself a dearer boon?
Timor mortis conturbat me.

Is there heaven at all or only the grave
With the lisp of rain in the willow tree,
Will the after death give all I crave?
Timor mortis conturbat me.

Will there be ideals still to follow,
And truths, like nymphs my pursuit to flee,
Or will the ancient faith prove hollow?
Timor mortis conturbat me.

Are there golden suns in a golden noon,
Are there grey, still dawns on a dewy lea,
Are there twilights there, with a crescent moon?
Timor mortis conturbat me.

Are there aims to spur me and goals to reach,
Are there wondrous lands for the eye to see,
Is melody there and dulcet speech?
Timor mortis conturbat me.

Does friend meet friend and love meet love,
Greet and converse with sober glee,
Or is all new in the courts above?
Timor mortis conturbat me.

Is heaven like earth on a nobler plan,
As in dreams we image it, hopefully,
Or does the Spirit forget the Man?
Timor mortis conturbat me.

Shall I be I when the death-throe’s past,
Soul from the flesh set only free,
Or in new mould shall I be recast?
Timor mortis conturbat me.

If heaven be not akin to earth,
I shall not be I, if I happy be.
If I be not I, what is heaven worth?
Timor mortis conturbat me.

ON NEW YEAR’S EVE.

The wintry moon was streaming
Through the window, silvery-clear,
And I sat in my study, dreaming
Sweet dreams of the coming year.

There was no sound save the laughter
Of flames on the gusty hearth,
As hour followed fleet hour after
To welcome the Year with mirth.

Then, sharp through the solemn quiet,
I heard in the gloomy hall
The scamper of mice run riot,
And I heard them in the wall.

I leaned on my hand and listened
To hear the cravens go,
While paler the moonbeams glistened
And the fire on the hearth burned low.

And was I awake, or sleeping,
That, close by the door, I heard
The voice of a woman weeping
The sigh of a farewell word?

And was it the night wind mocking
That tapped and opened the door,
Or was it a woman knocking
And a light step on the floor?

I saw at my side a maiden
With tears in her gentle eyes,
And her shapely arms were laden
With gems from time’s argosies.

On her brow was a white star shining,
On her breast was a lily fair;
But of rue was a sad wreath twining
Among her golden hair.

From my chair to her dear side springing,
I greeted her with a kiss,
For I thought her the New Year, bringing
New uncut jewels of bliss.

She blushed at my warm embraces
And joy in her sweet face shone,
As sunlight a shadow chases
While a summer cloud floats on.

I said: “I have long been yearning,
New Year, to behold thy face.”
Pale grew the maid, and, turning,
She shrank from my close embrace,

And wept: “Oh! thou fickle hearted
The depth of my love to prove,
Yet ere from my bosom parted
To sigh for an untried love.

“I brought thee the rarest treasures
Time’s treasury could bestow;
I sated thy days with pleasures,
And guarded thy heart from woe.

“Thy wish I refused thee never.
I granted thee love and peace;
Yet thou scornest me now, or ever
My labor for thee doth cease.

“See, here are the gifts I showered
Thy life’s pathway upon,
And now that thou hast been dowered
With all, canst thou wish me gone?

“O thankless heart, wilt thou never
Be satisfied with thy lot,
Or must thou be pining ever
For joys that as yet are not?

“And turn from my fond embraces
An utter unknown to greet,
As a child a butterfly chases
Treading flowers beneath his feet?”

Then, like the great sun springing
Through night to a tropic dawn,
My heart, to the Old Year clinging,
Yearned for the joys nigh gone.

And oh, what a wave of sorrow
Passed over my grieving soul,
As I thought of the new to-morrow
That led to some unknown goal!

“Oh, stay,” I cried, soul-shaken,
“Heed not the flight of time,
Oh stay,”—But I was forsaken,
And heard the New Year chime.

IN THE CLOSING HOURS.

In the closing hours of night,
When the latest guest has gone,
By the hearth fire’s flickering light
Sweet it is to dream alone.

Sweet the social joy, and sweet
Strife that ends in victory;
Sweeter still the peace complete
Following on the eager day.

Then how sweet the lassitude,
Revelling in romantic rest,
Buoyed on dreams, whose mystic flood
Draws the soul on happy quest.

In the closing hours of life,
When the friends of youth are gone,
Ended lust of gain and strife,
Peace approaches with the dawn.

Sweet the rest and solitude
When the hair is turning white,
While the past, with broadening flood,
Murmurs through the closing night.

WHERE HEAVEN IS.

When the babe is swung in its pearly cot, the warm sun shining, the song-birds gay,
Cool shades among, in its lacework grot, the child reclining doth dreamful sway.
Hope’s hand, entwining life’s harp new strung with joyous garlands, its sound doth stay,
And he thinks earth heaven, to him God-given, nor cares though the passing hours delay.

From the threshold of life on the bright pathway that stretches afar to the infinite,
Youth yearns for the strife, as a child for play, and his dreamings are of a well-won height.
As at dawn of day when the Morning Star unbinds the zone of the virgin Light,
We watch, all breathless, for beauty deathless, so heaven’s beyond us, yet seems in sight.

And then, ah, then, as the years go by, and hope grows weary with waiting long,
When trust in men we must fain deny, the miserere replaces song.
Like slaves that ply in the galley’s den the laboring oar, through sin and wrong,
The soul plods on, and heaven is gone; we can but suffer and yet be strong.

When the snows of age fall thick and fast, and passion has faded like flowers that grow,
The memory sage dreams dreams of the past and all that has made it have joys below.
When the friends long laid in the grave, at last, stand beckoning us in the twilight glow,
And wrongs endured prove that which cured, the heaven behind us too late we know.

The heaven of man is never here; it always is where his treasures are.
To-day’s brief span arches little dear; the stream of bliss seems wider afar.
From this to this the path is drear; there’s always something each joy to mar,
Till the past that is real becomes ideal under the gold of life’s twilight star.

NEW YEAR’S EVE.

Air—Belle Mahone.

Hark! the tolling of the bells.
How it sinks and how it swells!
O’er the sleeping town it knells,
“Fare thee well, Old Year.”
Far across the snowy plain
Rolls the many-tongued refrain,
And the echoes cry again,
“Fare thee well, Old Year.”

Thou hast been a kindly year,
Thou hast spared us many a tear,
Thou hast vanquished many a fear,
Fare thee well, Old Year.
Lightly touched by summer showers,
Budding hopes have grown to flowers,
Happy days have flown like hours,
Fare thee well, Old Year.

Many a lesson thou hast taught,
Precious favors thou hast brought,
Pleasant changes thou hast wrought,
Fare thee well, Old Year.

Now thy rule is near an end,
Thy last records have been penned,
We must part at last, true friend.
Fare thee well, Old Year.

Close and seal the book of fate,
With whate’er it may relate,
Sin and goodness, love and hate,
Fare thee well, Old Year.
One more volume is complete,
Take it to the Mercy Seat,
Lay it at the Master’s feet,
Fare thee well, Old Year.

REFRAIN.

Fare thee well, Old Year,
Fare thee well, Old Year,
Thou hast been a faithful friend,
Fare thee well, Old Year.

PEGASUS.

If you find Pegasus a steed
Scornful of your control,
Who canters well enough, indeed,
But will not caracole,
So much the better, poet mine,
’Tis bottom wins the race.
Let poetasters prance, in fine;
Keep you the steady pace.

Let poetasters hunt for sound,
Chase metres, out of breath;
Great thoughts are not thus run to ground,
Nor fame in at the death.
So, let your Pegasus be free
To hunt some thought sublime,
While you sit still, with clinging knee,
And gallop simple rhyme.

Ah, friend, of all the joys of earth,
There’s nothing like the hunt,
The good horse straining at the girth,
The clear-tongued hounds in front.

And if your Pegasus can bear
You well before the rout,
Don’t curb and make him beat the air;
Loose rein, and let him out.

Oft when a poet’s rhymes I read,
With ornate language wrought,
Its cadences, though sweet indeed,
But hide the lack of thought.
Be yours the poem that can stand
From trappings wholly free,
Each thought a Phryne, to be scanned
In fearless nudity.

IT WOULD BE EASY TO BE GOOD.

Who walks the paths of righteousness
Or follows ways of evil,
Who knows the joys that angels bless
Or sin’s insensate revel,
At last, too well has understood
Sin is not worth a feather.—
It would be easy to be good,
If all were good together.

Waiving the conscience we offend,
And weighing but the pleasure,
Though we all sinful joys might blend,
They make a sorry treasure.
The loftiest joys must be subdued,
The soul we fain must tether.—
It would be easy to be good
If all were good together.

Oh, would that man might give free scope
To every gentle feeling!
The soul would realize its hope
Its noblest side revealing.

Would man might trust man’s brotherhood
In calm and stormy weather.—
It would be easy to be good
If all were good together.

If no one schemed to do a wrong,
No need for wrong were given;
If each his neighbor helped along,
This earth would be a heaven;
If men once met in rectitude,
Farewell, the regions nether.—
It would be easy to be good,
If all were good together.

THE LITTLE TROOPER.

Swift troopers twain ride side by side
Throughout life’s long campaign.
They make a jest of all man’s pride,
And oh, the havoc! As they ride,
They cannot count their slain.

The one is young and debonair,
And laughing swings his blade.
The zephyrs toss his golden hair,
His eyes are blue; he is so fair
He seems a masking maid.

The other is a warrior grim,
Dark as a midnight storm.
There is no man can cope with him.
We shrink and tremble in each limb
Before his awful form.

Yet though men fear the sombre foe
More than the gold-tressed youth,
The boy with every careless blow
More than the trooper grim lays low,
And causes earth more ruth.

Keener his mocking sword doth prove
Than flame or winter’s breath.
Men bear his wounds to the realm above,
For the little trooper’s name is Love,
His comrade’s only Death.

CUPID’S DISGUISES.

Dan Cupid wears disguises.
We never see his form,
Till suddenly he surprises
And takes the heart by storm.

He hides at times in the blushes
That tinge a cheek so fair,
Or oft in the moonlit hushes
In a sweet voice on the air.

Sometimes he’s in the dancing
Of mirth in azure eyes,
Sometimes in the curve entrancing
Of lips that part in sighs.

And sometimes in the glimmer
Of arm, rich lace beneath;
Sometimes in the tresses’ shimmer,
Sometimes in the peep of teeth.

Oh, he’s a little bandit,
And bold as bold can be.
He leads us, single-handed,
Into captivity.

For none is a match for Cupid.
He swifter is than thought.
The keenest mind is but stupid
When he begins to plot.

MUSIC.

Life hath such longings, bitter sweet,
And yet so few it satisfies
That man fain dreams life is complete
Only beyond the skies.

And like the mystic cloud of fire
That guided Israel’s way by night,
Every unsatisfied desire
Leads man towards the right.

Around him, mingling with the dust,
Youth’s pure ideals, shattered, lie;
Hope, virtue, charity and trust
Amid life’s deserts die.

Fade aspirations, fades each dream
Of goodness, honor and renown.
Man floats on a polluted stream,
Which fain would drag him down.

But music, like the nightingale
That sweetly sings in woodland brakes,
When hope and trust and virtue fail,
Man’s nobler nature wakes.

Only in music doth man find
An echo of the dreams of youth,
When he saw gods among mankind,
In woman only truth.

BABY’S STOCKING.

Baby’s dainty little stocking
Hangs beside his wicker cot,
Darling mother’s wishes mocking
And the treasures she has brought.

For it is so small that never
Gift can find a place inside.
Was there doting mother ever
So distressed at Christmas tide?

Baby’s eyes are closed and dreaming
Of the gentle mother face;
Baby’s hands are clasped and seeming
Interlocked in fond embrace.

Baby’s lips are softly smiling,
And the Rubicon of youth
He has passed, for lo! beguiling
Mother’s kisses, peeps a tooth.

Naught for gifts is baby caring.
Santa Claus has many a gem,
But, God’s love and mother’s sharing,
Baby has no need of them.

MY DIVINITY.

I am a god; yes, I,—
(Smile, if you will, at the claim)
Mote though I am in the ambient sky,
Housed, I confess, in putrescible frame,
Still, a divinity.

My sceptre I claim, and, perchance,
My altars as well,—who knows?
You would prick my pride with your wit’s keen lance,
You know my radius. Well, suppose
You pipe, I dance.

Am I the Primary Cause?
That’s my affair, not my creatures’.
Did I create nature’s adamant laws,
Or am I but one of her manifold features?
Fellow gods can pick flaws!

But the little corpuscles of blood
I create by millions each hour,
Do you fancy the witless ephemeral brood,
As each lives its life, can my limits and power
Declare understood?

Alone in the grey of my brain
I sit and my universe rule.
What can they know of their god, though they fain
Question, perhaps, each contemptible fool,
What joy is, why pain?

Do they brag of their universe, boast,
Worsting some hostile bacillus,
Fight over their God, sect term other sect lost,
Read my ways or complain, “Why torment us and kill us?”
What fate has each ghost?

Perfecting some large thought that may
Move the earth that I dwell on,
A million my creatures, remorseless, I slay.
Am I annoyed if they call me a felon!
It is I, or they.

My work, for their sake, shall I cease,
My very nature disjoint?
Is there aught but destruction for all in such peace?
Must I miracle work for a microscope point,—
Corpuscles to please?

We are not one, we are twain,
Yet are we one and not two.
They are the universe, I am the brain,
In and about them, knit through and through,—
Chords in one strain.

In common we have, at least, this,
Creator and creature, that we
Must rise to the height of our powers, or miss
Life’s best for ourselves, and each other decree
Frustrate of bliss.
. . . . . . . . . .
Is, now, this godhead of mine,
My limits, this difference vast
Between creature and maker, a symbol? In fine
Is mankind but a host of blood corpuscles, massed
Through the Divine?

THE SLEEPING SOUL.

Will ever thy soul awake,
Awake and come smiling to greet my own?
Will ever the love-light break
From thine eyes upon me, like the sun
On the billows that shoreward run,
Into foam by the winds of the ocean blown?

To me seems thy pure soul sleeping.
Thou hast in thy heart a bird,
But its head is under its wing.
I watch it and think with weeping
How sweet a song it might sing;
Yet by love it is never stirred.

Oft in the hush of a drowsy night
I dream that I hear that low bird voice
Lilting so merrily,
Singing so cheerily,
Bidding my heart to its depths rejoice;
But alas, takes flight
My dream before the dawn’s lance of light.

Alas, it is not for me
To kiss thy soul, as the prince in story
Kissed the Sleeping Beauty’s lips,
And to a life-love waken thee.
Round thee there is a maiden glory
Fairer than circles the sun that dips
Into the sea while chill night comes creeping
Slowly, silently through the sky;
But as well might I
Reach out my hand to the sun and try
To make his glory my very own
As think to touch with my finger tips
Thy glorious beauty that shrinks from me.

THE MOTHER.

Down the bright pathway of life, where joy, like the throstle, was singing,
She passed, like a sungleam at dawn, through mistlands of sorrows and fears,
Seeking the soul of the babe at her bosom now nursing and clinging,
And stood in the valley of death, gloomed with the shadow of tears.

Ghost glided past after ghost, and shook ghastly arms at the mortal
Who dared to the valley of pain go down for the winning of life.
Hour after hour trembled by, as we crouched in our woe at the portal,
Made strangers to her whom we loved by strangers who looked on her strife.

Angels spake hope to her there, as she stood in the vale of the shadow,
Demons snarled at her heels, she was haunted by visions abhorred;
But Love was a lamp to her feet as she passed through the woe-blossomed meadow,
Seeking the soul of her child. She was brave, for her trust was the Lord.

Death turned his sword as she came, and she passed through the gateways of heaven,
Treading the pavements of pearl and haloed with shimmering gleams,
On, till the veil hung between immortal and mortal was riven,
And she brought from the garden of God the blue-eyed flower of her dreams.

PLUCK FLOWERS IN YOUTH.

Pluck flowers in youth, nor heed how old tongues prate;
Pluck flowers in youth, in age it is too late;
Pluck flowers when it is morn with flowers and you.
So soon they wither, do not hesitate,
Lest you should gather roses not, but rue.
Pluck flowers ere life grows cold and desolate,
And love turns hate.

Pluck flowers in youth; age is the time for wheat;
To age not even the rose itself is sweet,
Pluck flowers, pluck flowers in youth, while faith is great,
Ere life and joy grow cankered with deceit.
Pluck flowers in youth; no sadder thought brings Fate
Than memory of scorned joys crushed by our feet
In flight too fleet.

O FOOLISH HEART.

O foolish heart, to flutter so
With hope and fear;
O treacherous blush, to come and go
When he is near;
Why do ye to the world reveal
The passion I would fain conceal?

O ears, that love to hear him speak;
O downcast eyes,
Whose lashes droop upon each cheek,
Nor dare to rise;
Do ye not know she sees and hears
Fond looks and words that cost me tears?

Be brave, mine heart, if he despise,
Give scorn for scorn;
Be deaf, mine ears, be blind, mine eyes,—
Yet soul, why mourn?
Though she may claim him for her own,
My love, my love is mine alone.

MY HEART’S A MERRY ROVER.

My heart’s a merry rover,
Though innocent of wrong;
Forever beauty’s lover,
Yet never constant long.

When coral lips are pouting,
Their smiling to disguise,
He kneels and loves, not doubting
They are his richest prize.

Yet when, amid his dreaming,
He spies a bosom fair,
At once the rogue is scheming
To gain admittance there;

Though should he see the tresses
That frame a pretty head,
His love and his caresses
He spends on them instead.

Then, if bright eyes confuse him
With many a saucy stare,
The lips, the curls, the bosom
Must mourn their worshipper.

And yet this merry rover
Is nothing if not true,
He’s but one maiden’s lover,
And, dearest, she is you.

THE CIGARETTE SMOKER.

Mark her as she stands,
Blue eyes bright, match alight,
Shielding with her hands
The growing flame,
Holding to her lips, where the bee, love, sips,
The fragrant pleasure of man’s leisure,
Cigarette by name.

There! it makes her cough.
If she smoke, must she choke
When blue whirls come off?
Now she denies
The cigarette the bliss of her lips’ sweet kiss,
Holds it burning, to ash turning,
Till at last it dies.

Thus she lit my heart,
By the fell magic spell
Of love’s witching art,
And just as I
Burned with passion’s fire, shrank from my desire,
Let my yearning and heart-burning
Into ashes die.

TAKE ME AS YOU FIND ME.

Take me as you find me,
Take me so,
Else from love unbind me,
Let me go.

Two twin gifts God gave me,
Body and soul;
These shall lose or save me,
As years roll.

I can never alter;
I must wend
Onward, thus, nor falter
To the end.

If you love, then, love me,
Sweetheart, so
You’ll not look above me,
Nor below.

AT THE TRYST.

The evening stars are shining
Amid the gloom of air,
Like gold and jewels twining
Among thy golden hair.

They guard the dawn’s shut portal
And count the moments fleet,—
O maiden, we are mortal,
Why hasten not thy feet?

The moonlight and the shadows
Are wooing by the stream,
And far across the meadows
Thy windows brightly gleam.

My eager heart is beating
Beneath the trysting tree,
The evening hours are fleeting,
Why com’st thou not to me?

SONNETS IN CALIFORNIA.

ON A FLASK OF WATER.

Taken from the Pacific at Santa Monica, Cal.

From seas Alaskan, where, through sunless days,
The grinding ice floes cast a spectral glare,
I come to shores where, through the golden air,
Palms wave and bees dip in the orange sprays.
From shores Siberian, where the keen knout preys
On women, wan with torture and despair,
I come, a voiceless, palpitating prayer,
Where Freedom dwells, yet succor still delays.

From far Cathay, the oldest land of lands,
A giant sunk in poppied, dreamful rest,
I come where earth’s great last-born nation stands,
Flower of the centuries, the titanic West.
I come where East and West stand face to face,
The childhood and the manhood of the race.

SPRING IN THE SOUTH.

Through the quaint southern winter without snow,
Without an icy blast or chilling air,
When the broad mesas arid lie and bare,
The Ishmael cactus and the sage brush grow.

The golden orange bends the lithe branch low,
The sunflowers throng the by-ways everywhere,
Palms wave, birds sing. The earth lies free of care,
Basking in skies one golden, cloudless glow.

Then come the rains, and in their cortege bring
Streams to the canyons, and to ranch and glen
Wild flowers and orange blossoms, wherein rides
The bee on golden zephyrs. Swiftly then,
Like wind-blown fire, up the Sierra sides
A blaze of poppies runs, and it is Spring.

A WINTER DAY.

In the Sierras.

O’er the Sierras scarce the moon yestre’en
Was risen to flood each sombre peak with light,
Ere came a cloud host through the gusty night,
Storming the crags. Sheer canyon walls between
They swept, and hid bare ledge and living green.
Hoarse thunder pealed from unseen height to height,
As though the vast hills boasted of their might,
Though Chaos’ self upon them seemed to lean.

Dawn drew aside night’s veil of mist, and came
Across the hills. The clouds retired, and lo!
On every wind-swept crag, as Day looked forth,
Bright in the southern sunshine gleamed the snow,
A vision of the unforgotten North
’Twixt golden skies and poppy fields aflame.

In the Valley.

Snow on the hills, but in the valley, flowers,
Poppies aflame and orange blooms, whose scent
With the faint odor of the snow is blent.
Snow on the peaks, but in the canyons, showers,
And torrents drinking strength from stormy hours.
The geese wheel seaward through the clouds half spent,
Fleeing the snow and screaming discontent,
But in the vale birds trill in blossomy bowers.

Summer is in the vale, though in the heights
The bandit Winter lurks to seize his prey.
Still springs the grain, vines grow and fruit delights
Sun and soft winds through many a golden day
In many an Eden valley, nestling warm
Below the stern Sierras, wrapped in storm.

THE POOL OF SANT’ OLINE.

Sierra Madre, Cal.

Ere yet the Spanish cavalier
For this new world set sail,
Ere yet the padres came anear
San Gabriel’s sunny vale,
Ere yet the thirst for gold drew men
Across the western hills,
I rippled down this rocky glen,
The happiest of rills.

The shadows of the spreading oak
Oft lay upon my breast;
Oft through the brown madronas broke
The bear upon his quest.
Past starry yuccas, to my brink,
At many a crimson dawn,
The mountain lion came to drink,
And oft a timid fawn.

The golden moments came and went
Of many a sunny year,
And still I rippled on, content
And solitary here.
At times a weary miner came
And quaffed my cooling stream,
At times I saw the camp-fire flame
Of hardy hunters gleam.

Though oft I paused to hear some bird
Trill in the leaves above,
A maid I never saw nor heard,
Nor knew the name of love.
Oh, there was never rivulet
So merry in a glen;
But now I never can forget,
Nor merry be again.

She came, in thoughtless, girlish mood,
The dizzy trail along.
Upon my ferny marge she stood
And listened to my song.
I saw her, and I leapt for glee
In many a lucent wave,
And when she stooped to drink from me,
My very heart I gave.

She passed, and now no more I sing
Among the granite hills;
Instead, my ceaseless murmuring
The sombre canyon fills.
Oh! ye to whom that maid divine
Hath also heartless been,
Come join your mournful plaint with mine,
The pool of Sant’ Oline.

WINTER IN THE SOUTH.

At home the blossoms are asleep
Beside the frost-bound rills;
At home the snow is drifting deep
Upon the windy hills;
At home the ice king mocks the sun,
The woods are drear and bare,
And of the birds there is not one
Left singing anywhere.

But here the fields are green with grain,
The mesas bright with flowers.
The birds repeat each dulcet strain
They learned in Eden’s bowers.
’Midst ripening fruit, the orange trees
Have mingled odorous blooms,
And here and there the eager bees
Hum through the golden glooms.

The swart Sierras, crowned with snow,
Stand knee deep in the green,
Like patriarchs smiling as they go
Blithe groups of youth between.
Behind them is the burning sand
Of the Mojave[A] waste;
Before, the warm Pacific strand,
By golden seas embraced.

When in the palm tree’s shade I rest
Through a many a perfect day,
My heart would fain forget life’s quest,
And live in dreams alway;
But when upon the snow-clad hills
Mine eyes again look forth,
I wake. Thy spell my bosom thrills,
Stern homeland in the north!

Give me the seasons of the year,
The bursting of the leaf,
The northern summer brief but dear,
And autumn’s golden sheaf.
Give me the wintry moon’s pale gleam,
With snow and storm at strife.
The south is a bewitching dream,
But in the north is life.

THE KINDERGARTEN.

O blossoming lives that to the fruits
Now ripened for the gathering in,
Speak of old days, ere life’s pursuits
Touched the new soul with taint of sin,

We who now watch you at your game,
We, weary of the toil and strife,
Must envy you your scorn of fame,
Your eager, loving trust in life.

Perchance, the babe that, thoughtless, piles
His blocks unsteadily in air,
May yet a minster build, whose aisles
Shall echo to a nation’s prayer.

Perchance, the child that scarce can tell
The letters on his cubes of wood,
May yet with a poetic spell
Charm and uplift the multitude.

They question not, they only live
To pluck the blossoms of each hour.
Ambition frets them not, they give
No thought to pomp or place or power.

We too have toys, and we pursue
Our trivial aims; we rage and sigh
Because our blocks are built askew,
And our best hopes in ruins lie.

Yet over us, as over these,
A teacher watches, true and kind,
Striving to guide our fantasies,
And patient with the groping mind.

From flower of wisdom unto flower
He leads us, as these babes are led,
Till chimes, at last, the closing hour,
The prizes won, the lessons said.

And happy he who in this school
Of life, that fits the soul for death,
Has learned to serve as well as rule,
And speak for truth with every breath.

THE POET.

The budding flower that wakes at dewy morn
Attains perfection through the sun-swept day,
And poets, to life’s highest mission born,
By slow unfolding reach the perfect lay.

And like the harp, attuned to every breeze,
That in the open casement sighs or sings,
The poet soul is void of melodies
Till unseen spirit fingers sweep the strings.

Life, the magician, with his subtle powers,
Death, the dark helmsman over seas unknown,
Nature, all-mother, and the teaching hours
Through him their grand, mysterious chants intone.

And oft his numbers falter, and his song
In discord breaks, ere he can hymn again
The anthems of the wondrous spirit throng,
And voice strange thoughts beyond our mortal ken.

And oft the world and the world’s sins immesh
His soul, which still the pitying spirits calm;
And in the warfare between soul and flesh
His heart oft rises to the noblest psalm.

But should he cease to wage the upward strife,
Or thrall himself a slave to evil’s power,
Too proud the Muse to bless a craven life,
Too pure, a sinful heart with song to dower.

For the true poet, throwing down his gage
To fate, fights upwards far beyond life’s mist,
And with the broadened vision of the sage
Beholds all earth by hope’s warm sungleams kissed.

He learns that all who would be truly great
Mix with the battling world, nor shirk their part,
But take such trials as are given by Fate
And set them to sweet music by their art.

He only is a poet who can find
In sorrow, happiness, in darkness, light,
Love everywhere, and lead his fellow kind
By flowery paths towards life’s sunny height.

GOLD TRESSES.

My love is now a woman grown.
About her shoulders fall no more
Her locks, in beauty all their own.
Their days of liberty are o’er.

No longer may, with soft caress,
The zephyr’s unseen hand uplift
Each net-like, golden-threaded tress
To catch the sunlight’s moted drift.

I know each tress, and have a name
Whereby my memory holds it dear,
From that which is her forehead’s frame
To that which hides her shelly ear.

And one there is I loved to touch,
On which my heart first suffered wreck,
That sometimes fell aside too much
And showed the ivory of her neck.

And though ’tis bound upon her head
And all its beauty hid from me,
Still other charms I see instead,
And still am in captivity.

I see the grace of neck and ear
Unveiled, that erst beneath the tress
But peeped, as pearly sea shells peer
Through ocean’s weedy wilderness.

Ye captive tresses that disdained
My love, and wantoned in the wind,
I know your grief, for I was chained
Her slave ere ye were thus confined.

She hath but gloried in our love,
And laughs to find us strain our gyves.
Come, let us slaves unite and prove
That power to break her bond survives.

Aid me with love her heart to chain,
And soon, when she and I are wed,
My hands shall set ye free again
To wanton sweetly round her head.

EN ROUTE.

By town and hamlet, field and wood,
Past glimpses of empurpled hills,
O’er many a broad, sun-smitten flood
And many a myriad tinkling rills,
The train swings on and brings us twain
Each minute nearer by a mile,
While I to chafe at time am fain,
Which holds me sundered from thy smile.

I see among the emerald trees
Embowered, the village church spires gleam;
I see white homestead front the breeze,
And of our own sweet home I dream;
While still the fleet train brings us twain
Each minute nearer by a mile,
And fewer moments yet remain
To hold me sundered from thy smile.

The wheat fields shimmer in the sun,
Sleek cattle in the meadows browse,
Nor lift their heads, as past we run,
The lithe-limbed steeds and patient cows.
And still the fleet train brings us twain
Each minute nearer by a mile,
Till scarce a moment doth remain
To hold me sundered from thy smile.

Onward we sweep, yet all our speed
Leaves not pursuing night behind;
Stars sparkle in the sky’s broad mead,
And homeward plods the weary hind;
And still the fleet train brings us twain
Each minute nearer by a mile,
Until my heart is home again
And I am basking in thy smile.

AT DAWN.

At dawn of day a shaft of light
Pierces the sable breast of night,
Which, dropping many a sable plume,
Flits far into the nether gloom,
All silently.

At dawn of day the sun’s first beam
Dispels the mist that hides the stream,
And scatters from the hill and wood
The clouds that there did sit and brood,
Formless and grey.

And when the night from earth is driven,
And clouds and mist have fled from heaven,
The waking birds take eager flight
Up through the golden rain of light,
With happy song.

Into my life, that knew no day,
A maiden winged a kindly ray,
And, flying wearily and slow,
Far fled the sombre bird of woe
I harbored long.

My heart no longer pined in night,
The mists that hid hope’s stream took flight,
Life’s hills a sunnier aspect took,
And I found many a pleasant nook
Within life’s grove.

And now my thoughts, like birds, arise,
Singing, towards the golden skies,
Afar from earthly doubt and strife,
Through the pure radiance of her life,
On wings of love.

MY STAR.

There is a star in the pure ether high,
My other home it is,
Whereto, when sorrow threatens me, I fly,
And in my flight towards the vaulted sky
The hated sorrows roll
Down from my fleet-winged soul,
As from the sea gull’s circling form the spray
Drops to the storm-vext bay
Its pinions erst did kiss.

Well said the Seer, that overstudy brought
A weariness of the flesh;
And oft my brain, worn with its overthought,
Watches the night steal past, while sleep comes not.
Then doth my star arise
Slowly before my eyes,
Steady, serene and cold, yet heavenly bright,
And, while my grief takes flight,
Binds all my thoughts in leash.

No longer fear and discontent combine
To make my future drear,
For I arise and from that star of mine
Look down and see our small earth dimly shine;
And all life’s joy and pain
Their proper worth obtain,
And I to smile at all past fears begin,
For earth’s discordant din
Is stilled, and God I hear.

TO A PICTURE.

O stately head, O rippling grace
Of tresses flowing free,
O dark-eyed, queenly, thoughtful face,
Awake and comfort me.

Since love can thrill with noble zeal
The meanest of us all,
It may thy glorious form reveal,
Thy tender soul recall.

Then come thou from thy gilded cage
And nestle by my side,
And I will be thy faithful page,
If thou wilt be my bride.

Come, trustful eyes, and trust in me,
O sweet one, heed my cry;
Speak sad, sweet mouth, I wait for thee
To bid me live or die.

Tell me no artist’s god-like mind
To thy fair face gave birth,
But that his vision I may find
Alive upon this earth.

And I will seek her far and wide,
In palace and in cot,
And love shall once more conquer pride,
And she shall share my lot.

THE POET AND HIS RHYMES.

Whoever reads a poet’s rhyme
To find the poet there,
Might equally essay to climb
To castles in the air.

He lives not in reality,
Or rather, lives too much.
He makes a forest of a tree,
A palace of a hutch.

To-day a transient pang appears
His life’s eternal sorrow,
But he is laughing through his tears
And full of joy to-morrow.

For if there’s oft a germ of truth,
The flower is fancy’s own.
’Tis the world’s heart he shows, in sooth,
And his is still unknown.

And sometimes in his happiest days,
Without excuse or cause,
He pens the mournfullest of lays,
To win the world’s applause.

And from the saddest heart, at times,
The merriest stanzas flow.
Friend, think not by the poet’s rhymes
The poet’s heart to know.

TO AN INFANT.

O little one, new born,
I would I were like thee;
Then were this whole world’s scorn
And praise alike to me.

Then would I look on life
As do thine azure eyes,
And know how vain its strife,
How paltry what we prize.

Tradition cannot claim
Dominion over thee,
Nor fear the pinions maim
Of thy young soul and free.

All things to thee are new.
Thy mind runs in no groove.
Thou dost both false and true
Question alike, and prove.

Thou art no shadowy soul,
But the incarnate “I”,
And thou wilt reach thy goal,
Or failing, thou wouldst die.

Indomitable will
That makes us all obey,—
If I were childlike still,
I were more man to-day.

TO SCOTLAND.

Miles upon miles of ocean
’Twixt Scotland roll and me.
Its hills and dales I have not seen,
And scarce expect to see.
The homestead of my fathers
The keen ploughshare has torn,
And where the hearth once welcomed all
Waves now the golden corn.

Oh, Canada, my country,
My love for thee is deep,
Yet I fain would see the old church-yard
Where my forefathers sleep.
And fondly, ever fondly,
My heart in secret yearns,
That its songs may find a welcome
In the bonnie land of Burns.

Upon the Scottish heather
I opened not my eyes,
I cannot speak the sweet Scotch tongue,
Remote my pathway lies;
Yet Scotland, mother Scotland,
Though fate us twain may part,
I claim my heritage of thee,
For I have the Scottish heart.

ROSINA VOKES.

The years may come, the years may go,
And many a song be sung
Across the footlight’s golden glow
By many a silvery tongue,
But though new divas charm the ear,
Still memory shall recall
One song we nevermore shall hear:
“His ’art was true to Poll.”

For who that hath the singer’s heart
Will care to sing that song
To those whom She, with witching art,
Had held in thrall so long?
Let other songs our pulses stir,
Delight us with them all,
But leave unsung for sake of her
“His ’art was true to Poll.”

Time was when every heart beat high,
Each lip was wreathed in smiles
To hear her sing that melody
With all her witching wiles;
But now, ’twould be no song of mirth,
’Twould bid the sad tears fall,
For though She dwells no more on earth,
Our ’arts are true to Poll.

A LITTLE MAID.

I know a maid beyond compare
For virtue sweet and beauty rare.
Her eyes are turquoise and her hair
Is sunlight netted.

She has her lovers, great and small,
The quiet student, wise and tall,
The child that hugs its battered doll,—
By them she’s petted.

Her heart seems ever warm and gay,
In smiles and kindly words, each day,
She scatters round her on life’s way
Love beyond measure.

The wild flowers, as she passes by,
Bloom sweeter for her being nigh;
The bird that mounts into the sky
Sings for her pleasure.

Her sorrows she is wont to hide,
Her joys she shares on every side;
She is her doting mother’s pride,
Her father’s jewel.

If we, who style this world so bad,
But strove, like her, to make it glad,
Life then would seem by far less sad,
Nor half so cruel.

SAMSON AND DELILAH.

Thou art o’erbold, Delilah, thus to try
Thy traitorous arts upon a soul like mine,
And lure me to eternal slavery
With glances warm like wine.

One clasp of my strong hands at will could break
Thy tender body, like a fragile flower.
How darest thou prey of my heart to make,
And plot against my power?

Hast thou no fear the brute in me will rise,
Wrathful, and tear thy shapely limbs apart,
And dull the jewelled lustre of thine eyes,
And still thy faithless heart?

Why dost thou let me look upon thy face,
And see myself embowered in thine eyes,
And every curve of thy lithe figure trace
Beneath thy robe’s disguise.

What harm have I wrought thee that thou shouldst stand
And menace all my life with one great woe?
Thou hast me in the hollow of thy hand—
Take me or let me go!

MY LADY’S BONNET.

My lady has a stylish bonnet,
Bedecked with ribands, gay and bright,
And with a song bird perched upon it,
With tiny wings outspread for flight.

Its little beak is opened wide,
As though in its most joyous trill
The harmless thing had suddenly died.
One waits to hear it carol still.

My lady has a tender heart,
She feeds the poor, instructs the young,
At tale of woe her tears will start,
And words of kindness throng her tongue.

My lady’s eyes are full of glee,
But cloud and with just anger flash
If in her walk she chance to see
Some poor beast cringe beneath the lash.

My lady has a stylish bonnet,
Bedecked with ribands gay and bright,
But with a slaughtered bird upon it.—
My gentle lady, is this right?

FLOWERS AND FEARS.

She had been in the fields at play
Through golden summer hours,
And brought with her, at close of day,
A cluster of wild flowers.

And when she slept, we went to see
The little one at rest,
Our own sweet flower, and there, ah, me!
The flowers lay on her breast.

Her little brow was smooth and white,
Her merry eyes were closed,
She smiled, as though some heavenly sprite
Whispered as she reposed.

She looked so pure, so white, so fair
Below the ominous flowers,
She seemed a blossom plucked from care
To bloom in heavenly bowers.

And oh, the whelming flood of pain,
The sudden sense of dearth!
We kissed her o’er and o’er again,
And brought her back to earth.

THE ROSEBUD.

In my garden a rosebud is growing, is growing,
So fast, ’twill be blossoming soon.
Around it the zephyrs are balmily blowing,
The sweet scented zephyrs of June,
Of June,
The odorous zephyrs of June.

My love shall watch o’er, and protect, and protect it,
While shyly its petals unfold.
The bees shall not rob nor the canker affect it,
Nor night make it tremble with cold,
With cold,
Nor night make it shudder with cold.

And when it is blown, I’ll bear it, I’ll bear it
To her whom I worship alone.
On her beauteous bosom she’ll lay it and wear it
And rival its charms by her own,
Her own,
And shame all its grace by her own.

NIL DESPERANDUM.

Life with life is woven in.
Neither sorrow nor delight,
Neither nobleness nor sin,
Known to one
But falls upon
All men with its grace or blight.

He who sinks into despair,
He who from his task recoils,
Makes his fellow-laborers bear
On life’s road
A heavier load.
Some one for each sluggard toils.

What though failure crown our task!
’Tis the portal to success.
Often Fortune wears a mask.
Face the strife
And live your life;
Be no coward in distress!

FLESH AND SPIRIT.

Say what you will,
If love would have its fill,
Though it may feed long on the one dear face,
It never is content, save in embrace.

Say what you will,
Though passion have its fill,
It never is content, nor has delight,
If love come not to sanctify the rite.

Harmonious flesh and spirit,
These only shall inherit
The joys of earth, and in the dread To Be
Not death itself shall break that unity.

Woe to the narrow heart
Would strive these twain to part;
Look down the ages, through the world’s mad din,
This is the one unpardonable sin.

IN CHURCH.

I never feel so near to God and heaven
As when I kneel in worship at thy side,
And hear thy humble prayer to be forgiven
For sake of Him who for our saving died.

And though I do not mingle with thy prayer
Plea of my own, but, silent, bow my head,
So close our souls are knit, I seem to share
The bounteous blessings God on thee doth shed.

I hear the choir their joyous praises singing,
But not their voices soften my flint heart;
Thine only in my inmost soul is ringing,
Bidding peace enter, grief and sin depart.

And as the music through my pulse is stealing,
The rampart of my pride a ruin falls,
Even as of old the Jewish trumpets’ pealing
Shook down of haughty Jericho the walls.

SUCCOR THE CHILDREN.

Wan hands that never grasped a flower,
Ears stranger to the wild bird’s song,
To rule, where shall they find the power?
How wage life’s battle, right the wrong?

When the great hour of duty comes,
How shall they meet the mighty toil,
Whose blood is tainted by the slums,
Whose ears know but the street’s turmoil?

Succor the children of the street,
And teach them in the fields to play,
Nor let them in the stifling heat
Of crowded cities fade away;

That, when we drop the thread of life
And, dreamless, sleep beneath the sod,
They may be ready for the strife
That brings this planet nearer God.

THE SUNSET LESSON.

I watched the sun one summer eve
Sink slowly in the west,
And the quiet sea and fleecy clouds
In rosy robes were dressed.

I saw the evening glide away,
Yet still the sea and sky,
As faint the star-zoned twilight grew,
Were full of majesty.

And as, upon the breezy hill,
I turned to sky and sea,
Methought that nature spake and bade
My spirit guileless be,

That, as the deepening shades of age
Close round me, like the night,
The memory of my past might still
Life’s evening gild with light.

AS FROM THE NECTAR-LADEN LILY.

As from the nectar-laden
Lily the wild bee sips,
A British queen, sweet maiden,
Drained with her loving lips
The poison that was filling
Her husband’s veins with death,
Her love with new life thrilling
His heart with each drawn breath.

Not less thy love, sweet maiden,
Nor less thy bravery,
For when I came, o’erladen
With poisoned hopes, to thee,
With smiles and shy caresses
The venom thou didst drain,
And, healing my distresses,
Didst give new life again.

MUMMY THOUGHTS.

Once those who sought for relics of the past
Stumbled by chance on an Etrurian tomb,
And saw a monarch sitting in the gloom,
Sceptred and crowned. Their eager hearts beat fast,
And on the masonry themselves they cast,
To seize the wonder. As, throughout the room,
The axe stroke rang, it knelled the monarch’s doom.
He fell to dust, and left them all aghast.

So, oft while searching through the realms of mind,
I have discovered many a kingly thought,
In solitary grandeur throned and crowned,
And striven to bear it forth, only to find
That, when the first stroke of my pen did sound,
It fell to dust, and lo! I had it not.

TO CERTAIN NATURE POETS.

Friends,—such I call ye, for it is not meet
To hail ye brethren in the tuneful art,
Since I but falter, though of earnest heart,—
Friends, I have thought, reading your measures sweet,
Your verses, though with many a charm replete,
Were bettered did they some high thought impart,
Or in man’s conscience plant a sudden dart.
Why proffer roses when the world craves wheat?

Who paints a picture hath ill done his task,
If he show not the soul in that he paints.
Why give to mere description all your lays
While what the eye beholds is but a mask
To some grand truth the poet’s hand should raise,
Revealing that for which man’s spirit faints.

THE PATRIARCH’S DEATH.

The birds that twitter in the budding trees
And build their nests in some umbrageous grove,
Through early summer guard the young they love,
And fill the air with tuneful melodies.
Then, as the fledgelings wake from dreamful ease,
Eager throughout the unknown world to rove,
The parents teach them their new strength to prove,
And beat with fearless wings the summer breeze.

And then the nest sways empty on the bough.
The parents, weary, although sweet the task,
Take flight to other haunts, to rest from care.
The fledgelings in the glowing sunbeams bask,
Living their life. So is it everywhere,—
The patriarch dies; he is but resting now.

OH, WERE IT NOT.

Oh, were it not for one fair face,
One angel voice, one loving smile,
The world would be a dreary place,
And life to me not worth the while.

Methinks the sun shines but to show
How wondrous fair the maiden is;
Methinks the warm winds only blow
That they may kiss her draperies.

I know the roses bloom that they
May live an hour upon her breast;
I know that I would willingly
Share their brief life to share their nest.

FAREWELL.

When the heart speaks, the lips are still,
And if I cannot say farewell,
’Tis that a thousand yearnings thrill
My heart, and hold my lips in spell.

Let thine own heart the thoughts express
My lips would speak. Yet why repine?
I knew thee, and, at least, can bless
Thy life, though sundered far from mine.

THE TIDE.

Twice in the day a mighty tide there rolls
Throughout our city streets,
A limitless, deep sea of human souls,
Each wave, a heart that beats.

Ah, me! what various ships are drifting there,
Upon that living sea;
What guile and innocence, what joy, what care,
What utter misery!

At morn it ebbs far from home’s golden shore
Into the sea of life,
Where its dark billows meet and foam and roar
In never-ending strife.

At night it flows, far from the mart’s turmoil,
Backward upon its way,
Where wives and children bring sweet rest from toil,
Till dawns another day.

From year to year ’tis thus these waters move,
Life’s duties to fulfill;
Obedient to the silvery moon of love,
That rules them at its will.

MY COMRADE.

Could I have had you made a boy,
And both be young through life,
Methinks I might forgo the joy
Of calling you my wife.

For sweet as is the kiss of love
And all our converse staid,
Still dearer to our hearts doth prove
Some wayward escapade.

When from behind your glistening foil
You dare me to the fray,
From sober spousehood I recoil;
It is “en garde” straightway.

And when we urge our light canoe
Upon some sparkling tide,
More prone am I to think of you
As comrade than as bride.

Ah, were you but a youth, like me,
Who could, unawed, recline
By huge camp fire, beneath some tree,
Upon a couch of pine;

And could you press through marsh and brake
And thrive on hunter’s food,
What sweet excursions we might make
To nature’s solitude!

Yet if you were a youth, some maid
Might lure you from my side,
So I shall wish you still, comrade,
My dainty, fair-haired bride.

MY GIFT.

I bring a gift that all may bring,
So common ’tis to human kind;
And yet it is so rare, a king
His crown for it had well resigned.

It is a gift gold cannot buy,
And one which never can be sold;
A gift no mortal can deny,
And one that fades not, nor grows old.

And while I would not have it spurned,
Such is my heart’s perversity,
Unless I know my gift returned,
Life hath no joy in store for me.

HAMLIN’S MILL.

Brightly the sun that summer day
Upon the charming scene was shining,
And warm the thrifty village lay,
Amid its silent fields reclining.
The river, like a silver thread,
Wound round the hazy, shimmering hill,
Till, plunging o’er the dam, it fled
In eddies down to Hamlin’s Mill.

Along the pathway, through the grove,
Beneath the shady trees, we hurried.
The birds were twittering above,
While in and out the squirrels scurried.
We took the narrow road which wound
Through clearings that were smoking still;
And soon our merry chat was drowned
Amidst the noise at Hamlin’s Mill.

We stood within the sunlit room
And watched the busy bobbins turning;
Then gathered round a jangling loom,
The flying shuttle’s secret learning.
Across the mossy flume we crept,
Whose leaky sides their burden spill,
And stood beside the pond, where slept
The giant power of Hamlin’s Mill.

Beside the ceaseless loom of fate
We stand and watch what it is weaving.
The warp is spun of love and hate,
The woof of merriment and grieving.
But far beyond earth’s noise and dust,
There rules the one stupendous Will,
The power in which His creatures trust,
As in the mill-pond Hamlin’s Mill.

A BALLADE OF JOY.

Dear one, who wast chosen, ere time was made,
The heart of my heart and my wife to be;
Who cam’st, with the gifts of the gods arrayed,
To lighten the labors of life for me;
Ere yet I had looked on the face of thee,
My soul dreamed dreams and awoke and said:
“None other is worthier love than she,
And earth shall be heaven when we are wed.”

But woe as a burden on man is laid,
And the soul finds its vision not readily.
Between us came many a mocking shade,
That smiled with the smile of my fantasy,
And I thought, can it be I have met with thee?
Then the arrows of truth through the false were sped,
And I heard thy soul murmuring cheeringly,
“The earth shall be heaven when we are wed.”

Like streams in the hollows of hills that played,
Though sundered by league upon league they be,
That, slipping through tangles of sun and shade,
Meet, mingle and flow to the shoreless sea,
At last my soul met with the soul of thee,
And woes fell from me as leaves fall dead
When winds have wakened the sleeping tree,
And earth became heaven when we were wed.

ENVOI.

And now, though years like the birds may flee,
And death draw nigh us with noiseless tread,
I reek not how soon may the summons be,
For earth became heaven when we were wed.

REMEMBRANCE.

(From the German of Fredrich Matthison.)

I think of thee
When through the brake
The nightingales sweet music make.
When dost thou think of me?

I think of thee
By the shady well,
Under the twilight’s glimmering spell.
Where dost thou think of me?

I think of thee
With pleasant pain,
With yearning, while the hot tears rain.
How dost thou think of me?

Oh, think of me
Till in some star
We meet again. However far,
I think of none but thee.

THE GLOVE.

A narrow glen with winding sides,
Bestrewn with rocks and gloomed with trees,
Grey, rolling clouds, chased by the breeze,
A stream, which through the valley glides.

Among the trees that climb the hill
The eager squirrels scold the crows,
And sharply sound the sudden blows
Of some woodpecker’s greedy bill.

The blood root, crouching in the grass,
From its protecting broad leaf peers;
The horse tails shake aloft their spears,
Like foemen, at us as we pass.

Here wandering with a friend I love,
Our speech with sparrow-chatter drowned,
He in the little valley found
An early violet, I a glove.

The flower grew beside a stone,
And shyly peered above the sod,
While, distant from it not a rod,
The dainty glove lay all alone.

Some child had drawn it from her hand
To dabble in the sunny spring,
And then, the thoughtless little thing,
Had left it lying on the rand.

And as I saw the symbols there
Of budding life and blossoming spring,
Arose and from my heart took wing
To heaven a brief and heartfelt prayer:

O little child, whoe’er thou art,
And in whatever station set,
Be modest, like the violet,
And act in life an earnest part,

That, as the streamlet by the sun
Is gently lifted to the skies,
Thy soul may unto heaven arise
Whene’er its earthly course is run.

THE MAGIC BOW.

(From the French of Charles Cros.)

Rippling low to her dainty feet,
Tress with tress did mingle and meet,
Yellow as ripening August wheat.

Her voice had an eerie melody,
Like that of an angel or a fay.
Beneath dusk lashes her eyes shone gray.

He by no rival swain set store,
As valleys through, or mountains o’er,
The maid upon his steed he bore.

For all the land had held not one
That she in her pride would look upon
To the day she met him, and was undone.

Love did her fond heart so enchain
That when her lover smiled disdain,
She to sicken and die was fain.

As she lay dying on his arm,
She said, “Bind thy bow with my locks, to charm
The maid to whom thy heart grows warm.”

One long, wild kiss, and the maid was dead.
The shimmering aureole round her head
He bound to his bow, as she had said.

Then as a blind man mournfully
Sweeps his Cremona, so did he,
And went forth, seeking charity.

And all were thrilled with ecstasy,
For the dead lived within the lay,
And with her songs all hearts did sway.

The king showered honors on his head;
The dark-eyed queen, to honor dead,
With him by moonlight swiftly fled.

But when, to please her, he essayed
To play, no more the bow obeyed,
But mournfully did him upbraid.

And at its plaint the sinful twain
In mid-flight by remorse were slain,
And the dead had her pledge again.

Her locks that to her dainty feet
Rippling low, did mingle and meet,
Yellow as ripening August wheat.

AT THE SEASIDE.

O sun, with thy ardent glance,
Thou hast made my darling flush!
But the swarthier tints enhance
The charms of her modest blush.
Thou hast lent thy warmth and light
To the gleam of her melting eyes,
Till a glance in their depths so bright
Seems a peep into Paradise.

O sea, with thy great white arms,
Thou hast stolen my love from me!
Thou hast clasped to thy breast her charms;
She has rested her head on thee.
Thou hast tangled her silken hair,
And kissed her face and her lips—
Ah! Love, he is false! Beware
Of that spoiler of men and ships!

THE ORPHANS.

Shall walls have pity and man’s heart have none?
Shall walls protect and man refuse to aid?
At Christmas, when our children are arrayed
In furs, shall orphans crouch behind a stone
To hide them from the storm? Is there not one
Will see the outstretched hand of that frail maid,
To whom the baby brother clings, afraid?
Will no ear heed when hunger makes its moan?

No father’s arm about their forms is thrown
To shield them from distress, no mother’s love
Draws them within the shelter of her breast.
Those tender souls must front the world alone;
But, if Christ came not vainly from above,
Some noble heart will aid them, thus distressed.

ALADDIN’S LAMP.

Aladdin’s lamp of Eastern tale,
Which claimed my simple faith in youth,
Its loss no longer I bewail,
But hold it mine in very truth.

The geni waits but my command
To raise me, and, as swift as thought,
Bear me abroad, from land to land,
Wherever I would fain be brought.

Amid the silent northern snows,
Or where Egyptian deserts burn,
Wherever man has been, he goes,
And tells me all I wish to learn.

He tells me how the stars had birth,
And how their wondrous cycles run,
Or places me beyond the earth,
Unharmed, upon the giant sun.

Through him I learn what Science knows,
How this vast universe began;
How life, from mean beginnings, rose
High as God’s noblest creature, man.

On me dawns many a truth profound
About the swinging earth I tread,
That it is one vast burying ground,
The living living through the dead,

That where once flowed the ocean’s tide,
Now stand the homes of countless souls;
That where once mountains rose in pride,
Billow on foaming billow rolls.

The geni stems the flood of time,
And bears me almost to its source;
Then as we float, bids scenes sublime
And sad and happy shore our course.

I see the tower of Babel rise,
With busy builders everywhere,
Up, ever up, towards the skies,
Spearing the azure depths of air.

I hear a voice from out a cloud,
And see the workmen making signs,—
How humble God can make the proud!
How easily mar man’s best designs!

I see the wild Light Tresses fall
In cruel waves on fated Rome,
And in an emperor’s audience hall
I see the jackals make their home.

Sleek monks I see within their cells,
And knights in burnished armor housed.
I hear the chime of marriage bells
For maids whom death hath long espoused.

I hear the poet’s stirring strain,
That wins him immortality,
And weep with such as found with pain
Their idol but ignoble clay.

Writ by the fearless Luther pen,
The words that stirred the world I see;
I hear the tramp of arméd men,
And know that thought, at last, is free.

The joys and hopes, the griefs and fears,
Defeats and conquests of the race,
Through all the swift, eventful years,
The geni at my wish will trace.

And though he builds no palace vast
For me, nor gives me queen for bride,
While I am free to all the past,
I ask from him no boon beside.

SONG.

When a maiden’s heart is tender,
And her soul as pure as snow;
When her eyes, with sunny splendor,
Set her countenance aglow;
When her every move discovers
Newer graces without end,
She can win a hundred lovers,—
Yet may hunger for a friend.

Pearly teeth and curly tresses,
Ruby lips, in smiles that part,
These will lure a man’s caresses,
Easily enslave his heart;
Yet, when all is said and over,
Even though souls in passion blend,
She has only one more lover,
And may hunger for a friend.

Blind I am not, no, nor callous;
Beauty hath its charm for me.
Yet would I, beyond life’s shallows,
Push towards the depthless sea.
Friendship’s true, and Love’s a rover,
Love is selfish in the end.
Choose thee, Sweet, whatever lover,
Let me still remain thy friend.

QUATRAINS.

I.

The oyster turns into a gem
The sand that chafes it long;
My woes, can I not banish them,
I round into a song.

II.

Fear less the villain than the fool.
The villain may be read,
But heaven itself can set no rule
To judge an addled head.

III.

Nurse thou no sorrow, only learn
All that it has to teach,
And lo, a glorious gem shall burn
Upon the brow of each.

IV.

The bard alone immortal is;
In death he liveth still,
And, godlike, with a word of his
Makes deathless whom he will.

V.

Would they but speak who proved but weak
To those who think self strong,
How they would cry, continually,
“Beware the first small wrong!”

VI.

To Felix Morris.

Twin arts are ours, to act and write,
And yours, perhaps, the greater is;
You bring the world before men’s sight,
I can but proffer fantasies.

VII.

Flowers are earth’s resurrection, yet the rocks,
Ere raised in blossoms, first shall fall to dust.
Take comfort, then, O brother, when life mocks
Thine aspirations, as perforce life must.

VIII.

Man loves the ideal and not the maid;
Her he but garlands with hopes and dreams,
And worships, not her in those wreaths arrayed,
But the vision of fancy that then she seems.

FOOTNOTE:

[A] Pronounced Mohavy.

*** END OF THE PROJECT GUTENBERG EBOOK THE SNOWFLAKE, AND OTHER POEMS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

THE SNOWFLAKE AND O T H E R P O E M S

- CONTENTS.

T H E S N O W F L A K E AND OTHER POEMS.

THE SNOWFLAKE.

THE MASQUE OF THE YEAR. (Time is discovered seated in the midst of a bevy of maidens, each of whom represents a month.)

- TIME.

- JANUARY.

- FEBRUARY.

- MARCH.

- APRIL.

- MAY.

- JUNE.

- JULY.

- AUGUST.

- SEPTEMBER.

- OCTOBER.

- NOVEMBER.

- DECEMBER.

- THE NEW YEAR.

- CHORUS OF MONTHS.

THE MUSE AND THE PEN.

THE BEAVER MEADOW.

VOYAGEUR SONG.

DEDICATORY ODE.

ENTERING PORT.

WILD FLOWERS.

DEDICATORY BALLAD.

TIMOR MORTIS CONTURBAT ME.

ON NEW YEAR’S EVE.

IN THE CLOSING HOURS.

WHERE HEAVEN IS.

NEW YEAR’S EVE. Air—Belle Mahone.

- REFRAIN.

PEGASUS.

IT WOULD BE EASY TO BE GOOD.

THE LITTLE TROOPER.

CUPID’S DISGUISES.

MUSIC.

BABY’S STOCKING.

MY DIVINITY.

THE SLEEPING SOUL.

THE MOTHER.

PLUCK FLOWERS IN YOUTH.

O FOOLISH HEART.

MY HEART’S A MERRY ROVER.

THE CIGARETTE SMOKER.

TAKE ME AS YOU FIND ME.

AT THE TRYST.

SONNETS IN CALIFORNIA.

- ON A FLASK OF WATER.

- SPRING IN THE SOUTH.

- A WINTER DAY.

- In the Valley.

THE POOL OF SANT’ OLINE. Sierra Madre, Cal.

WINTER IN THE SOUTH.

THE KINDERGARTEN.

THE POET.

GOLD TRESSES.

EN ROUTE.

AT DAWN.

MY STAR.

TO A PICTURE.

THE POET AND HIS RHYMES.

TO AN INFANT.

TO SCOTLAND.

ROSINA VOKES.

A LITTLE MAID.

SAMSON AND DELILAH.

MY LADY’S BONNET.

FLOWERS AND FEARS.

THE ROSEBUD.

NIL DESPERANDUM.

FLESH AND SPIRIT.

IN CHURCH.

SUCCOR THE CHILDREN.

THE SUNSET LESSON.

AS FROM THE NECTAR-LADEN LILY.

MUMMY THOUGHTS.

TO CERTAIN NATURE POETS.

THE PATRIARCH’S DEATH.

OH, WERE IT NOT.

FAREWELL.

THE TIDE.

MY COMRADE.

MY GIFT.

HAMLIN’S MILL.

A BALLADE OF JOY.

- ENVOI.

REMEMBRANCE. (From the German of Fredrich Matthison.)

THE GLOVE.

THE MAGIC BOW. (From the French of Charles Cros.)

AT THE SEASIDE.

THE ORPHANS.

ALADDIN’S LAMP.

SONG.

QUATRAINS.

- I.

- II.

- III.

- IV.

- V.

- VI.

- VII.

- VIII.

THE FULL PROJECT GUTENBERG LICENSE