The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 393, October 10, 1829
Date: 2004-02-02T00:00:00+00:00
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Title: The Mirror of Literature, Amusement, and Instruction. Volume 14, No. 393, October 10, 1829

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*** START OF THE PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOLUME 14, NO. 393, OCTOBER 10, 1829 ***

THE MIRROR
OF
LITERATURE, AMUSEMENT, AND INSTRUCTION.

Vol. XIV. No. 393.] | SATURDAY, OCTOBER 10, 1829. | [PRICE 2d.

Glammis Castle

Here is a castellated palace, or princely castle, associated with many great and daring events in the roll of Scottish history. It stands in the valley of Strathmore, in a park of 160 acres, a little to the north of Glammis, a village of Angus, N.B. The original foundation is of high antiquity; for Malcolm II. was assassinated here in the year 1034, and the chamber in which he expired is still shown. Two obelisks, one near the Manse, and the other in a neighbouring field, denote the places where he was attacked. In this castle also, according to some historians, Macbeth murdered Duncan. We notice, however, that Sir Walter Scott, in his recently-published version of the story of Macbeth, states the murder to have been committed at "a great castle near Inverness," in which he is corroborated by Bæthius, who says, the castle stood upon an eminence south-east of Inverness. But Fordun says the murder was perpetrated near Elgin; and others say at Cawdor Castle.

The Castle originally consisted of two rectangular towers, longer than broad, with walls of fifteen feet in thickness; they were connected by a square projection, and together formed a figure somewhat like the letter Z, saving that in the castle all the angles were right ones; this form gave mutual defence to every part of the building. It contains a spiral staircase of 143 steps, reaching from the bottom to the top of the building.

Glammis Castle is still the seat of the Strathmore family. It was given by Robert I. of Scotland, in the year 1376, with his daughter, to John Lyon, Lord Glammis, chancellor of Scotland. Great alterations and additions were made to the building by Patrick, Earl of Strathmore, his lineal heir and successor: these improvements, according to the above cited plan, a date carved on a stone on the outside of the building, and other authorities, were made in the year 1606, and not in 1686, as is said in an old print engraved about that time, and from which our view is copied. The architect employed on this occasion, as tradition reports, was Inigo Jones; indeed, the work seems greatly to resemble Heriot's Hall at Edinburgh, and other buildings designed by him. The great hall was finished in the year 1621; it is a handsome room with a carved ceiling, adorned with heads and ornaments in stucco. Among the apartments shown to visitors, are a wardrobe containing a curious collection of old state dresses; the armoury, in which are preserved the sword and coat of mail of Macbeth, as well as some articles supposed to have been carried off by Malcolm's murderers, and found in the Loch of Forfar, during the last century; and the chapel built about 1500, the furniture of which remains in its original state. Here also are about one hundred portraits; among which is a large picture, in a carved frame, representing Earl Patrick and his three sons; in the background is a view of the castle, as it was in the year 1683. At that time there were three gates leading from the park. Some idea may be formed of the extent of this establishment from the circumstance of eighty beds being made up within the house, for the Pretender and his retinue, during their sojourn here, besides those for the inferior servants, in the offices out of doors. The forfeiture of the estate was prevented by the earl's brother being killed at the head of his regiment on Shiremore.

In the courtyard is shown a stone, on which is engraved a cross and divers figures, said to allude to the murder of Malcolm, and the death of the murderers, who attempting to cross the Lake of Forfar, then slightly frozen over, the ice broke, and they were drowned: this stone is described and engraved by Mr. Pennant, in his Tour through Scotland.

By way of enlivening these historical data, and as an epigrammatic conclusion to our description, we subjoin a pleasant little anecdote related by Sir Walter Scott, of a certain old Earl of Strathmore, who, in superintending some improvements of the castle, displayed an eccentric love of uniformity. "The earl and his gardener directed all in the garden and pleasure-grounds upon the ancient principle of exact correspondence between the different parts, so that each alley had its brother—a principle now renounced by gardeners. It chanced once upon a time that a fellow was caught committing some petty theft, and, being taken in the manner, was sentenced by the Bailie M'Wheeble of the jurisdiction to stand for a certain time in the baronial pillory, called the jougs, being a collar and chain attached to the uppermost portal of the great avenue which led to the castle. The thief was turned over accordingly to the gardener as the ground officer, to see the punishment duly inflicted. When the Thane of Glammis returned from his morning ride, he was surprised to find both sides of the gateway accommodated each with a prisoner. He asked the gardener, whom he found watching the place of punishment, as his duty required, whether another delinquent had been detected? 'No, my lord,' said the gardener, in the tone of a man excellently well satisfied with himself, 'but I thought the single fellow looked very awkward standing on one side of the gateway, so I gave half-a-crown to one of the labourers to stand on the other side for uniformity's sake.'"

ON LOCALITIES:

LITERARY RECOLLECTIONS OF LONDON.

(To the Editor of the Mirror.)

No intellectual enjoyment, in my opinion, can surpass the delight we experience when traversing those spots of the habitable earth where celebrated warriors fought, minstrels sang, philosophers pondered, or where philanthropists have immortalized their names by deeds of charity. To roam through the romantic vales of Italy—surrounded at all turns by the sad memorials of its former magnificence—the mighty ruins of its temples and palaces, and the mutilated remains of its statues and triumphal columns, conveying to the mind mournful images of the fallen fates of those who had for ages been its proud possessors; where the Mantuan bard first caught inspiration from the deathless muse; where Tully charmed the listening throng, whilst defending with mild persuasion the arts and the sciences he loved, and condemning in terrible denunciations the mad ambition that threatened the destruction of his country; to wander among its groves, and say, here Ovid, in lonely exile, soothed his sorrows with the melody of his heaven-inspired strain; here Petrarch wooed his much-loved Laura in sonnets soft as the affection that gave them birth; here Tasso made history and Jerusalem immortal by crowning them with the garlands of his Promethean genius; and here Ariosto, Dante, Metastasio, and a galaxy of poets and philosophers shed the splendour of their gifted imaginations on the expiring greatness of their country.

Where is the portion of the civilized globe that has not some delightful reminiscence connected with it? There is not a country in the world, even the most barbarous, where the inhabitants will not feel pride and pleasure in pointing out to your attention some sacred spot ever dear to their memories: some battle-field or scene of conquest; some warrior's grave; some monarch's sepulchre, or some chieftain or legislator's dwelling. And what shall we say of the classic soil of Greece? where the eye cannot turn, or the foot move to a place which is not eternalized by its associations: where the waters will not remind you of Castalian founts; the flowers of Parnassian wreaths; the eminences of the Phocian hills; and where the air of all breathes inspiration. To a mind prone to contemplation, a walk through Athens must awaken the most exquisite reveries. Although "fallen from its high estate," there is enough in the tottering ruins which yet remain to recall the history of its ancient grandeur: the shattered Acropolis and the Pyraeus tell the tale of other days, in language at once pathetic and intelligible—

"The time has been when they were young and proud,

Banners on high and battles pass'd below."

The mind must be distracted with the multiplicity of its recollections; all that is great or good or glorious in our nature, must be identified with some forcible remembrance; and heroes, poets, statesmen, patriots, legislators, philosophers, and the historical events connected with their names, must congregate before us in sublime and touching similitude. "Alas, poor country!"—On those shores the monuments of science and of art, which drew admirers from the remotest corners of the earth, are now demolished by the savage and cowardly slaves of a despot, who is himself a slave; the eloquence which swayed the passions of applauding multitudes is dumb; the pencil of Appelles that breathed over the canvass, and the chisel of Praxiteles that gave life and animation to shapeless blocks, are now no more; and the all-powerful lyre, whose sweeping chords would rouse the soul to rage or melt it into pity, is now, and perhaps FOR EVER, mute and unstrung!

These observations, which you may think too enthusiastic, were elicited by the perusal of an article in your No. 388, entitled "A Desultory Chapter on Localities." Your Correspondent states, that "it is needless to travel to foreign countries in search of localities. In our own metropolis and its environs a diligent inquirer will find them at every step." The following Collection will serve to confirm the truth of his statement, and should you deem it worthy "a local habitation" in your excellent journal, I doubt not it will prove interesting, if not quite new to many of your readers. [1]

C.E.

"In St. Giles' Church lie Chapman, the earliest and best translator of Homer; and Andrew Marvell, the wit and patriot, whose poverty Charles II. could not bribe.—Who would suppose that the Borough was the most classical ground in the metropolis? And yet it is undoubtedly so. The Globe Theatre was there, of which Shakspeare himself was a proprietor, and for which he wrote his plays. Globe-lane, in which it stood, is still extant, we believe, under that name. It is probable that he lived near it: it is certain that he must have been much there. It is also certain that on the Borough side of the river, then and still called the Bank-side, in the same lodging, having the same wardrobe, and some say, with other participations more remarkable, lived Beaumont and Fletcher. In the Borough, also, at St. Saviour's, lie Fletcher and Massinger in one grave; in the same church, under a monument and effigy, lies Chaucer's contemporary, Gower; and from an inn in the Borough, the existence of which is still boasted, and the site pointed out by a picture and inscription, Chaucer set out his pilgrims and himself on their famous road to Canterbury.

"To return over the water, who would expect any thing poetical from East Smithfield? Yet there was born the most poetical even of poets, Spenser. Pope was born within the sound of Bowbell, in a street no less anti-poetical than Lombard-street. So was Gray, in Cornhill. So was Milton, in Bread-street, Cheapside. The presence of the same great poet and patriot has given happy memories to many parts of the metropolis. He lived in St. Bride's Churchyard, Fleet-street; in Alders-gate-street, in Jewin-street, in Barbican, in Bartholomew-close; in Holborn, looking back to Lincoln's Inn Fields; in Holborn, near Red-lion-square; in Scotland-yard; in a house looking to St. James' Park, now belonging to an eminent writer on legislation, and lately occupied by a celebrated critic and metaphysician; and he died in Artillery-walk, Bunhill-fields; and was buried in St. Giles', Cripplegate.

"Ben Jonson, who was born 'in Hartshorne-lane, near Charing-cross,' was at one time 'master' of a theatre in Barbican. He appears also to have visited a tavern called the Sun and Moon, in Aldersgate-street; and is known to have frequented with Beaumont and others, the famous one called the Mermaid, which was in Cornhill.

"The other celebrated resort of the great wits of that time was the Devil Tavern, in Fleet-street, close to Temple-bar. Ben Jonson lived also in Bartholomew-close, where Milton afterwards lived. It was in the passage from the cloisters of Christ's Hospital into St. Bartholomew's. Aubrey gives it as a common opinion, that at the time when Jonson's father-in-law made him help him in his business of bricklayer, he worked with his own hands upon the Lincoln's Inn garden wall, which looks upon Chancery-lane, and which seems old enough to have some of his illustrious brick and mortar still remaining.

"Under the cloisters in Christ's Hospital (which stand in the heart of the city unknown to most persons, like a house kept invisible for young and learned eyes) lie buried a multitude of persons of all ranks; for it was once a monastery of Gray Friars. Among them is John of Bourbon, one of the prisoners taken at the battle of Agincourt. Here also lies Thomas Burdet, ancestor of the present Sir Francis, who was put to death in the reign of Edward IV., for wishing the horns of a favourite white stag, which the King had killed, in the body of the person who advised him to do it. And here too (a sufficing contrast) lies Isabella, wife of Edward II.

'She, wolf of France, with unrelenting fangs,

Who tore the bowels of her mangled mate'

GRAY

"Her 'mate's' heart was buried with her, and placed upon her bosom! a thing that looks like the fantastic incoherence of a dream. It is well we did not know of her presence when at school; or after reading one of Shakspeare's tragedies, we should have run twice as fast round the cloisters at night time, as we used. Camden, 'the nourrice of antiquitie,' received part of his education in this school; and here also, not to mention a variety of others known in the literary world, were bred two of the most powerful and deep-spirited writers of the present day; whose visits to the cloisters we well remember.

"In a palace on the site of Hatton-garden, died John of Gaunt. Brook House, at the corner of the street of that name in Holborn, was the residence of the celebrated Sir Fulke Greville, Lord Brook, the 'friend of Sir Philip Sydney.' In the same street, died, by a voluntary death, of poison, that extraordinary person, Thomas Chatterton—-

'The sleepless boy, who perished in his pride.'

WORDSWORTH

He was buried in the workhouse in Shoe-lane; a circumstance, at which one can hardly help feeling a movement of indignation. Yet what could beadles and parish officers know about such a being? No more than Horace Walpole. In Gray's Inn, lived, and in Gray's Inn Garden meditated, Lord Bacon. In Southampton-row, Holborn, Cowper was a fellow-clerk to an attorney with the future Lord Chancellor Thurlow. At the Fleet-street corner of Chancery-lane, Cowley, we believe, was born. In Salisbury-court, Fleet-street, was the house of Thomas Sackville, first Earl of Dorset, the precursor of Spenser, and one of the authors of the first regular English tragedy. On the demolition of this house, part of the ground was occupied by the celebrated theatre built after the Restoration, at which Betterton performed, and of which Sir William Davenant was manager. Lastly, here was the house and printing-office of Richardson. In Bolt-court, not far distant, lived Dr. Johnson, who resided also for some time in the Temple. A list of his numerous other residences is to be found in Boswell[2]. Congreve died in Surrey-street, in the Strand, at his own house. At the corner of Beaufort-buildings, was Lilly's, the perfumer, at whose house the Tatler was published. In Maiden-lane, Covent-garden, Voltaire lodged while in London, at the sign of the White Peruke. Tavistock-street was then, we believe, the Bond-street of the fashionable world; as Bow-street was before. The change of Bow-street from fashion to the police, with the theatre still in attendance, reminds one of the spirit of the Beggar's Opera. Button's Coffee-house, the resort of the wits of Queen's Anne's time, was in Russell-street—we believe, near where the Hummums now stand. We think we recollect reading also, that in the same street, at one of the corners of Bow-street, was the tavern where Dryden held regal possession of the arm chair. The whole of Covent-garden is classic ground, from its association with the dramatic and other wits of the times of Dryden and Pope. Butler lived, perhaps died, in Rose-street, and was buried in Covent-garden Churchyard; where Peter Pindar the other day followed him. In Leicester-square, on the site of Miss Linwood's exhibition and other houses, was the town mansion of the Sydneys, Earls of Leicester, and the family of Sir Philip and Algernon Sydney. In the same square lived Sir Joshua Reynolds. Dryden lived and died in Gerrard-street, in a house which looked backwards into the garden of Leicester House. Newton lived in St. Martin's-street, on the south side of the square. Steele lived in Bury-street, St. James'; he furnishes an illustrious precedent for the loungers in St. James'-street, where scandal-mongers of those times delighted to detect Isaac Bickerstaff in the person of captain Steele, idling before the Coffee-house, and jerking his leg and stick alternately against the pavement. We have mentioned the birth of Ben Jonson, near Charing-cross. Spenser died at an inn, where he put up on his arrival from Ireland, in King-street, Westminster—the same which runs at the back of Parliament-street to the Abbey. Sir Thomas More lived at Chelsea. Addison lived and died in Holland House, Kensington, now the residence of the accomplished nobleman who takes his title from it. In Brook-street, Grosvenor-square, lived Handel; and in Bentinck-street, Manchester-square, Gibbon. We have omitted to mention that De Foe kept a hosier's shop in Cornhill; and that, on the site of the present Southampton-buildings, Chancery-lane, stood the mansion of the Wriothesleys, Earls of Southampton, one of whom was the celebrated friend of Shakspeare. But what have we not omitted also? No less an illustrious head than the Boar's, in Eastcheap—the Boar's Head Tavern, the scene of Falstaff's revels. We believe the place is still marked out by a similar sign. But who knows not Eastcheap and the Boar's Head? Have we not all been there time out of mind? And is it not a more real, as well as notorious thing to us, than the London Tavern, or the Crown and Anchor, or the Hummums, or White's, or What's-his-name's, or any other of your contemporary and fleeting taps?

"Before we rest our wings, however, we must take another dart over the city, as far as Stratford at Bow, where, with all due tenderness for boarding-school French, a joke of Chaucer has existed as a piece of local humour for nearly four hundred and fifty years. Speaking of the Prioress, who makes such a delicate figure among his Canterbury Pilgrims, he tells us, among her other accomplishments, that—

'French she spake full faire and featously;'

adding with great gravity,

'After the school of Stratford atte Bowe;

For French of Paris was to her unknowe.'

CURIOUS FACTS RELATING TO SLEEP.

(For the Mirror.)

"Next to those nourishments that sustain the body (says Dr. Venner) moderate and seasonable sleep is most profitable and necessary. It helps digestion, recreates the mind, repairs the spirits, and comforts and refreshes the whole body." It is also observed by Dr. Hufeland, that "sleep is one of the wisest regulations of nature, to check and moderate at fixed periods, the incessant and impetuous stream of vital consumption. It forms as it were, stations for our physical and moral existence, and we thereby obtain the happiness of being daily reborn, and of passing every morning through a state of annihilation, into a new and refreshed life."

The writer of the article "Sleep." in Rees's Cyclopædia, says, "the proportion of time passed in sleep differs in different persons, and at different ages. From six to nine hours may be reckoned about the average proportion. Men of active minds whose attention is engaged in a series of interesting enjoyments, sleep much less than the listless and indolent, and the same individual will spend fewer hours in this way, when strongly interested in any pursuits, than when the stream of life is gentle and undisturbed. The Great Frederic of Prussia, and John Hunter, who devoted every moment of their time to the most active employments of body and mind, generally took only four or five hours' sleep. A rich and lazy citizen, whose life is merely a chronicle of breakfast, dinners, suppers, and sleep, will slumber away ten or twelve hours daily. When any subject strongly occupies us, it keeps us awake in spite of ourselves. The newly born child sleeps most of its time, and seems to wake merely for the purpose of feeding. Very old persons sleep much of their time; in the natural progress towards death, the animal faculties are first extinguished; accordingly, when they begin to decline in decrepit old age, the periods of their intermissions are longer. The celebrated De Moivre, when eighty-three years of age, was awake only four hours out of the twenty-four; and Thomas Parr at last slept the greatest part of his time. An eye-witness relates that some boys, completely exhausted by exertion, fell asleep amid all the tumult of the battle of the Nile; and other instances are known of soldiers sleeping amid discharges of artillery, and all the tumult of war. Couriers are known to sleep on horseback, and coachmen on their coaches. A gentleman who saw the fact, reported, to the writer of this article, that many soldiers in the retreat of Sir John Moore, fell asleep on the march, and continued walking on. Even stripes and tortures cannot keep off sleep beyond a certain time. Noises at first prevent us from sleeping, but their influence soon ceases, and persons rest soundly in the most noisy situations. The proprietors of some vast iron-works, who slept close to them, through the incessant din of hammers, forges, and blast furnaces, would awake if there were any interruption during the night. And a miller, being very ill and unable to sleep, when his mill was stopped, on his account, rested well and recovered quickly when the mill was set going again. Great hunger prevents sleep, and cold affecting a part of the body has the same effect. These causes operated on the unfortunate women who lived thirty-four days in a small room overwhelmed by snow, and with the slightest sustenance, they hardly slept the whole time."

P.T.W.

PERU: SIMPLICITY OF PASTORAL LIFE.

(To the Editor of the Mirror.)

After all that has been written and said on South America, by many recent travellers, it may probably be thought that the following remarks are rather out of time; but as a single fact may sometimes serve to show the state of a country more forcibly than volumes, I am induced to relate an anecdote which will throw a little light on the present situation of one portion of the natives of Peru.

The Andes take their rise literally at the "end of the World;" for Cape Horn certainly deserves that epithet, and the Straights of Magellan, which divide Terra del Fuego from the continent are comparatively no more than a mountain stream in a hilly country, so that that island may without any impropriety be deemed a part of it. The Andes are not one continuous chain of mountains; but an immensity of piles raised one on another, at different elevations of which are extensive plains, termed "Pampas," some of which appear as boundless as the horizon, and totally divested of herbage. On one of these plains, called the Pampa of Diesmo, in the province of Junin, I was detained some days at the only hut to be seen for leagues. One of the arreóros, or muleteers, with me, a native of Madrid, remarked on the solitude of the spot, adding, with a sigh, "This was a different place when first I visited it." Within about half a mile from where we were then conversing was an astonishing freak of Nature. In the midst of the plain were about one hundred naked rocks rising abruptly from the surface, in detached groups, some of which were as high as St. Paul's, and many appeared like the spires of a cathedral. Pointing to these eminences, the muleteer went on to say, "for five months these rocks were my refuge from white men, and from them have I seen an army of twenty-five thousand men traverse this plain again and again; their only support for nearly fourteen months being drawn from the spot." On asking an explanation, he bid me look round and say if I thought I could count the number of sheep on the Pampa. I readily answered I did not think there were fifty. "What will you say, sir," said he, "when I tell you that sixteen years since, there were, on this plain alone, eight hundred thousand sheep! besides oxen; at that time there was scarcely an Indian that did not possess at least two thousand, and this was only a part of the wealth of Peru. The desolation that now exists may justly be laid to the account of a revolution, which has only been the means of creating a spirit of animosity amongst those who before were cordially united; you yourself must be aware that if it were known I was a Godo, (Old Spaniard), my life would not be worth an hour's purchase; another thing you have yourself experienced, is the total absence of hospitality in Peru. This is also an effect of the revolution; for at the time I alluded to, a stranger in this country need not expend a maravedi in travelling; but those days, I fear, will never return."

This conversation occurred in the summer of 1827, and there are a few readers of the MIRROR who were then in Peru, who will readily recognise the writer.

VIATOR.

ON FEAR.

By Sir Thomas More.

If evils come not, then our fears are vain,

And if they do, fear but augments the pain.

MANNERS & CUSTOMS OF ALL NATIONS.

SKIMINGTON RIDING.

(To the Editor of the Mirror.)

I have been amused by the accounts given in a former volume of the MIRROR, of the curious custom called "Stanging;" may I be allowed to edge in a few words descriptive of a ceremony belonging to the same order, which prevails in my native county, (Dorset), instituted and practised on the same occasions as those mentioned in vol. xii., but differing from them in many material points, and in my opinion partaking more of the theatrical cast than either of those two mentioned by your correspondents. Having been an eye witness to one or two of these exhibitions, I am enabled to give an accurate account of the same. The name which they give to this ceremony, as near as I can make out from the pronunciation, is Skimington Riding; the origin of which name I have endeavoured in vain to ascertain. The ceremony commences by two fellows armed with stump brooms mounting on a ladder borne by four or five more of the crowd, when sitting back to back, they commence a fierce attack on each other with the brooms over their shoulders, maintaining at the same time as the procession advances, a scolding dialogue, or rather duet; one of them squeaking to represent the angry tones of the better half, while the other growls his complaints an octave below. In this manner, accompanied by the shouts of the crowd, the rattling of old tin kettles, and the blowing of cow's horns, producing altogether a horrible din, they parade before the dwelling house of some peace-breaking couple; and should they be in possession of any word or words made use of by the unhappy pair in their squabbles, you may be sure such expressions are repeated with all due emphasis by the performers on the (stage) ladder. After making as much noise as they possibly can before the fated dwelling, where they sometimes meet with a most ungracious reception, they proceed in the same style through all the streets of the parish in order that the whole place may be apprized of the conduct of the offending couple; and they keep up the game as long as they possibly can.

Sturminster.

RURIS.

A SEA-SIDE MAYOR.

(For the Mirror.)

At Yarmouth, a person is selected from among those employed on the beach during the fishing season, who is denominated the Sea-side Mayor, his office being to inflict certain punishments and penalties on such fishermen as are found guilty of pilfering herrings, &c.

The fishing commences in the latter part of September, a day or two previous to which a procession goes round the town, the object and order of which are as follow:—

A person grotesquely attired, and carrying a trident, to represent Neptune,[3] precedes, followed by four or five men bearing colours with inscriptions of "Prosperity to the town of Yarmouth." "Death to our best Friends," (meaning the herrings), "Success to the Herring Fishery," &c. Then follows a band of musicians. The Sea-side Mayor (dressed as a sailor, and wearing a gilt chain around his neck) brings up the rear, in a handsome boat built for the occasion, and borne on the shoulders of ten or a dozen men, wearing white ribands on the breast of their jackets and on their hats.

In this order the procession calls at the shops of different tradespeople, or any one at all connected with the herring fishery, where they solicit contributions, and those who are disposed to be liberal, are honoured with a tune from the musicians, and the cheering of the mayor. After parading the town they retire to a tavern to dinner. A great number of French and Dutch fishing boats resort to Yarmouth at the herring fishing, and on the Sunday previous to the 21st of September, "Dutch Fair," as it is denominated, is held on the beach, and presents a novel and interesting appearance.

From twenty to thirty of their flat bottomed boats are run on shore at high water, and as the tide recedes, are left high and dry. Dutch pipes, dried flounders, wooden shoes, apples, and gingerbread, are then offered for sale, and if the weather be fine, the beach is thronged with company, many of whom come from a great distance.

W. S. L.

SAXON NAMES OF THE MONTHS.

(For the Mirror.)

December, which stood first, was styled "Mid-winter monath." January was "Aefter-yule," or after Christmas. February "Sol-monath," from the returning sun. March "Rhede, or Rhede monath," rough, or rugged month. April "Easter monath," from a favourite Saxon goddess, whose name we still preserve. May was "Trimilchi," from the cows being then milked thrice in the day. June "Sere monath," dry month. July "Maed monath," the meads being then in their bloom. August was "Weod monath," from the luxuriance of weeds. September "Haerfest monath." October they called "Winter fylleth," from winter approaching with the full moon of that month. And lastly, November was styled "Blot monath," from the blood of the cattle slain that month, and stored for winter provision. Verstegan names the months somewhat differently.

P.T.W.

CURIOUS BEQUEST.

(For the Mirror.)

John Wardell, by will, dated August 29, 1656, gave to the Grocers' Company, a tenement known by the name of the White Bear, in Walbrook, to the intent that they should yearly, within thirty days after Michaelmas, pay to the churchwardens of St. Botolph, Billingsgate, £4. to provide a good and sufficient iron and glass lantern, with a candle, for the direction of passengers, to go with more security to and from the water side, all night long, to be placed at the north-east corner of the parish church of St. Botolph, from the Feast Day of St. Bartholomew to Lady Day; out of which sum £1. is to be paid to the sexton for taking care of the said lantern.

H.B.A.

SLEEPERS IN CHURCH.

(For the Mirror.)

Richard Davey, in 1659, founded a free-school at Claverley, Salop, and directed to be paid yearly the sum of eight shillings to a poor man of the said parish, who should undertake to awaken sleepers, and to whip out dogs from the church of Claverley, during divine service.

H.B.A.

THE SELECTOR;

AND LITERARY NOTICES OF NEW WORKS.

THE EPPING HUNT.

By Thomas Hood, Esq.

We remember the appearance of Mr. Hood's first work—Odes and Addresses to Great People; and many a reviewer and printer rejoiced in the light columns which it furnished them by way of extract. They made up very prettily beside a theological critique, a somewhat lumbering book on political economy, or a volume of deep speculations on geology. Hood's little book, a mere thin pocket size, soon grew into notice and favour; the edition ran off, and one or two more impressions have followed. A host of imitators soon sprung up, but we are bound to acknowledge that from the above to the present time, Mr. Hood has kept the field—the Pampa of pun—to himself, and right sincerely are we obliged for the many quips and quiddities with which he has enabled us to garnish our pages. We say garnish, for what upon earth can better resemble the garnishings of a table than Mr. Hood's little volumes: how they enliven and embellish the feast, like birds and flowers cut from carrots, turnips, and beet-root; parsley fried crisp; cascades spun in sugar, or mouldings in almond paste, at a pic-nic supper party.

We love a good motto, and one like Mr. Hood's speaks volumes:

"HUNTS ROASTED"—

Next comes an advertisement of the author's endeavour to record a yearly revel (the Epping Hunt,) already fast hastening to decay. Mr. Hood is serious, as the following epistle will show:—

"It was penned by an underling at the Wells, a person more accustomed to riding than writing."

"Sir,—About the Hunt. In anser to your Innqueries, their as been a great falling off laterally, so much so this year that there was nobody allmost. We did a mear nothing provisionally, hardly a Bottle extra, wich is a proof in Pint. In short our Hunt may be sad to be in the last Stag of a Decline.

"I am, Sir,

"With respects from

"Your humble Servant,

"BARTHOLOMEW RUTT."

Then begins the tale.

John Huggins was as bold a man

As trade did ever know,

A warehouse good he had, that stood

Hard by the church of Bow.

There people bought Dutch cheeses round,

And single Glos'ter flat,—

And English butter in a lump,

And Irish—in a pat.

Six days a week beheld him stand,

His business next his heart,

At counter with his apron tied

About his counter-part.

The seventh in a sluice-house box,

He took his pipe and pot;

On Sundays for eel-piety,

A very noted spot.

Huggins gets "Epping in his head," and resolves to go to "the Hunt."

Alas! there was no warning voice

To whisper in his ear,

Thou art a fool in leaving Cheap

To go and hunt the deer!

No thought he had of twisted spine,

Or broken arms or legs;

Not chicken-hearted he, altho'

'Twas whisper'd of his eggs.'

Ride out he would, and hunt he would,

Nor dreamt of ending ill;

Mayhap with Dr. Ridout's fee,

And Surgeon Hunter's bill.

To say the horse was Huggins' own,

Would only be a brag;

His neighbour Fig and he went halves,

Like Centaurs, in a nag.

And he that day had got the gray,

Unknown to brother cit;

The horse he knew would never tell,

Altho' it was a tit.

A well bred horse he was I wis,

As he began to show,

By quickly "rearing up within

The way he ought to go."

And so he jogged to Tot'n'am Cross,

An ancient town well known,

Where Edward wept for Eleanor

In mortar and in stone

A royal game of fox and goose,

To play on such a loss;

Wherever she set down her orts,

Thereby he put a cross.

Now Huggins had a crony here,

That lived beside the way;

One that had promised sure to be

His comrade for the day.

His friend had gone to Enfield Chase:

Then Huggins turned his horse's head,

And crossed the bridge of Lea.

Thence slowly on thro' Laytonstone,

Past many a Quaker's box,—

No friends to hunters after deer,

Tho' followers of a Fox.

And many a score behind—before—

The self-same route inclin'd,

And minded all to march one way,

Made one great march of mind.

Gentle and simple, he and she,

And swell, and blood, and prig;

And some had carts, and some a chaise,

According to their gig.

Some long-ear'd jacks, some knacker's hacks,

(However odd it sounds,)

Let out that day to hunt, instead

Of going to the hounds!

And some had horses of their own,

And some were forc'd to job it;

And some, while they inclin'd to Hunt,

Betook themselves to Cob-it.

All sorts of vehicles and vans,

Bad, middling, and the smart;

Here roll'd along the gay barouche,

And there a dirty cart!

And lo! a cart that held a squad

Of costermonger line;

With one poor hack, like Pegasus,

That slav'd for all the Nine!

And so he paced to Woodford Wells,

Where many a horseman met,

And letting go the reins, of course,

Prepared for heavy wet.

And lo! within the crowded door,

Stood Rounding, jovial elf;

Here shall the Muse frame no excuse,

But frame the man himself.

The portrait is excellent:

A snow white head a merry eye,

A cheek of jolly blush;

A claret tint laid on by health,

With master reynard's brush.

A hearty frame, a courteous bow,

The prince he learn'd it from:

His age about three-score and ten,

And there you have Old Tom.

In merriest key I trow was he,

So many guests to boast;

So certain congregations meet,

And elevate the host.

They start—

But Huggins, hitching on a tree,

Branched off from all the rest.

Then comes the motley mob—

Idlers to wit—no Guardians some,

Of Tattlers in a squeeze;

Ramblers, in heavy carts and vans,

Spectators up in trees.

Butchers on backs of butcher's hacks,

That shambled to and fro'!

Bakers intent upon a buck,

Neglectful of the dough!

Change Alley Bears to speculate,

As usual, for a fall;

And green and scarlet runners, such

As never climb'd a wall!

'Twas strange to think what difference

A single creature made;

A single stag had caused a whole

Stagnation in their trade.

The deer is brought—-

Now Huggins from his saddle rose,

And in the stirrups stood;

And lo! a little cart that came

Hard by a little wood.

In shape like half a hearse,—tho' not

For corpses in the least;

For this contained the deer alive,

And not the dear deceased!

Robin bounds out, and the hunt starts: Huggins—

Away he went, and many a score

Of riders did the same,

On horse and ass—like high and low

And Jack pursuing game.

Good lord! to see the riders now,

Thrown off with sudden whirl,

A score within the purling brook,

Enjoy'd their "early purl."

A score were sprawling on the grass,

And beavers fell in show'rs;

There was another Floorer there,

Beside the Queen of Flowers!

Some lost their stirrups, some their whips,

Some had no caps to show;

But few, like Charles at Charing Cross,

Rode on in Statue quo.

"O, dear! O, dear!" now might you hear,

"I've surely broke a bone;"

"My head is sore,"—with many more

Such speeches from the thrown.

Away they went then dog and deer,

And hunters all away.—

The maddest horses never knew

Mad staggers such as they!

Some gave a shout, some roll'd about,

And antick'd as they rode,

And butchers whistled on their curs,

And milkmen tally-ho'd!

About two score there were, not more,

That gallopped in the race;

The rest, alas! lay on the grass,

As once in Chevy Chase!

And by their side see Huggins ride,

As fast as he could speed;

For, like Mazeppa, he was quite

At mercy of his steed.

No means he had, by timely check,

The gallop to remit,

For firm and last, between his teeth,

The biter held the bitt.

Trees raced along, all Essex fled

Beneath him as he sate,—

He never saw a county go

At such a county-rate!

"Hold hard! hold hard! you'll lame the dogs:"

Quoth Huggins, "so I do,—

I've got the saddle well in hand,

And hold as hard as you!"

And now he bounded up and down,

Now like a jelly shook:

Till bump'd and gall'd—yet not where Gall,

For bumps did ever look!

And rowing with his legs the while,

As tars are apt to ride;

With every kick he gave a prick,

Deep in the horse's side!

But soon the horse was well avenged,

For cruel smart of spurs,

For, riding through a moor, he pitched

His master in a furze!

Where sharper set than hunger is

He squatted all forlorn;

And like a bird was singing out

While sitting on a thorn!

Right glad was he, as well as might be.

Such cushion to resign:

"Possession is nine points," but his

Seemed more than ninety nine.

Yet worse than all the prickly points

That enter'd in his skin,

His nag was running off the while

The thorns were running in!

A jolly wight comes by upon

A sorry mare, that surely came

Of pagan blood and bone;

For down upon her knees she went,

To many a stock and stone!

Now seeing Huggins' nag adrift,

This farmer, shrewd and sage,

Resolv'd by changing horses here,

To hunt another stage!

So up on Huggins' horse he got,

And swiftly rode away,

While Huggins mounted on the mare

Done brown upon a bay!

And off they set, in double chase,

For such was fortune's whim,

The Farmer rode to hunt the stag,

And Huggins hunted him.

And, far remote, each scarlet coat

Soon flitted like a spark,—

Tho' still the forest murmur'd back

An echo of the bark.

But sad at soul John Huggins turn'd:

No comfort he could find.

Whilst thus the "Hunting Chorus" sped

To stay five bars behind.

For tho' by dint of spur he got

A leap in spite of fate—

Howbeit there was no toll at all,

They could not clear the gate.

And, like Fitzjames, he cursed the hunt,

And sorely cursed the day,

And mus'd a new Gray's elegy

On his departed gray.

Huggins now betook him to the Wells—the Hunt was o'er—and many a joke is told—

How Huggins stood when he was rubb'd

By help and ostler kind,

And when they cleaned the clay before,

How "worse remain'd behind."

And one, how he had found a horse

Adrift—a goodly gray!

And kindly rode the nag, for fear

The nag should go astray.

Huggins claims the horse, and offers "a bottle and a pound" for his recovery:

The wine was drunk,—the money paid,

Tho' not without remorse.

To pay another man so much,

For riding on his horse.

MORAL.

Thus Pleasure oft eludes our grasp,

Just when we think to grip her;

And hunting after Happiness,

We only hunt a slipper.

The tale occupies less than thirty pages, and may be read whilst smoking a cigar. It is all quaint fun, whim, humour, and frolic, and one of those merry morsels which amuse us more than the whole leaven of utilitarianism; and if to laugh and learn be your maxim, why read the "Epping Hunt." After this, hold your sides, and look at the cuts, designed by George Cruikshank, and engraved by Branston, Bonner, Slader, and T. Williams. Old Tom Rounding is the frontispiece, in a cosy chair, and glass in hand—framed with foxes', and Towler and Jowler's heads, antlers, &c. The rich twinkle of Tom's eye, and the benevolent rotundity of his form, are admirable. Huggins hitched on a tree is the next—then comes "the beast charging in Tom's rear;" his perturbed look and the saucy waggery of a round headed wight who has climbed into an adjoining tree are a good contrast; Huggins "sitting on a thorn" is another ludicrous picture of perturbation; the cit on the grass, with "cattle grazed here" on a tree, is the fifth; and Huggins being cleared of clay by two of Tom Roundhead's helpers, with mop and broom, completes the cuts and catastrophes of the Epping Hunt.

The engravings, one and all, are exceedingly clever, and proof impressions, (which we observe are advertised,) will soon find their way into scores of scrapbooks.

The Sketch-Book.

THE SPIRIT OF THE STORM.

(For the Mirror.)

When the unfortunate Cedric (who had imbued his hands in the blood of another,) was endeavouring by flight to a distant land to evade the arm of justice, there existed a belief in a supernatural being, whose exclusive office was,

To guide the whirlwind and direct the storm.

It was imagined that he circumnavigated the globe in a chariot of fire that was wafted on the wings of the wind through the illimitable fields of aether, but that he ever kept within the bounds of our atmosphere. His course was preceded by thunder and lightning—and storm and tempest followed him wherever he went. He visited every climate in succession, and had a vast concourse of inferior spirits at his command. He never paused in his terrible career, but to witness the shipwreck of a felon, and then only was he visible to mortal view. He was The Spirit of the Storm!

The recollection of this personage occurred to the mind of Cedric, accompanied with no very pleasing associations, just as the Levantine cleared the mouth of the harbour, and was bearing a full sail before a propitious northern gale for India.

A quick voyage had almost brought the vessel successfully to the desired port, when an accident, fatal in its termination occurred, which we shall endeavour to relate.

There was on board an old man who had long been in the habit of reading the almanac, observing the changes of the wind and moon, the rising and setting of the sun, the degree of heat or cold, dryness or dampness of the atmosphere, the form and colour of the clouds, the rising and falling of the mercury, and several other similar indications of the weather, who for his knowledge in these matters, had obtained the epithet of "weatherwise," and indeed not without reason, for although he might sometimes be wrong in his prognostications to the no small amusement of others, and to his own mortification; yet in general they were pretty correct, especially of the approach of a storm in a tropical climate.

One fine evening whilst walking on the deck, he carelessly observed, that there would be a heavy sea gale, accompanied by rain, before morning. The captain of the vessel, who happened to be within hearing, cursed the poor fellow for his prediction, declaring that he kept the whole crew in a state of alarm, and vowing that if he foretold another tempest he would throw him overboard. The old man, who had a considerable opinion of his own talents, calmly replied, "experientia docet."

Cedric, from being one of the most daring and reckless spirits of his age, on hearing the above parley, and aware of their proximity to a rocky and dangerous shore, became terrified. The fear of a wreck overcame his once undaunted but now agitated frame, and a stiff glass of grog was found necessary to support him.

At midnight (having previously been sleeping soundly, composed by the soporific effects of the dram, lulled by the music of the rising breeze, and the gentle undulations of the reeling vessel) he was flung several yards from his hammock, and received a contusion on the head, which for some time deprived him of his senses. When he had somewhat recovered, the rocking of the vessel, the howling of the wind, and the creeking of the timbers, told him but too truly that the old man's prophecy was being fulfilled.

He went hastily on deck, half dressed and nearly frantic through fear, to ascertain his opinion of the probable extent of the danger to which they were exposed. But, alas! the old man, who had been placed at the helm as the only person capable of conducting the vessel in so perilous a situation, had been swept overboard by one of the early surges. He spoke to many, but none seemed disposed to listen to him; each person being too much engaged with his own concerns to attend to those of others.

Every hand seemed paralyzed; the vessel without a steersman at the helm—without a sailor to haul down a shroud, was cleaving the ocean at the mercy of the winds and the waves!

His sense of guilt at this moment was overpowering; hitherto (partly occasioned by ignorance, and partly by depraved habits of life) a degree of thoughtlessness had possessed him, which it is almost impossible to conceive could reign in the breast of a being endued with reason. Now indeed his eyes were open to his fate—to his earthly fate; a strange foreboding came upon him; it was a species of instinctive horror; he could not look beyond it. Whether there was a being who ruled the world, or whether there was not, had never been the subject of his meditations; yet a secret whisper intimated to him that death would not be the bound of his hopes and his fears—of his joys and his sorrows.

He was conscious of the blackness of his crime, which indeed was of the deepest dye, and that he had never till then experienced the arm of vengeance. He shuddered as the violence of the tempest increased.

He had braved the seas—he had fought with the enemies of his country; but never did fear paralyze the daring Cedric before. He fell senseless on the deck entangled in the shattered cordage, whereby he was preserved from being washed overboard by the mountain billows, which every moment engulfed the vessel, threatening immediate destruction to all on board.

The murkiest cloud that ever hid the skies from the view of man, now rode in universal blackness over the horror-stricken crew, which, opening every pore, as though at once to overwhelm creation, poured forth its contents like one vast sea descending to overflow another. The winds gathered from every quarter with unparalleled fury. Thunders rolled with that incessant clamour which pervades a field of earthly battle; but artillery, whose dreadful note hath made the hardiest and the boldest quake, utters with but feeble voice to that which that night growled on the craggy shores of India. And lightnings fell, as when Elijah called on heaven to answer him, and fire descended to proclaim the true Jehovah's name, and hail the one true prophet!

The Levantine now struck with tremendous force against a rock, which lay concealed amidst the swelling waters, and instantaneously disappeared, leaving the wretched crew floating on the surface—borne on the billows!

Cedric, by the tumultuous fury of the element, was thrown on a shelf of one of the steep rocks which form a natural barrier between the sea and land; being recovered from his stupor, he was again awake to the horrors that surrounded him; what had become of his comrades he knew not—he thought not. He clung to a fragment of the precipice with the desperation and firm grasp of madness—while every successive tide that rolled over his head became stronger and stronger.

He counted the billows as they passed over him; he watched the receding wave—he looked sternly at the approaching one. Time with him was fast ebbing. The wave that was to wash him into eternity was already curling towards him in fearful whiteness, which the glare of lightnings that seemed to illuminate the universe showed him in all its terrors.

At the same time he distinguished a towering rock which the darkness had hitherto obscured, but which now rose in awful majesty before him, amidst the spray and foam of the heaving surges, and seemed a sea-god's throne! The sublimity and magnificence of the storm were now at their height! On the summit of the conical rock, which was reddened by the fierce blaze of the brilliant fires that incessantly played around it, appeared a colossal figure, arrayed in white, whose long tresses and flowing robes streamed with the wind. The figure pointed at the hopeless Cedric with a deadly smile on his countenance. Cedric glared wildly at the unearthly vision. The last whelming wave approached and buried him for ever in the foaming sea.

The spectre mounted his car, attended by an innumerable host of tributary spirits, and was borne on the whirlwind to visit other climes. He was the Spirit of the Storm!

CYMBELINE.

SPIRIT OF THE PUBLIC JOURNALS.

RECOLLECTIONS OF AN OLD FAVOURITE.

"In his wine he would volunteer an imitation of somebody, generally of Incledon. His imitation was vocal; I made pretensions to the oratorical parts; and between us, we boasted, that we made up the entire phenomenon."
LEIGH HUNT'S BYRON.

"Of Incledon? poor Charles Incledon!" said I, turning to his portrait in the "Storm," hanging in goodly fellowship with a few of the idols of my theatrical days, Siddons, Kemble, Bannister, Mrs. Jordan, and G. Cook, in my little book-room—"Poor Charles Incledon! The mighty in genius, the high in birth, the conceited in talent, have not forgotten thee, then—and will even condescend to imitate thee, to imitate thee who wast inimitable!" I arose and walked about my little sanctum in meditative mood. The days of old came o'er me—the benefit nights—the play-bills, with the "Storm," "Black-eyed Susan," &c. in the largest type, as forming the most attractive morceaux in the bill of fare. Then followed the squeeze in June! through that horrid passage in the old Covent Garden Theatre!—then the well-earned climax—Incledon in blue jacket, white trousers, red waistcoat, smart hat and cane—the representative of Britain's best defenders, in holiday garb—unaccompanied by orchestra or instruments, depending upon naught but "the human voice divine," after his usual walk before the lights, and repeatedly licking his lips, (as if he thought that the sweet sounds which were accustomed to flow from them must leave honey behind),—rolling forth with that vast volume of voice, at once astonishing and delightful—"All in the downs the fleet lay moored;" and then followed the strain of love, manly love and constancy, in the beautiful language of Gay, and in tones so rich, so clear, so sweet! every faculty was absorbed in the sense of hearing! the hair seemed to rise, the flesh to stir! the silence of the audience was holy—they durst not, they could not, even applaud that which so enchanted them, for fear of losing a note—I really think I could have struck any one who could have shouted a "bravo!"—Never were Milton's lines,

"Soft Lydian airs

Married to immortal verse,

Such as the meeting soul may pierce

In notes, with many a winding bout

Of linked sweetness long drawn out,

With wanton heed and giddy cunning;

The melting voice through mazes running,

Untwisting all the chains that tie

The hidden soul of harmony."

so illustrated as in the last line of Gay's "Black-eyed Susan,"—

"Adieu, she cried, and waved her lily hand,"

as sung by Incledon in his prime.

'Tis strange! here was "a voice that hath failed," and little or nothing said of it—"Died at Worcester, on ——, the celebrated vocalist, Charles Incledon," without further comment, was all that most of the periodicals said at his decease. I recollect nothing worthy of him being put forth, no essay upon his voice and style—and why? because poor Charles Incledon had ceased to be the fashion!

The time is somewhat advanced, but the quotation at the head of this article has brought to my mind what ought to have been done by abler hands; and I will endeavour to point out what we possessed in this singer, and what we have lost by his death.

And how am I qualified, for the task? With respect to the knowledge of the science of music I cannot boast—but Rousseau says—"Disoit autrefois un sage, c'est an poete à faire de la poesie, et an musicien à faire de la musique; mais il n'appartient qu'au philosophe de bien parle de l'une et de l'autre." And there are hearts, such as inspired the poet when he wrote—

"Withdraw yourself

Unto this neighbouring grove; there shall you see

How the sweet treble of the chirping birds,

And the sweet stirring of the moved leaves,

Running delightful descant to the sound

Of the base murmuring of the bubbling brook,

Becomes a concert of good instruments,

While twenty babbling echoes round about,

Out of the stony concave of their mouths,

Restore the vanish'd music of each close,

And fill your ears full with redoubled pleasure." [4]

such as warmed Spenser when he wrote his "Bowre of Blesse;" Tasso his "Gardens of Armida;" Collins his "Melancholy," who

"Pour'd through the mellow horn her pensive soul"—

such hearts, I say, and such as have drunk with unsatiated thirst at the fountains of these "masters of the lay," are better qualified to speak upon a question of the "concord of sweet sounds" than all the merely scientific musicians, whether professors or amateurs, in the world.

"Of melody aye held in thrall," I profess myself an admirer of that English music which preceded the appearance of Mr. Braham—the music of Arne, Jackson, Carter, Storace, Linley, Shield, Davy, even of Dibdin, and of those fine airs, (the names of whose composers are now little better than traditional), which glow in the Beggar's Opera. And of this music there never was heard a singer equal to Incledon, and perhaps never will. The pathos, the richness, the roundness, the satisfying fulness to the ear, which characterize these composers, can never be mastered by the merely scientific singer; they composed for the voice, and without that organ in its most perfect state, complete justice can never be done to their strains.

I before said these masters flourished previous to the debut of Mr. Braham; for it is in a great measure owing to that gentleman, and the false taste he introduced and has kept alive, that they are now so seldom heard in our theatres, concerts, or drawing-rooms. We have lost the notes of melody and feeling, and what have we in their stead? The glitter and plagiarism of Rossini, the ponderous science of Weber, and the absolute trash of all our English composers. The last mentioned gentlemen certainly came into court "in forma pauperis,"—satisfied with the merit of arrangers, harmonizers, &c., and are found to confess, when detection is probable, that the very soul of their pieces—the melody[5]—is taken from such an Italian, such a Sicilian, Greek, nay even Russian air.

I think I can, in some degree, account for the fashion these composers have gained, and why, I fear, they are likely to maintain it. It is that the public have become too musical. Every female, from the highest to the lowest, whose parents can purchase a piano-forte, and pay a master, must learn music; the number of teachers and pupils are multiplied without end; and out of either class how many are there qualified by nature as singers? Not two in fifty. What follows? By labour and attention science may be acquired, although voice cannot. The voiceless teacher may instruct his voiceless pupil in the foppery of an art, the spirit of which is unattainable by either; pieces merely scientific are placed by him on her piano—are performed to the credit of both, with vast execution, as far as respects the science and the harmony—-but as for the singing, as singing ought to be, 'tis

"Worse than the howling of Irish wolves against the moon."

Well—Miss, from the expense and pains bestowed upon her, must, of course, be the musical oracle of the family; the father must forego his favourite old songs, written by "honest Harry Carey," (as Ritson insists on his being called); the mother is laughed to scorn if she mentions "Auld Robin Gray," "Mary's Dream," "Oh, Nanny, wilt thou gang wi' me?"—or such obsolete stuff;—and even the brothers, who might stickle a little for Moore's melodies,

"With thoughts that breathe and words that burn,"

are silenced with, "Pooh! any body can sing them."

Thus is the family taste made up; and this extends to the patronage of singers in the style alone deemed correct, as it is the quantity of public patronage which must influence the manager of either theatre or concert in the persons he engages. And thus has the great extension of musical taste been injurious to music.

But, to return to our old favourite. All who remember him must likewise remember his powers of attraction ere this blight of fashion had come over us. Witness his various benefits, and above all, that at the Opera House, producing, it is said, 1,500l. Such marks of public favour, added to the constant request of company, both public and private, and to a man who, like Incledon, loved his art, were sure to be productive of vanity—vanity, the besetting sin of all great men, from Alexander on his Persian throne, to Mr. Kean enthroned in the Coal Hole.—His education had been limited. The songs chiefly in vogue at the early part of the late war were nautical, which led him to a bold, free style; these were his faults—vanity, want of cultivation, and a freedom of manner approaching to excess. But he had a qualification as a singer which threw all these into shade. The "Spectator," I believe, somewhere says it is necessary for a good dancer to have a good understanding; but I think it is much more necessary for a good singer to have a good and feeling heart; and whether singing or acting his part in the drama of life, with family, friends, or brother (not forgetting sister) performers, Charles Incledon had as warm a heart as ever beat.

I cannot completely effect my purpose of reminding the public of what they have lost in this fine singer, without recurrence to the songs in which he earned his fame. "Pleasant is the recollection of the joys that are passed," says Ossian; and what a delightful store-house of melody is opened by the remembrance of these songs! At the head of the list, in unapproachable beauty, stand his "Black-eyed Susan," "Storm," "Old Towler," and "Lads of the Village;" songs which few voices can attempt, and none dare hope to equal him in. Then, as operas, we had first his Macheath, a part in which, notwithstanding what has been said of his slovenly acting, I think him unequalled. His was the voice to burst forth in the rich melodies of that equivocal piece—he was the gentleman who, if ruined by excess, could become the highwayman—his was the dashing, manly style to ensnare either a Polly or a Lucy. Poor Macheath is now emasculated, because no man has voice to sing his songs. I have heard Mr. Young has played the part, and "report speaks goldenly" of his singing, and I deeply regret not having heard him. I understand he sings Moore's melodies better than any body; and think it likely, from the few "snatches" I have heard him give. By the bye, excepting the hurried, thick utterance of Incledon when speaking, there is great resemblance, as far as regards voice, between that singer and Mr. Young.

As a Shakspearean, I must class next his two sweet songs in "As You Like it." His was the pipe to be listened to amongst the warblers of "Ardenne," in Dr. Arne's delicious "Blow! blow! thou Winter's wind," and "Under the green-wood tree." "Oh!" as Jaques says, "I can suck melancholy from the recollection of these songs as a weasel sucks eggs." Then follow Jackson of Exeter's "Lord of the Manor," and Dibdin's "Quaker" and "Waterman;" pieces after Incledon's own heart; all free, rich, clear melody, without glitter.

But of all the composers of his own day, Shield[6] was his favourite; and justly. He furnished him with most of his popular songs. The singer was the peculiar organ of the composer—his "Thorn," his "Mouth which a Smile," "Tom Moody," "Heaving the Lead," and many, many others, seem to have faded away with the voice of the melodist.

But I find, were I to run through, as I proposed, all the songs peculiar to my hero, I should, most likely, tire my reader. The delight with which I dwell upon them is a species of egotism; I will therefore only name a few more, and "leave him alone with his glory."—"Sally in our Alley," the song Addison was so fond of; what an association! "Post Captain," "Brown Jug." In his decline, even "His father he lost," and "On Lethe's banks," in Artaxerxes;—hear the singers of the present day sing these songs! "Bay of Biscay," "When Vulcan forged," the second of "All's Well," "Bet, sweet blossom," "Will Watch," "Last Whistle," &c. &c. Alas! alas! and all this over! He has piped his last whistle, and poor Charles "sleeps in peace with the dead!"

In concluding, I cannot but observe, that no singer has so completely identifies himself with particular songs. Those in which he most excelled, he stamped as his own—no one can touch them "while his memory be green."

When the race who heard him has faded away, some one may attempt them; but I should as soon think of going to see Mr. Kean play Coriolanus, as to hear another sing "Black-eyed Susan." My mind is filled—I have Kemble's noble patrician perfect before me; I have Gay's ballad in Incledon's notes as fully in "my mind's ear," and I would not have them displaced.

Blackwood's Magazine.

THE GATHERER.

A snapper up of unconsidered trifles.

Shakspeare.

The following is inscribed on a black Tablet in Sherborne Church, Dorset:

This Monument was erected by Mr. Thomas Mansel, of this Towne, in remembrance of a great hailstorme, May 16th, 1709, between the hours of one and four in the afternoon; which stopping the course of a small river, west of this church, caused of a sudden an extraordinary flood in the Abbey Garden and Green, running with so rapid a stream, that it forced open the north door of the church, displaced and removed about 1,222 feet of the pavement, and was two feet and ten inches high as it passed out at this south door.

Sturminster.

RURIS.

ANTIQUITY AND INTEREST.

In the kitchen of a public house called the Cross in Hand, at Waldron, in Sussex, there is an ancient couple, who appear to have been companions for more than seven hundred years. These are a pair of dog, or brandirons, with the date of 1115 on each. Suppose their original cost to have been five shillings; this sum put out at simple interest, together with the principal, would now have amounted to nine pounds, twelve shillings, and sixpence; but at compound interest it would be two hundred and fifty eight billions, seven hundred and eighty four millions, two hundred and thirty thousand, six hundred and fifty six pounds sterling.

J.B.—Y.

King James I. mounting a horse that was unruly, said, "The de'il tak' my saul, sirrah, and ye be na quiet, I'll send ye to the five hundred kings in the House of Commons—they'll soon tame you."

On the road to Hastings are two hotels, nearly opposite one another, the one kept by a person of the name of Hogsflesh, the other by a person named Bacon.

T.R.W.

A JUDICIOUS TITLE.

On a vacancy on the Scotch bench, a certain advocate of some standing at the bar, but by no means remarkable for the brilliancy of his parts, or the extent of his legal knowledge, was in full expectation of being appointed to the vacant gown. This is done by a court letter, signed with the King's sign manual. In the full flutter of his darling hopes, he one day encountered an old brother lawyer, notorious for the acidity of his temper, and the poignancy and acrimony of his remarks. "Weel, friend Robby," said the latter, "I hear you're to get the vacant gown."—"Yes, Mr. C—k, I have every reason to believe so."—"Have ye gotten doon your letter yet frae London?"—"No: but I expect an express every minute."—"Nae doot, nae doot; have you bethocht yoursel o' what teetle ye're to tak'? Lord H—n will never do; ye ken that's the teetle o' ane o' oor grandest dukes. Gudesake, for a bit session lordy, like you, to gang by that style and teetle o' ane high and michty prince! that wad be a bonny boorlesque on a' warldly honours and dignities. Weel a weel, let that be a pass over. Noo a teetle ye maun hae, that's as clear as the licht, and there's ane come just now into my head that will answer ye to a T; when ye're a lord, freend, Robby, ye'll be Lord Preserve Us?"—"You are very impertinent Mr. C—k," replied the nettled judge expectant; "I am sure you may find a waur."—There never, perhaps, was, or will be, comprehended so much pithy meaning and bitter sarcasm in a single syllable, as that which formed the astounding response—"Whaur (where)?"

GREGORY THE GREAT A PUNSTER.

Gregory the great was a punster, as appears from an anecdote related of him, and which gave the first impulse to his exertions to promulgate Christianity in this country. It was sometime before he was advanced to St. Peter's chair, and when he was only a deacon in the church, that he saw some handsome youths for sale in the open market: struck with their appearance, he inquired whence they were, and was answered they were Angli (English.) "They are rightly called," said he, "for they seem Angeli," (of or belonging to angels,) and asking what province they were of among the Angli; he was told of Deira (part of the kingdom of Northumbria.) Ah, exclaimed he, De ira Dei sunt liberandi. Learning farther that their king was named Alle, he said how fitly may he sing Allelujahs to God, who possesseth such subjects. From that time he seriously endeavoured to bring about the conversion of the English nation, and a few years afterwards, being Pope, he happily effected it by the travels and labours of St. Augustine, who was the first Archbishop of Canterbury.

EPITAPH

In St. Mary's Churchyard, Lambeth.

God takes the good, too good to stay,

He leaves the bad, too bad to take away.

MUSIC.

Voluntary composed under the impulse of peculiar sensibility, by Rainer, of Frankfort.

Fol, di, lol, tol, tiddle lol de de di do
ral tal lil liddle lal lal de ra.

ORTHOGRAPHY.

The following is a literal copy of a notice upon a gate between Cheltenham and Gloucester:—

"Here is No Public Road: whosdomnever tresprss on wil be proccuted to the hutmast Reglar."

C.J.T.

HONOURABLE SERVICE.

If one has served thee, tell the deed to many,

Hast thou served many, tell it not to any.

LIMBIRD'S EDITION OF THE _Following Novels is already Published;_

s. d.
Mackenzie's Man of Feeling . . . . . 0 6
Paul and Virginia . . . . . . . . . . 0 6
The Castle of Otranto . . . . . . . . 0 6
Almoran and Harnet . . . . . . . . . 0 6
Elizabeth, or the Exiles of Siberia . 0 6
The Castles of Athlin and Dunbayne . 0 6
Rasselas . . . . . . . . . . . . . . 0 8
The Old English Baron . . . . . . . . 0 8
Nature and Art . . . . . . . . . . . 0 8
Goldsmith's Vicar of Wakefield . . . 0 10
Sicilian Romance . . . . . . . . . . 1 0
The Man of the World . . . . . . . . 1 0
A Simple Story . . . . . . . . . . . 1 4
Joseph Andrews . . . . . . . . . . . 1 6
Humphry Clinker . . . . . . . . . . . 1 8
The Romance of the Forest . . . . . . 1 8
The Italian . . . . . . . . . . . . . 2 0
Zeluco, by Dr. Moore . . . . . . . . 2 6
Edward, by Dr Moore . . . . . . . . . 2 6
Roderick Random . . . . . . . . . . . 2 6
The Mysteries of Udolpho . . . . . . 3 6
Peregrine Pickle . . . . . . . . . . 4 6

Footnote 1:(return)

Is not this very interesting extract by Leigh Hunt?—We have not his Indicator at hand for reference.

Footnote 2:(return)

The Temple must have had many eminent inmates. Among them, it is believed, was Chaucer, who is also said, upon the strength of an old record, to have been fined two shillings for beating a Franciscan Friar in Fleet-street.

Footnote 3:(return)

An individual named Joseph Penny, was for many years the representative of Neptune. He was a man of daring spirit, and there are many living at this time who were indebted to his intrepidity for being rescued from drowning. In the month of November 1825, accompanied by his son, he went off from the beach in an open boat, to a vessel in distress, soon after which the boat was washed ashore, with the body of the son entangled in the rigging; but the father was never again heard of.

Footnote 4:(return)

"Lingua." Dodsley's Old Plays.

Footnote 5:(return)

"Melody is the essence of Music," said Mozart to Michael Kelly; "I compare a good melodist to a fine racer, and counter-points to hack post-horses."

Footnote 6:(return)

Let the lover of melody look over the list of works published, in the obituary of that beautiful composer!

Printed and Published by J. LIMBIRD 143, Strand, (near Somerset House,) London; sold by ERNEST FLEISCHER, 626, New Market, Leipsic; and by all Newsmen and Booksellers.

*** END OF THE PROJECT GUTENBERG EBOOK THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. VOLUME 14, NO. 393, OCTOBER 10, 1829 ***

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Table of Contents

- THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

- Glammis Castle

- ON LOCALITIES:

- LITERARY RECOLLECTIONS OF LONDON.

- (To the Editor of the Mirror.)

- CURIOUS FACTS RELATING TO SLEEP.

- (For the Mirror.)

- PERU: SIMPLICITY OF PASTORAL LIFE.

- (To the Editor of the Mirror.)

- ON FEAR.

- MANNERS & CUSTOMS OF ALL NATIONS. SKIMINGTON RIDING.

- (To the Editor of the Mirror.)

- A SEA-SIDE MAYOR.

- (For the Mirror.)

- SAXON NAMES OF THE MONTHS.

- (For the Mirror.)

- CURIOUS BEQUEST.

- (For the Mirror.)

- SLEEPERS IN CHURCH.

- (For the Mirror.)

- THE SELECTOR;

- AND LITERARY NOTICES OF NEW WORKS.

- THE EPPING HUNT.

- The Sketch-Book.

- THE SPIRIT OF THE STORM.

- (For the Mirror.)

- SPIRIT OF THE PUBLIC JOURNALS.

- RECOLLECTIONS OF AN OLD FAVOURITE.

- THE GATHERER.

- ANTIQUITY AND INTEREST.

- A JUDICIOUS TITLE.

- GREGORY THE GREAT A PUNSTER.

- EPITAPH

- MUSIC.

- ORTHOGRAPHY.

- HONOURABLE SERVICE.

- LIMBIRD'S EDITION OF THE _Following Novels is already Published;_

- THE FULL PROJECT GUTENBERG LICENSE