The Legend of the Bleeding-heart
Date: 2006-02-22T00:00:00+00:00
Keywords: Fairy tales

The Project Gutenberg eBook of The Legend of the Bleeding-heart

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Legend of the Bleeding-heart

Author: Annie F. Johnston

Release date: February 22, 2006 [eBook #17825]

Language: English

Credits: E-text prepared by David Garcia, Sjaani, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net/) from page images generously made available by Kentuckiana Digital Library (http://kdl.kyvl.org/)

*** START OF THE PROJECT GUTENBERG EBOOK THE LEGEND OF THE BLEEDING-HEART ***

E-text prepared by David Garcia, Sjaani,
and the Project Gutenberg Online Distributed Proofreading Team
(http://www.pgdp.net/)
from page images generously made available by
Kentuckiana Digital Library (http://kdl.kyvl.org/)

Note:

Images of the original pages are available through the Electronic Text Collection of Kentuckiana Digital Library. See http://kdl.kyvl.org/cgi/t/text/text-idx?c=kyetexts;cc=kyetexts;xc=1&idno=B92-277-32008329&view=toc

The LEGEND
OF THE
BLEEDING-HEART

BY

ANNIE FELLOWS JOHNSTON

Author of "The Little Colonel Series," "Big Brother," "Joel: A Boy of Galilee," "Keeping Tryst," etc.

BOSTON
L. C. PAGE & COMPANY
1907

Copyright, 1900
By L. C. Page & Company
(INCORPORATED)

Copyright, 1907
By L. C. Page & Company
(INCORPORATED)

All rights reserved

First Impression, July, 1907

COLONIAL PRESS
Electrotyped and Printed by C. H. Simonds & Co.
Boston, U. S. A.

IN MEMORY
OF THE ONES THAT GREW
SO LONG AGO,
IN OLD "Aunt Nancy's" GARDEN.

The Legend of the Bleeding-heart

In days of old, when all things in the Wood had speech, there lived within its depths a lone Flax-spinner. She was a bent old creature, and ill to look upon, but all the tongues of all the forest leaves were ever kept a-wagging with the story of her kindly deeds. And even to this day they sometimes whisper low among themselves (because they fain would hold in mind so sweet a tale) the story of her kindness to the little orphan, Olga.

'Twas no slight task the old Flax-spinner took upon herself, the day she brought the helpless child to share the shelter of her thatch. The Oak outside her door held up his arms in solemn protest.

"Thou dost but waste thyself," he said. "Thy benefits will be forgot, thy labours unrequited. For Youth is ever but another title for Ingratitude."

"Nay, friend," the old Flax-spinner said. "My little Olga will not be ungrateful and forgetful."

All hedged about with loving care, the orphan grew to gracious maidenhood, and felt no lack of father, mother, brother or sister. In every way the old Flax-spinner took their places. But many were the sacrifices that she made to keep her fed and warmly clad, and every time she went without herself that Olga might receive a greater share, Wiseacre Oak looked down and frowned and shook his head.

Then would the old dame hasten to her inner room, and there she pricked herself with her spindle, until a great red drop of her heart's blood fell into her trembling hand. With witchery of words she blew upon it, and rolled it in her palm, and muttering, turned and turned and turned it. And as the spell was laid upon it, it shrivelled into a tiny round ball like a seed, and she strung it on a thread where were many others like it, saying, "By this she will remember. She will not be ungrateful and forgetful."

So years went by, and Olga grew in goodness and in beauty, and helped the old Flax-spinner in her tasks as blithely and as willingly as if she were indeed her daughter. Every morning she brought water from the spring, gathered the wild fruits of the woods, and spread the linen on the grass to bleach. At such times would the bent old foster-mother hold herself erect, and call up to the Oak, "Dost see? Thou'rt wrong! Youth is not another title for Ingratitude."

"Thou hast not lived as long as I," would be the only answer.

One day as Olga was wandering by the spring, searching for watercresses, the young Prince of the castle rode by on his prancing charger. A snow-white plume waved in his hat, and a shining silver bugle hung from his shoulder, for he had been following the chase.

He was thirsty and tired, and asked for a drink, but there was no cup with which to dip the water from the spring. But Olga caught the drops as they bubbled out from the spring, holding them in the hollow of her beautiful white hands, and reaching up to where he sat, offered him the sparkling water. So gracefully was it done, that the Prince was charmed by her modest manner as well as her lovely face, and baring his head when he had slaked his thirst, he touched the white hands with his lips.

Before he rode away he asked her name and where she lived. The next day a courier in scarlet and gold stopped at the door of the cottage and invited Olga to the castle. Princesses and royal ladies from all over the realm were to be entertained there, seven days and seven nights. Every night a grand ball was to be given, and Olga was summoned to each of the balls. It was because of her pleasing manner and her great beauty that she had been bidden.

The old Flax-spinner courtesied low to the courier and promised that Olga should be at the castle without fail.

"But, good dame," cried Olga, when the courier had gone, "prithee tell me why thou didst make such a promise, knowing full well this gown of tow is all I own. Wouldst have me stand before the Prince in beggar's garb? Better to bide at home for aye than be put to shame before such guests."

"Have done, my child!" the old dame said. "Thou shalt wear a court robe of the finest. Years have I toiled to have it ready, but that is naught. I loved thee as my own."

Then once more the old Flax-spinner went into her inner room, and pricked herself with her spindle till another great red drop of her heart's blood fell into her trembling hand. With witchery of words she blew upon it, and rolled it in her palm, and muttering, turned and turned and turned it. And as the spell was laid upon it, it shrivelled into a tiny round ball like a seed, and she strung it on to a thread, where were many others like it. Seventy times seven was the number of beads on this strange rosary.

When the night of the first ball rolled around, Olga combed her long golden hair and twined it with a wreath of snowy water-lilies, and then she stood before the old dame in her dress of tow. To her wonderment and grief she saw there was no silken robe in waiting, only a string of beads to clasp around her white throat. Each bead in the necklace was like a little shrivelled seed, and Olga's eyes filled with tears of disappointment.

"Obey me and all will be well," said the old woman.

"When thou reachest the castle gate clasp one bead in thy fingers and say:

"'For love's sweet sake, in my hour of need,
Blossom and deck me, little seed.'

Straightway right royally shalt thou be clad. But remember carefully the charm. Only to the magic words, 'For love's sweet sake' will the necklace give up its treasures. If thou shouldst forget, then thou must be doomed always to wear thy gown of tow."

So Olga sped on her moon-lighted way through the forest until she came to the castle gate. There she paused, and grasping a bead of the strange necklace between her fingers, repeated the old dame's charm:

"For love's sweet sake, in my hour of need,
Blossom and deck me, little seed."

Immediately the bead burst with a little puff as if a seed pod had snapped asunder. A faint perfume surrounded her, rare and subtle as if it had been blown across from some flower of Eden. Olga looked down and found herself enveloped in a robe of such delicate texture, that it seemed soft as a rose-leaf and as airy as pink clouds that sometimes float across the sunset. The water-lilies in her hair had become a coronal of opals.

When she entered the great ball-room, the Prince of the castle started up from his throne in amazement. Never before had he seen such a vision of loveliness. "Surely," said he, "some rose of Paradise hath found a soul and drifted earthward to blossom here." And all that night he had eyes for none but her.

The next night Olga started again to the castle in her dress of tow, and at the gate she grasped the second bead in her fingers, repeating the charm. This time the pale yellow of the daffodils seemed to have woven itself into a cloth of gold for her adorning. It was like a shimmer of moon-beams, and her hair held the diamond flashings of a hundred tiny stars.

That night the Prince paid her so many compliments and singled her out so often to bestow his favours, that Olga's head was turned. She tossed it proudly, and quite scorned the thought of the humble cottage which had given her shelter so long. The next day when she had returned to her gown of tow and was no longer a haughty court lady, but only Olga, the Flax-spinner's maiden, she repined at her lot. Frowning, she carried the water from the spring. Frowning, she gathered the cresses and plucked the woodland fruit. And then she sat all day by the spring, refusing to spread the linen on the grass to bleach.

She was discontented with the old life of toil, and pouted crossly because duties called her when she wanted to do nothing but sit idly dreaming of the gay court scenes in which she had taken a bright brief part. The old Flax-spinner's fingers trembled as she spun, when she saw the frowns, for she had given of her heart's blood to buy happiness for this maiden she loved, and well she knew there can be no happiness where frowns abide. She felt that her years of sacrifice had been in vain, but when the Oak wagged his head she called back waveringly, "My little Olga will not be ungrateful and forgetful!"

That night outside the castle gate, Olga paused. She had forgotten the charm. The day's discontent had darkened her memory as storm-clouds darken the sky. But she grasped her necklace imperiously.

"Deck me at once!" she cried in a haughty tone. "Clothe me more beautifully than mortal maid was ever clad before, so that I may find favour in the Prince's sight and become the bride of the castle! I would that I were done for ever with the spindle and the distaff!"

But the moon went under a cloud and the wind began to moan around the turrets. The black night hawks in the forest flapped their wings warningly, and the black bats flitted low around her head.

"Obey me at once!" she cried angrily, stamping her foot and jerking at the necklace. But the string broke, and the beads went rolling away in the darkness in every direction and were lost—all but one, which she held clasped in her hand.

Then Olga wept at the castle gate; wept outside in the night and the darkness, in her peasant's garb of tow. But after awhile through her sobbing, stole the answering sob of the night wind.

"Hush-sh!" it seemed to say. "Sh-sh! Never a heart can come to harm, if the lips but speak the old dame's charm."

The voice of the night wind sounded so much like the voice of the old Flax-spinner, that Olga was startled and looked around wonderingly. Then suddenly she seemed to see the thatched cottage and the bent form of the lonely old woman at the wheel. All the years in which the good dame had befriended her seemed to rise up in a row, and out of each one called a thousand kindnesses as with one voice: "How canst thou forget us, Olga? We were done for love's sweet sake, and that alone!"

Then was Olga sorry and ashamed that she had been so proud and forgetful, and she wept again. The tears seemed to clear her vision, for now she saw plainly that through no power of her own could she wrest strange favours from fortune. Only the power of the old charm could make them hers. She remembered it then, and holding fast the one bead in her hand, she repeated humbly:

"For love's sweet sake, in my hour of need,
Blossom and deck me, little seed."

Lo, as the words left her lips, the moon shone out from behind the clouds above the dark forest. There was a fragrance of lilies all about, and a gossamer gown floated around her, whiter than the whiteness of the fairest lily. It was fine like the finest lace the frost-elves weave, and softer than the softest ermine of the snow. On her long golden hair gleamed a coronet of pearls.

So beautiful, so dazzling was she as she entered the castle door, that the Prince came down to meet her, and kneeling, kissed her hand and claimed her as his bride. Then came the bishop in his mitre, and led her to the throne, and before them all the Flax-spinner's maiden was married to the Prince, and made the Princess Olga.

Then until the seven days and seven nights were done, the revels lasted in the castle. And in the merriment the old Flax-spinner was again forgotten. Her kindness of the past, her loneliness in the present had no part in the thoughts of the Princess Olga.

All night the old Oak, tapping on the thatch, called down, "Thou'rt forgotten! Thou'rt forgotten!"

But the beads that had rolled away in the darkness, buried themselves in the earth, and took root, and sprang up, as the old woman knew they would do. There at the castle gate they bloomed, a strange, strange flower, for on every stem hung a row of little bleeding hearts.

One day the Princess Olga, seeing them from her window, went down to them in wonderment.

"What do you here?" she cried, for in her forest life she'd learned all speech of bird and beast and plant.

"We bloom for love's sweet sake," they answered. "We have sprung from the old Flax-spinner's gift—the necklace thou didst break and scatter. From her heart's best blood she gave it, and her heart still bleeds to think she is forgotten."

Then they began to tell the story of the old dame's sacrifices, all the seventy times seven that she had made for the sake of the maiden, and Olga grieved as she listened, that she could have been so ungrateful. Then she brought the Prince to hear the story of the strange, strange flowers, and when he had heard, together they went to the lowly cottage and fetched the old Flax-spinner to the castle, there to live out all her days in ease and contentment.

"See now," she whispered to the Oak at parting, but sturdily he held his ground, persisting, "Thou wouldst have been forgotten, save for that miracle of bloom."

And still the flower we call BLEEDING-HEART blooms on by cottage walls and castle gardens, to waken all the world to grateful memories. And ever it doth bring to mind the lonely hearts that bleed because they are forgotten, and all they sacrificed for love's sweet sake, to give us happiness.

*** END OF THE PROJECT GUTENBERG EBOOK THE LEGEND OF THE BLEEDING-HEART ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- The LEGEND OF THE BLEEDING-HEART

- ANNIE FELLOWS JOHNSTON

- IN MEMORY OF THE ONES THAT GREW SO LONG AGO, IN OLD "Aunt Nancy's" GARDEN.

- The Legend of the Bleeding-heart

- THE FULL PROJECT GUTENBERG LICENSE