The Semantic War
Date: 2016-02-08T00:00:00+00:00
Keywords: Science fiction; Short stories; War stories; College teachers -- Fiction; Philosophers -- Fiction

The Project Gutenberg eBook of The Semantic War

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Semantic War

Author: Bill Clothier

Illustrator: Wes

Release date: February 8, 2016 [eBook #51153]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE SEMANTIC WAR ***

THE SEMANTIC WAR

By BILL CLOTHIER

Illustrated by WES

[Transcriber's Note: This etext was produced from
Galaxy Science Fiction November 1955.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]

Perhaps there have been causes for slaughter
just as silly as this was—but try to find one!

The rain pours down chill out of a sullen sky. My pace quickens as I try to regain the relative warmth and shelter of the cavern before I become thoroughly drenched. I cannot afford to catch a cold. All alone as I am and with no medicine, I would stand too great a chance of a quick death. These lowering Oregon skies still hold traces of nameless disease in their writhing cloud tendrils. I am not just afraid of a cold. That would only be the key for some other malady to use and strike me down forever.

I see the cave up ahead and feel a sense of contentment as I draw near and then duck inside its stony mouth. The rain hisses without, but inside it is dry. There is a heavy cow-hide hanging on a peg in the wall and I take it down and wrap it around me. Soon I will be warm. Once more I may stave off my ultimate end.

Sometimes I wonder why I wish to put it off. Certainly, according to my old standards, there is no point in living. But somehow I feel that the mere fact of living is justification in itself. Even for such a life as mine.

I didn't always feel this way. But then circumstances change and people change with them. I changed my circumstances more than myself, but I had no alternative. So now I exist.

I suppose I should be content. After all, I am alive and, in my own simple way, I enjoy life. I can remember people who asked nothing more than to be allowed to live—to exist. Ironically enough, I always considered them sub-normal. I felt that a man should strive to do something that would not only perpetuate the happiness of his own life but that of his fellow-men. Something that would make life more beautiful, and easier, and more kind.

It was with this feeling that I applied myself as a student of philosophy at Stanford University. And the strengthening of this same belief led me to take up teaching and embrace it as the only way of obtaining genuine happiness. My personal philosophy was simple. I would learn about life in all its real and symbolic meanings and then teach it to my pupils, each of whom, I felt sure, were thirsting for the knowledge that I was extracting from my cultural environment. I would show them the meaning behind things. That, I felt, was the key to successful living.

Now it seems strangely pathetic that I should have essayed such an impossible task. But even a professor of philosophy can be mistaken and become confused.

I remember when I first became aware of the movement. For years, we had been drilling certain precepts into the soft, impressionable heads of those students who came under our influence. Liberalism, some called it, the right to take the values accumulated by society over a period of hundreds of years and bend them to fit whatever idea or act was contemplated. By such methods, it was possible to fit the mores to the deed, not the deed to the mores. Oh, it was a wonderful theory, one that promised to project all human activities entirely beyond good and evil.

However, I digress. It was a spring morning at Berkeley, California, when I had my first inkling of the movement. I was sitting in my office gazing out the window and considering life in my usual contemplative fashion. I might say I was being rather smug. I was thinking how fortunate I was to have been graduated from Stanford with such high honors, and how my good luck had stayed with me until I received my doctor's degree in a famous Eastern university and came out to take an associate professorship at the Berkeley campus.

I was watching the hurrying figures below on the crosswalks and idly noting the brilliant green of the shrubbery and the trees and the lawn. I was mixing up Keats with a bit of philosophy and thoroughly enjoying myself. Knowledge is truth, truth beauty, I mused, that is all we know on Earth, and all we need to know.

There was a knock on my door and I said come in, reluctantly abandoning my train of thought which had just picked up Shakespeare, whom I was going to consider as two-thirds philosopher and one-third poet. I have never felt that the field of literature had the sole claim to Shakespeare's greatness.

Professor Lillick came in, visibly perturbed. Lillick was a somewhat erratic individual (for a professor, at least) and he was often perturbed. Once he became excited about the possibilities of the campus shrubbery being stunted and discolored by the actions of certain dogs living on campus. He was not a philosophy professor, of course, but a member of the political science group.

"Carlson," he asked nervously, "have you heard about it yet?"

"I have no idea," I returned good-naturedly. "Heard about what?"

He looked behind him as if he thought he might be followed. Then he whirled around, his sharp-featured face alight with feeling. "Carlson—the Wistick dufels the Moraddy!" And he stared at me intently, his gimlet eyes almost blazing.

I stared back at him blankly.

"You haven't heard!" he exclaimed. "I thought surely you would know about it. You're always talking about freedom to apply thought for the good of humanity. Well, we're finally going to do something about it. You'll see. Keep your ears open, Carlson." Then he turned and started out of the room. He paused at the threshold and fixed me again with his ferretlike eyes. "The Wistick dufels the Moraddy!" he said, and vanished through the door.

And that was my first unheeded omen of what was to come. I paid little attention to it. Lillick wasn't the sort of man who inspired attention. As a matter of fact, I considered reporting him to the head of his department as being on the verge of a nervous breakdown. But I didn't. In those days, nervous breakdowns were a common occurrence around college campuses. The educational profession was a very hazardous occupation. One Southern university, for example, reported five faculty suicides during spring quarter.

In the days that followed, however, I began to realize that there was some sort of movement being fostered by the student body. It couldn't be defined, but it could be felt and seen. The students began to form groups and hold meetings—often without official sanction. What they were about could not be discovered, but some of the results soon became evident.

For one thing, certain students began to walk on one side of the street and the other students walked on the other side. The ones who used the north side of the street wore green sweaters with white trousers or skirts, and the south-side students wore white sweaters with green trousers or skirts. It even got to the point where those in green sweaters went only to classes in the morning and those in white attended the afternoon sessions.

Then the little white cards began to appear. They were sent through the mail. They were slipped under doorways and in desk drawers. They turned up beside your plate at dinner and under your pillow at night. They were pasted on your front door in the morning and they appeared in the fly-leaves of your books. They were even hung on trees like fruit, and surely no fruit ever spored so queer a seedling.

They said either one thing or the other: THE WISTICK DUFELS THE MORADDY, or THE MORADDY DUFELS THE WISTICK. Which card belonged to what group was not immediately clear. It was not until the riots broke out that the thing began to be seen in its proper perspective. And then it was too late.

When the first riot started, it was assumed that the university officials and the police could quell it in a very short time. But strangely enough, as additional police were called in, the battle raged even more fiercely. I could see part of the affair from my window and therefore was able to understand why the increasing police force only added to the turmoil. They were fighting one another! And through the din could be heard the wild shouts of "The Wistick dufels the Moraddy!" or "The Moraddy dufels the Wistick!"

The final blow came when I saw the Registrar and the Dean of Men struggling fiercely in one of the hedge-rows, and heard the Dean of Men yell in wild exultation as he brought a briefcase down on the Registrar's head, "The Wistick dufels the Moraddy!"

Then someone broke in through the door of my office. I turned in alarm and saw a huge three-letter man standing only a few feet from me. He had been in one of my classes. I remembered something about his being the hardest driving fullback on the Pacific coast. He was certainly the dumbest philosophy student I ever flunked. His hair was mussed and he was wild-eyed. He had blood on his face and chest, and his clothes were torn and grass-stained.

"The Wistick dufels the Moraddy," he said.

"Get out of my office," I told him coldly, "and stay out."

"So you're on the other side," he snarled. "I hoped you would be."

He started toward me and I seized a bookend on my desk and tried to strike him with it. But he brushed it aside and came on in. His first blow nearly broke my arm and as I dropped my guard due to the numbing pain, he struck me solidly on the side of the jaw.

When I recovered consciousness, I was lying by the side of my desk where I had fallen. My head ached and my neck was stiff. I got painfully to my feet and then noticed the big square of cardboard pinned to the door of my office. It was lettered in red pencil and in past tense said, "The Wistick dufelled the Moraddy."

The uprisings arose spontaneously in all parts of the country. They were not confined to colleges. They were not confined to any particular group. They encompassed nearly the entire population and the fervor aroused by their battle-cry, whichever one it might be, was beyond all comprehension.

I could not understand either slogan's meaning—and there were others like myself. On several occasions, I attempted to find out, but I was beaten twice and threatened with a pistol the third time, so I gave up all such efforts. I was never much given to any sort of physical violence.

One night, I went home thoroughly disheartened by the state of affairs. The university was hardly functioning. Nearly the entire faculty, including the college president, had been drawn into one camp or the other. Their actions were utterly abhorrent to me. If the professor was a green-top, or Wistickian, he lectured only to green-tops. If he belonged to the Moraddians, or white-top faction, they were the only ones who could enter his classroom.

The two groups were so evenly divided that open violence was frowned upon as a means of attaining whatever end they had in view. They were biding their time and gathering strength for fresh onslaughts on each other.

As I say, I went home feeling very discouraged. My wife was in the kitchen preparing dinner, and I went in and sat down at the table while she worked. The daily paper was lying on the table, its headlines loaded with stories of bloodshed and strife throughout the nation. I glanced through them. Lately, there seemed to be a sort of pattern forming.

East of the Mississippi, the general slogan was emerging as the Moraddy dufelling the Wistick. West of the Mississippi, the Wistick was receiving the greater support. And it seemed that the younger people and the women preferred the Moraddy, while elderly people and most men were on the side of the Wistick.

I commented on this.

My wife answered briefly, "Of course. Anyone should know that the Moraddy will win out." She went on with the preparations for dinner, not looking at me.

I sat stunned for a moment. Great God in Heaven, not my wife!

"Am I to understand that you are taking any part of this seriously?" I asked with some heat. "The whole thing is a horrible, pointless prank!"

She turned and faced me squarely. "Not to me. I say the Moraddy will win out. I want it to—and I think you'd be wise to get on the bandwagon while there's still time."

I realized she was serious. Dead serious. I tried a cautious query:

"Just what does the dufellation of the Wistick by the Moraddy mean?"

And it made her angry. It actually made her angry! She switched off the front burner and walked past me into the living room. I didn't think she was going to answer, but she did—sort of.

"There is no excuse for an egghead in your position not knowing what it means." Her voice was strained and tense. "If you had any perception whatever, you would understand what the Moraddy has to give the American people. It's our only hope. And you've got to take sides. You're either for the Moraddy or the Wistick—you can't take the middle way."

I felt completely isolated. "Wait! I don't know what it means—"

"Forget it," she broke in. "I should have known. You were born, you have lived, and you will die an egghead in an ivory tower. Just remember—the Moraddy dufels the Wistick!" And she swept on upstairs to pack. And out of my life.

And that's the way it was. Whatever malignant poison had seeped into the collective brain of the nation, it was certainly a devastating leveler of all sorts of institutions and values. Wives left husbands and husbands left wives. Joint bank accounts vanished. Families disintegrated. Wall street crumpled.

Developments were swift and ominous. The Army split up into various groups. Most of the enlisted men favored the Moraddy, but the officers and older non-coms pledged the Wistickian faith. Their power was sufficient to hold many in line, but a considerable number in the lower ranks deserted and joined forces with the Moraddians, who held the eastern half of the country.

The Wisticks ruled the western half with an iron hand, and all signs pointed toward civil war. Labor and military authorities conscripted the entire population regardless of age, sex or religious convictions.

For my own part, I slipped away from the campus and fled north into the Oregon mountains. It was not that I was afraid to fight, but I rebelled at the absolute stupidity of the whole thing. The idea—fighting because of a few words!

But they did.

The destruction was frightful. However, it was not as bad as many had thought it would be. The forces of the Wistick leveled the city of New York, true, but it took three H-bombs to do the job, instead of one, as the Air Force had claimed. In retaliation, San Francisco and Los Angeles were destroyed in a single night by cleverly placed atom bombs smuggled in by a number of fifth-columnist wives who gained access to the cities under the pretext of returning to their husbands. This was a great victory for the Moraddians, even though the women had to blow themselves up to accomplish their mission.

The Moraddian forces were slowly beaten back toward the Atlantic shores. They were very cunning fighters and they had youthful courage to implement that cunning. But their overall policy lacked the stability and long-range thinking necessary to the prosecution of total war. One day they might overrun many populous areas and the next day, due to the constant bickering and quarreling among their own armies, they would lose all they had won, and more, too.

Finally, in desperation, they loosed their most horrible weapon, germ warfare. But they forgot to protect themselves against their own malignity. The Semantic War ground to a shuddering halt. The carrion smell of death lay round the world.

The dufellation of the Wistick and the Moraddy.

So here I am, scuttling around in the forests like a lonely pack-rat. It is not the sort of life I would choose if there were any other choice. Yet life has become very simple.

I enjoy the simple things and I enjoy them with gusto. When I find food that suits my stomach, I am happy. When I quench my thirst, I am happy. When I see a beautiful sunset from one of my mountain crags, I am happy. It takes little when you have little, and there have been few men who have had less.

Only one thing troubles me. I suppose it doesn't matter, but I go on wondering.

I wonder which side was right. I mean really right.

*** END OF THE PROJECT GUTENBERG EBOOK THE SEMANTIC WAR ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- THE SEMANTIC WAR

- THE FULL PROJECT GUTENBERG LICENSE