To Geyserland / Union Pacific-Oregon Short Line Railroads to the Yellowstone National Park
Date: 2012-12-19T00:00:00+00:00
Keywords: Yellowstone National Park; Geysers

The Project Gutenberg eBook of To Geyserland

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: To Geyserland

Author: Edward F. Colborn

Release date: December 19, 2012 [eBook #41657]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by RichardW, Greg Bergquist and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK TO GEYSERLAND ***

GEYSERLAND

The Way in and Out

The Scenery

Coaching in the Park

Park Regulations and Improvements

The Geysers

Old Faithful

The Canyon and Falls of the Yellowstone

GEYSER TIME TABLE

A FEW OF THE IMPORTANT POOLS AND SPRINGS

The Mammoth Hot Springs

The Tame Wild Animals

The Inns

The Stage Line

THE YELLOWSTONE PARK FARES

Railroad Contact Information

Copyright 1910 by Oregon Short Line
Text by Edward F. Colborn Photos by F. J. Haynes

To Geyserland

UNION PACIFIC—OREGON SHORT LINE RAILROADS TO THE YELLOWSTONE NATIONAL PARK

Connecting with Transcontinental Trains from all points East and West thence through the Park by the four-horse Concord coaches of the

M-Y STAGE COMPANY

The Great Falls of the Yellowstone larger

GEYSERLAND

Where in confusion canyons and mountains and swift running rivers with painted banks abound, and elk and deer, buffalo and bear range through the wilds unterrified by man and gun, and tall, straight pines in almost unbroken forests plant their feet in a tangle of down-timber that centuries were required to produce; where in the earth there are vents through which roar and rush at exact intervals columns of boiling water, sometimes more than two hundred feet high, or in which painted mud blubbers and spurts; where pools by thousands at scalding heat boil and murmur; where under one's feet is felt the hollow of the earth and through hundreds of holes of unfathomable depth come deep growls of Nature in her confinement; where dyes have been daubed in delirium on hillsides and river's brink; where a canyon gashes the earth thousands of feet through colors so vivid and varied that no record can write them down; where one of the highest navigable lakes in the world washes the feet of mountains that hold aloft the snows through every month of the year; where the supernal and the infernal are blended in a harmony that only Infinitude can produce, and every miracle of Creation has been worked; where one can be lost in a wilderness as long as he will and come face to face with almost every form of creative eccentricity—there is Geyserland.

The Way in and Out

Yellowstone National Park is reached via the Union Pacific and its connection, the Oregon Short Line, the New and Direct Route, over one stem from Kansas City and Leavenworth, and over another from Council Bluffs and Omaha. By way of the latter you cross the Missouri River over a magnificent steel bridge and traverse the "Lane Cut Off," a splendid illustration of modern railroad construction. If you journey over the stem from Kansas City, your way leads through a succession of thriving cities and towns amid the finest farming region of the West, and through beautiful Denver, through Cheyenne, thence through Wyoming, and a portion of Utah, to Ogden, from which point Salt Lake City, 37 miles distant, is reached.

The Cascades of the Firehole River, and Hayden Valley between Yellowstone Lake and the Falls. larger

Leaving the central system of transcontinental lines, access to the Park is had in a night by way of the Oregon Short Line Railroad from Salt Lake City, Ogden, or Pocatello to the station, Yellowstone, Montana, at the western border, nineteen miles from the Fountain Hotel.

All along this route are strewn stretches of delightful scenery, and fields of rare fertility; but these things the tourist does not see—he awakens for breakfast at Yellowstone, and an hour thereafter is following the course of the beautiful Madison, well on his way into the Park and to the wonders that there await him.

The Scenery

Keppler Cascades larger

As a whole, the scenery of the Park is restful and satisfying. What it lacks in the stupendous it makes up in softness of coloring and the gentle undulations that lead gradually to the massive mountains. The green of the pines, lightened and darkened here and there with the shades of different species, is everywhere. The waters of the rivers are dimmed by the shadows; the cascades have a glimmer and sparkle quite their own, and now and then peep out in the sweeps of the distance, little lakes that shimmer in the sun. Vagrant clouds of steam, signs of the geysers and boiling springs, are seen all over the landscape, especially in the early morning when a little of the night frost still lingers in the air. Many grotesque shapes are taken on by the rocks, and there is hardly a spring or pool that does not suggest its name by its form. From the Lake Hotel can be seen facing skyward, the profile of a human face so perfect it has long been called "The Sleeping Giant." Yellowstone Lake is a marvel of beauty; the dense forest comes down to its shores, little dots of islands sprinkle its surface, its waters are crystal clear away into the deep, and under the kiss of the sun the face of the sea takes on a glory altogether splendid.

Western Entrance larger

larger

Gibbon Falls larger

larger

Coaching in the Park

The stage coach, the old-fashioned one with the lofty seat for the driver and the boot and the thorough-brace, the rocking-cradle vehicle that served so well when civilization was beating its way westward fifty years ago, holds the first right-of-way through the Park. Driven from use almost everywhere else by the iron horse, it has found safe refuge there, and neither the railways nor the automobiles can enter to oppose it.

The Mud Geyser, and A Coaching Party larger

A good half of the pleasures of the tour is found in the coaching. To watch for the coming of the stage at the door of the Inn where the baggage is piled, and the porters and bell boys stand expectant—to hear the clatter of the wheels, the sound of hoofs, and to see the gaily harnessed horses in conscious pride swing the coach gracefully under the Porte Cochere—to be wheeled over the winding, dustless roads at ten miles an hour behind prancing leaders and wheelers—to be garbed as you please without thought of style or detail—to breathe air distilled among the fragrant pines—to be touched by breezes that fan your cheek and dishevel your hair—to be free from all care and abandon yourself to the delights that come with the everchanging scenes that panoramic Nature is constantly unfolding to your gaze—is to experience an exhilaration never to be found among the busy haunts of men.

The drivers, gentlemanly and skillful, are full of information, and you do the 158 miles from Yellowstone around the circle back to Yellowstone with so little fatigue that you regret the trip is not longer.

Park Regulations and Improvements

Two companies of United States Cavalry are stationed at Fort Yellowstone, and, during the summer detachments of these troops are placed in different parts of the reservation. Their duties are to patrol the Park, prevent the spreading of forest fires and the commission of acts of vandalism. The troops have authority to make arrests for any violation of Park regulations. Hunting is especially prohibited, and all guns are officially sealed at the entrance to the Park.

The Crater of Oblong Geyser larger

Punch Bowl Spring larger

The commanding officer at Fort Yellowstone is Acting Superintendent of the reservation. All rules and regulations emanate from the Department of the Interior, and printed copies of them will be found posted in all Park Hotels.

The Government has constructed a system of macadamized roads of easy grade throughout the Park, and these are kept sprinkled daily during the Park season.

Grotto Geyser Formation larger

larger

Rapids above Upper Falls larger

larger

Upper Geyser Basin larger

The Geysers

Nature has lavished her gifts on the region of the Yellowstone—wild woodland, crystal rivers, gorgeous canyons and sparkling cascades—all under the guard of mountain sentinels around whose lofty heads group every form of cloud castle that vagrant winds can build. But of all the wonders that God in His mysterious way has there worked to perform, none is so strange—so startling—as the geysers.

To count them, great and small, would be like counting the stars, and to measure in words their awful power, or picture their splendor of sparkle and symmetry—that, no one can do. They must be seen to be appreciated, and once seen—the memory and mystery of them will linger to the end of the longest life. They are as different as geysers can be. There are dead geysers—dead from bursted throats—mere boiling pools now—shaped to resemble a variety of familiar things; with depths that the eye cannot sound, and colors—blues, greens, purples, reds—down their deep sides and in the wonderful tracery about their rims, so blended, so beautiful that one may well believe that all the paints on the palette of the Master were commingled in their decoration.

One blubbers and gurgles and grumbles awhile, and then with an angry roar lifts a great column of mud into the air. Another steams and growls through an orifice hundreds of feet wide in seeming angry spite that years ago it blew out its throat and ceased to gush forever. [A] But the geysers that most attract are the regular-timed spouting wonders—the Giant and Giantess, Old Faithful, the Grand, the Fountain, the Castle and others whose names mark the geography of the Park.

[A] In 1888, Excelsior, then the greatest geyser in the known world, while playing with unusual vigor, ruptured its crater and has never spouted since. In its former periods of activity it is said to have raised the Firehole river seven feet in as many minutes with its waters. (Ed.)

The Geysers in Winter larger

The Geysers

They are variously located in three distinct basins which are far enough apart to give the traveler by stage a few geysers with each day's entertainment. These basins are great wastes of a white deposition called in Park vernacular "the formation" under which must be boiling one of the mighty cauldrons of the earth, for one can feel under foot a tremble, and can hear through a hundred orifices the hiss of steam and the angry murmur of the waters below.

The coming and going of the geysers is an astonishing and awe-inspiring spectacle, and so accurately timed and so certain to perform are they, that no one need miss the experience. The geyser passive is a hole at the summit of a cone. The cone rises gradually from the plane of the formation and, ragged and deep, growls hoarsely and steams fitfully. Thus it is a moment before its time for activity, and then comes the geyser active. There is a loud preliminary roar and then suddenly, with a rush and power almost terrifying, a white obelisk of scalding, steaming water is lifted into the air sometimes 250 feet, and there held scintillating and glistening in the sun until the play is over, when it sinks gradually back from whence it came, and the fitful growling and steaming begins anew.

Every geyser has a time of its own and there are thousands of them, varying in size from the little growler that sputters and spits a thimbleful from its tiny throat, to the Giant that three times a month plays for ninety minutes, 250 feet high.

How old the geysers are, recorded time does not tell, but one or two of the wise men, who are always measuring the duration of things by some system of calculation, have determined by multiplying the deposition from each eruption by the height of the cone, that the Giant, for instance, has been playing some thousands of years.

If those who come and go across the land every year on pleasure bent only knew how curious and beautiful geysers are, the National Park would count its visitors by multitudes.

Old Faithful larger

The Great Falls From Below larger

Old Faithful at Sunrise larger

Old Faithful

In imagination, lift in a symmetrical cone two hundred and fifty thousand gallons of scalding, steaming water one hundred and fifty feet high and hold it there three minutes; jewel the grand fountain with a million diamonds; filter through it the hues of innumerable dancing rainbows; commingle in confusion every sound of splash and splutter—and you will have a faint idea of Old Faithful in action.

It is the immutable water-clock of the Yellowstone—the most perfect illustration of geyseric phenomena—the most famous and beautiful geyser in the whole world.

The note of the beginning of the play of the geyser is an angry growl down deep in its throat whence almost instantly the water, in rapid recurrent leaps, forms the stately fountain that plays for three minutes and then slowly sinks into the earth to await its time to rise again. Sometimes the winds unfold from its top an iridescent banner of spray; but more often the fountain form is a perfect cone.

Old Faithful plays every seventy minutes and never disappoints. Visitors to the Park may therefore see it under various conditions of light. In the daytime, under the sun, it glistens and gleams with prismatic hues; but the most enchanting hour to witness its performance is that when night is falling—when the dusk is around it, and the last faint tints of the sun linger in the sky. Then it is a spectre in ghostly white standing against the sombre background of the wilderness—a sight strange and startling and never to be forgotten.

It has long been the custom at Old Faithful Inn to flood the geyser at night with the rays of a searchlight. Then the spectacle takes on new features—all the rainbow hues are there, and looking through the fountain along the sweep of light, one sees a bediamonded form more beautiful than any ever wrought by the hands of the Ice King.

Verily, Old Faithful is one of the most wonderful presentations in all the repertoire of Nature.

The Great Falls from Point Lookout larger

The Canyon and Falls of the Yellowstone

The Canyon and Falls of the Yellowstone beggar description. They are twin wonders in a Wonderland. Is there any other gorge as gorgeous as that Canyon? With such gaiety of coloring—with such delicate and lovely shades of yellows and reds, purples and pinks, greens and crimsons, all commingling in harmony from the green-fringed brink, down, down the craggy sides into sombre depths where the writhing, gleaming ribbon of river thousands of feet below, plunges along on its winding way to the sea?

And the falls—the drapery of the canyon—the two silvery curtains that hang at its head—a great river pouring over a precipice and falling in glassy sheets hundreds of feet, then ruffling and flouncing and festooning until lost into the rainbow-hued mist at their feet.

See all this as thousands have and thousands will from "Inspiration Point"—a rocky balcony over the gorge, with the eagle's nests below you—or from "Artist's Point" on the other side, where Moran transferred the glories of canyon and falls to canvas; or see it from any of the other places where tourists love to linger and look, and you will see the most tremendous, stupendous, alluring and altogether splendid spectacle that Nature ever spread out for the wonder, amazement and delight of mortal eyes.

MAP OF OREGON SHORT LINE, UNION PACIFIC, OREGON-WASHINGTON RAILROAD & NAVIGATION CO., SOUTHERN PACIFIC AND CONNECTIONS (facing pgs) larger

Bridge above The Rapids larger

larger

The Upper Falls larger

larger

YELLOWSTONE NATIONAL PARK
Oregon Short Line Railroad larger

GEYSER TIME TABLE

Corrected by observations made during season 1910. From Haynes' Official Guide—Yellowstone National Park

| NAME | HEIGHT FEET | DURATION | INTERVALS OF ERUPTIONS
UPPER BASIN | Artemesia | 50 | 10 minutes | 12 to 24 hours
Bee-Hive | 200 | 8 minutes | 12 hours to 40 days
Castle | 75 | 30 minutes | 26 hours (freq. misses)
Cliff | 100 | 8 minutes | 4 to 8 hours
Comet | 60 | 1 minute | Irregular
Cub (Big) | 30 | 10 minutes | With Lioness Geyser
Cub (Little) | 10 | 3 minutes | With Lion Geyser
Daisy | 75 | 2 minutes | 45 to 60 minutes
Economic | 20 | 10 seconds | Follows Grand and plays every 5 min. for 2 days
Fan | 60 | 10 minutes | 4 to 6 hours
Giant | 250 | 90 minutes | 7 to 12 days
Giantess | 150 | 12-24 hours | 16 to 25 days
Grand | 200 | 40-80 minutes | 2 to 20 days
Grotto | 30 | 30 minutes | 2 to 5 hours
Jewel | 40 | 1 minute | 5 minutes
Lion | 60 | 8 minutes | 6 to 12 hours
Lioness | 100 | 10 minutes | 15 to 20 days
Lone Star | 75 | 10 minutes | 1 to 2 hours
Mortar | 30 | 5 minutes | 2 hours
Oblong | 35 | 5 minutes | 7 to 8 hours
Old Faithful | 150 | 4 minutes | 65 to 75 minutes
Riverside | 100 | 15 minutes | 7 hours
Saw-Mill | 35 | 2 hours | 2 to 3 hours
Spasmodic | 4 | 2 minutes | 2 to 3 hours
Splendid | 200 | ———— | Ceased to play about 1892
Surprise | 100 | 2 minutes | Irregular
Turban | 40 | 20 minutes | With Grand Geyser
LOWER BASIN | Fountain | 75 | 20 minutes | 3 to 6 hours
Great Fountain | 100 | 30 minutes | 8 to 12 hours
MIDWAY BASIN | Excelsior | 300 | Variable | 1 to 4 hours, ceased in 1888
NORRIS BASIN | Constant | 20 | 10 seconds | 30 seconds
Fearless | 25 | 15 minutes | 3 hours
Minute Man | 15 | 1-3 minutes | 1 to 3 minutes
Monarch | 100 | 6 minutes | 6 hours
Mud | 20-60 | 1-2 minutes | New, irregular
New Crater | 20 | 1 minute | 3 minutes
Valentine | 100 | 40 minutes | 7-1/2 hours

A FEW OF THE IMPORTANT POOLS AND SPRINGS

POOLS

Ace of Clubs | Five Sisters | Sapphire

Black Sand
(Deepest in Park—
soundings, 300 feet)

Gem

Silver Bowl

Cannon Ball | Handkerchief | Sunset
Diamond | Oyster | Surprise
Devil's Pump | Oyster Shell | Three Sisters
Devil's Well | Orange | Tea Kettle
Emerald | Purple | Topaz
Punch Bowl | Rainbow | Vault

SPRINGS

Arsenic | Castle | Peanut
Apollinaris | Congress | Sponge
Beauty | Devil's Ear | Soda
Beryl | Iron | Soda Butte
Butterfly | Morning Glory | Three Craters
Cleopatra | Pearl

Mammoth Hot Springs larger

larger

Hot Springs Cone larger

larger

The Mammoth Hot Springs

The structural features are the Mammoth Hot Springs Hotel and the garrison of Fort Yellowstone, around which, and in the vicinity of the springs, the landscape gardener has produced many beautiful effects. Here are found the most remarkable terrace-building hot springs in the world. The formation is calcareous, and the deposition by the waters has built up through the centuries cataracts in stone of indescribable beauty through which the paints from the earth have been mingled and blended with a vividness of coloring and a perfection of shading that none but the Master's hand could work.

The waters are of such extraordinary transparency that the eye can only guess at their depth. They are held steaming and pulsating in great over-hanging bowls, from which they gently flow down over the stony cataracts, carving and decorating as they go. Jupiter and Pulpit Terraces are the master-pieces of Nature here; but there are hundreds of other curious and beautiful things to see. The drive to and from Norris is alive with interest. It leads through the Golden Gate, and on the way can be seen Obsidian Cliff, Roaring Mountain, Beaver and Twin Lakes and other attractive and curious features of topography.

Mammoth Hotel larger

The Tame Wild Animals

The animals of the Park are objects of peculiar interest. No sound of gun or bark of dog is ever heard, and the animals, though wild, have become so tame that they give only curious notice to tourists as they pass. Deer, elk and bear roam at will throughout Geyserland. The red squirrel and the chipmunk scamper along the roadway, and those furry little bundles, the wood-chucks, flatten out on the rocks and take no heed of your passing. It is an everyday sight to see deer and their young by the roadside, and now and then you get a glimpse of an antlered elk, with his family of cows, swimming the streams of the Park. So much has been accomplished by law in robbing man of his terrors to the wild, that all of the animals in the Park, except those that—like the mountain lion and sheep, frequent places inaccessible to travelers—have well-nigh lost their fears.

The bears, some of them wrapped in robes that would command a fancy price, come down in the evening from their homes in the hills to feed around the hotels. The after-dinner entertainment they afford to guests is an everyday pleasure.

Feeding the Bear larger

The Giant Geyser larger

Eagle Nest Rock larger

New Grand Canon Hotel larger

The Inns

They happen along at the end of each day's drive—great roomy structures alive with light and full of comfort and good cheer. And such inns they are—generous lobbies to lounge in before old-fashioned fire-places, with their blazing, snapping logs—beds to sleep in, clean and restful—prettily furnished rooms—and cookery and service almost too good to be true. To find all these things in a far-away wilderness is to wonder what magic was worked to bring them all about.

The great inn at Mammoth has in its foreground, three hundred feet high, the wonderful, many-colored, and beautifully-formed Hot Springs Terraces which belong in the list of the water-made wonders of the Park.

One of the inns—Old Faithful—cannot be matched anywhere in the world. It is a lofty, wide-spreading structure of logs, with a touch of Swiss about its gables and windows. Within, the logs are everywhere—partitions, balustrades, stair-steps, and newel posts—even the drinking fountain is a log. It must have been a mighty task to search the forests for all the queer forms of growth that enter into the construction of the curious, rustic interior. And the lobby, with its four great cheerful fireplaces—its huge corn popper—its clock and twenty-foot pendulum, and all the log-made galleries above it—that charms and comforts beyond the power of words to tell.

Old Faithful Inn larger

The inns are located nearby the greatest marvels of the Park and their sites have been selected to show them off with admirable skill.

From the Fountain the geysers of the lower basin can be seen at their play.

Old Faithful Inn looks out upon a great steaming, spouting field, and has its namesake—the glory of all the geysers—almost at its doors. So near, indeed, is it, that all the night through, at intervals of seventy minutes, can be heard the old monster in eruption.

On a slope that sweeps gently down to the waters sits the Lake Inn. The forest creeps down to it on three sides, and the outlook from its goodly porches is over the broad expanse of Yellowstone Lake—one of the highest of navigated seas, and as passive, clear and prettily tree-trimmed a sheet of water as there is in the world. You may reach this inn from Thumb by steamer or by coach; but if you would have two hours of ecstacy, take the steamer. Thumb is a lunch station, and the lunch there is a creation.

The Canyon Inn is almost on the brink of the gorge where falls the Yellowstone. It is a duplication in excellence of the other inns, and when you bid it good-bye it is to begin your last day's tour of the Park. Then comes Norris, with its geysers and its awful "Black Growler," and a lunch that will send the tourist on his homeward way with a grateful heart. After that—Yellowstone—and the whistle of the engine and the waiting Pullman—your tour is ended and the Park a pleasant memory.

Golden Gate larger

larger

Pulpit Terrace larger

larger

The Stage Line

The M. & Y. Stage Company, operating from Yellowstone, Montana (The Oregon Short Line terminus at the western entrance to the Park) is licensed by and is under the direct supervision of the United States Government.

The line is equipped with elegant new two and four-horse Concord coaches and two-horse surreys, and the finest of horses.

The coaches accommodate eight and eleven passengers, the surreys three and five passengers. The drivers have been especially selected for the service, are well informed, and will point out every interesting feature of the Park.

The five days' coaching over the line of this Company takes in all interesting sights in the Park, and every effort is made by the management to secure the comfort and pleasure of passengers.

Stop-over privileges at any Park hotel are allowed without additional stage charge; but twenty-four hours' advance notice must be given to the Stage Company of the coach to be taken. Parties so desiring can arrange for special coaches or surreys for the Park trip. For further information regarding coaches and transportation facilities through the Park, address F. J. Haynes, President M. & Y. Stage Company, St. Paul, Minn., or Yellowstone Park, Wyo.

Lone Star Geyser larger

THE YELLOWSTONE PARK FARES

Owing to the frequent changes of fares throughout the United States, this publication will deal only with the round-trip fare from Salt Lake City, Ogden, Pocatello and Yellowstone. Following fares from Pocatello and Yellowstone are open to all passengers:—Fares from Ogden or Salt Lake are side-trip fares available to holders of transcontinental tickets of any class reading between Cheyenne, Denver, Colorado Springs, Pueblo and points east thereof, on the one hand, and points west of the eastern state line of Nevada via the Southern Pacific Company, San Pedro, Los Angeles & Salt Lake R. R. or Western Pacific Railway, or west of Pocatello, Idaho, via the Oregon Short Line R. R. on the other hand.

Complete Tour of the Park | From Salt Lake City, Ogden and Pocatello. Rail, Stages and Hotel. | From Yellowstone. Stage and Hotels.

Five-Day Trip via the Fountain, Old Faithful, Lake and Canyon Inns, Mammoth Hot Springs and Norris

Hotel accommodations in the Park (thirteen meals and four lodgings) included in the ticket.

$55.50

$46.25

Fare for children covering rail transportation only | 4.65
Main Points of Interest

Four-Day Trip via the Fountain, Old Faithful, Lake and Canyon Inns and Norris

Hotel accommodations in the Park (ten meals and three lodgings) included in the ticket.

45.50

36.25

Fare for children covering rail transportation only | 4.65
To the Geysers and Return

Two-Day Trip—among the Geysers

Hotel accommodations in the Park (four meals and one lodging) included in the ticket.

25.50

16.25

Fare for children covering rail transportation only | 4.65
Children under eight years of age will be granted half rates locally in the Park, on stage lines and at hotels.

For the season of 1911 the first date that passengers can leave Yellowstone (western entrance) and make the tour of the Park is June 16th; the last date leaving Yellowstone, September 16th.

BAGGAGE REGULATIONS

The baggage limit on coaches is 25 pounds. Excess rate per pound 10 cents. Trunks are not transported through the Park. They may be stored free of charge at Yellowstone, Pocatello, Ogden or Salt Lake City, or they will be sent around to Gardiner by rail for tourists going out that way. Tourists entering via Gardiner and touring the Park by coaches operating from there, if routed out through the western entrance, will transfer to the M. & Y. Stage Line at Norris. They should arrange at Mammoth for transfer of baggage and Oregon Short Line Pullman reservations.

Provisions will be made at Yellowstone station for the care of ladies' hats, and for cleaning and pressing clothing while passengers are en tour through the Park. A nominal charge will be made for this service.

GERRIT FORT | Passenger Traffic Manager | OMAHA, NEBRASKA
D. E. BURLEY | General Passenger Agent | SALT LAKE CITY, UTAH

OREGON SHORT LINE RAILROAD

Mammoth Hot Springs larger

larger

Castle Geyser larger

larger

FOR COMPLETE INFORMATION
ADDRESS ANY OF THE FOLLOWING

ATLANTA, GA. | 121 Peachtree St. | A. J. DUTCHER | General Agent
BOSTON, MASS. | 176 Washington St. | WILLARD MASSEY | New England Pass'r Agent
CHEYENNE, WYO. | | E. R. BREISCH | Ticket Agent
CHICAGO, ILL. | 73 West Jackson Boulevard | W. G. NEIMYER | General Agent
CINCINNATI, O. | 53 East Fourth St. | W. H. CONNOR | General Agent
CLEVELAND, O. | 305 Williamson Bldg. | GEO. B. HILD | General Agent
COUNCIL BLUFFS, IA. | 522 Broadway | WILLIAM B. RICHARDS | City Ticket Agent
DENVER, COLO. | 935-41 Seventeenth St. | R. S. RUBLE | Assistant Gen'l Pass'r Agt. U. P. R. R.
DES MOINES, IA. | 310 West Fifth St. | J. W. TURTLE | Traveling Passenger Agent
DETROIT, MICH. | 11 Fort Street West | J. C. FERGUSON | General Agent
HOUSTON, TEXAS | | T. J. ANDERSON | Gen'l Pass'r Agt. G. H. & S. A. Ry.
HONG KONG, CHINA | Kings Building | | General Passenger Agent San Francisco Overland Route
KANSAS CITY, MO. | 901 Walnut St. | H. G. KAILL | Asst. Gen'l Pass'r Agt. U. P. R. R.
LEAVENWORTH, KAN. | 9-11 Leavenworth Nat. Bank Bldg. | J. J. HARTNETT | General Agent
LINCOLN, NEB. | 1044 O St. | E. B. SLOSSON | General Agent
LOS ANGELES, CAL. | 557 South Spring St. | H. O. WILSON | General Agent
MINNEAPOLIS, MINN. | 25 South Third St. | H. F. CARTER | District Passenger Agent
NEW ORLEANS, LA. | Magazine and Natchez Sts. | J. H. R. PARSONS | Gen'l Pass'r Agt. M. L. & T. R. R. and S. S. Lines
NEW YORK CITY, N. Y. | 366 Broadway | L. H. NUTTING | General Passenger Agent So. Pac. Co.
| 287 Broadway | J. B. DeFRIEST | General Eastern Agent U. P. R. R.
OAKLAND, CAL. | 1122 Broadway | H. V. BLASDEL | Agent Passenger Dept.
OMAHA, NEB. | | GERRIT FORT | Pass'r Traffic Mgr. U. P.-O. S. L. R. R's
| 1324 Farnam St. | L. BEINDORFF | City Pass'r Agent U. P. R. R.
PHILADELPHIA, PA. | 632 Chestnut St. | R. J. SMITH | General Agent So.Pac. Co.
| 841 Chestnut St. | S. C. MILBOURNE | General Agent
PITTSBURG, PA. | 539 Smithfield St. | G. G. HERRING | General Agent
PORTLAND, ORE. | | WM. McMURRAY | Gen'l Pass'r Agt. O.-W. R. & N. Co.
| Third and Washington Sts. | C. W. STINGER | City Ticket Agent O.-W. R. & N. Co.
PUEBLO, COLO. | 312 North Main St. | L. M. TUDOR | Commercial Agent
SACRAMENTO, CAL. | 1007 Second St. | JAMES WARRACK | Passenger Agent
ST. JOSEPH, MO. | 505 Francis St. | C. T. HUMMER | Asst. Gen'l Pass'r Agt. St. J. & G. I. Ry.
ST. LOUIS, MO. | 903 Olive St., Century Bldg. | J. G. LOWE | General Agent
SALT LAKE CITY, UTAH | | D. E. BURLEY | Gen'l Pass'r Agt. O. S. L. R. R. Co.
SAN FRANCISCO, CAL. | 42 Powell St. | S. F. BOOTH | General Agent
SAN JOSE, CAL. | 19 North First St. | F. W. ANGIER | Agent Passenger Dept.
SEATTLE, WASH. | | W. D. SKINNER | Gen'l Pass'r Agt. O.-W. R. & N. Co.
| 608 First Avenue | E. E. ELLIS | General Agent O.-W. R. & N. Co.
SPOKANE, WASH. | 603 Sprague Avenue | H. C. MUNSON | City Tkt. Agent O.-W. R. & N. Co.
SYDNEY, AUSTRALIA | 40 Pitt St. | V. A. SPROUL | Australian Passenger Agent
TACOMA, WASH. | Berlin Bldg. | ROBERT LEE | General Agent O.-W. R. & N. Co.
TORONTO, CANADA | Room 14, Janes Bldg. | J. O. GOODSELL | Traveling Passenger Agent
YOKOHAMA, JAPAN | 4 Water St. | | General Passenger Agent San Francisco Overland Route

larger

*** END OF THE PROJECT GUTENBERG EBOOK TO GEYSERLAND ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

back

Table of Contents

- To Geyserland
- GEYSERLAND
- The Way in and Out
- The Scenery
- Coaching in the Park
- Park Regulations and Improvements
- The Geysers
- Old Faithful
- The Canyon and Falls of the Yellowstone
- GEYSER TIME TABLE
- A FEW OF THE IMPORTANT POOLS AND SPRINGS
- The Mammoth Hot Springs
- The Tame Wild Animals
- The Inns
- The Stage Line
- THE YELLOWSTONE PARK FARES
- BAGGAGE REGULATIONS

- FOR COMPLETE INFORMATION ADDRESS ANY OF THE FOLLOWING

- THE FULL PROJECT GUTENBERG LICENSE