The Project Gutenberg eBook of Double Dealing

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Double Dealing

Author: W. W. Jacobs

Illustrator: Will Owen

Release date: January 1, 2004 [eBook #10791]

Most recently updated: December 20, 2020

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK DOUBLE DEALING ***

SAILORS' KNOTS

By W.W. Jacobs

1909

Part 11.

List of Illustrations

"Stood on the Spacious Common, Inhaling The Salt Smell Of The Sea Below."

"An Elderly Boatman, Who, After Looking at Him Hard, Took His Pipe from his Mouth and Bade Him 'good-evening.'"

"She Piled Mr. Carter's Plate up So Generously That Her Father and Brother Had Ample Time at Their Disposal to Watch Him Eat."

"A Gentleman of Middle Age Was Peeping Round the Door."

DOUBLE DEALING

Mr. Fred Carter stood on the spacious common, inhaling with all the joy of the holiday-making Londoner the salt smell of the sea below, and regarding with some interest the movements of a couple of men who had come to a stop a short distance away. As he looked they came on again, eying him closely as they approached—a strongly built, shambling man of fifty, and a younger man, evidently his son.

"Good-evening," said the former, as they came abreast of Mr. Carter.

"Good-evening," he replied.

"That's him," said both together.

They stood regarding him in a fashion unmistakably hostile. Mr. Carter, with an uneasy smile, awaited developments.

"What have you got to say for yourself?" demanded the elder man, at last. "Do you call yourself a man?"

"I don't call myself anything," said the puzzled Mr. Carter. "Perhaps you're mistaking me for somebody else."

"Didn't I tell you," said the younger man, turning to the other—"didn't I tell you he'd say that?"

"He can say what he likes," said the other, "but we've got him now. If he gets away from me he'll be cleverer than what he thinks he is."

"What are we to do with him now we've got him?" inquired his son.

The elder man clenched a huge fist and eyed Mr. Carter savagely. "If I was just considering myself," he said, "I should hammer him till I was tired and then chuck him into the sea."

His son nodded. "That wouldn't do Nancy much good, though," he remarked.

"I want to do everything for the best," said the other, "and I s'pose the right and proper thing to do is to take him by the scruff of his neck and run him along to Nancy."

"You try it," said Mr. Carter, hotly. "Who is Nancy?"

The other growled, and was about to aim a blow at him when his son threw himself upon him and besought him to be calm.

"Just one," said his father, struggling, "only one. It would do me good; and perhaps he'd come along the quieter for it."

"Look here!" said Mr. Carter. "You're mistaking me for somebody else, that's what you are doing. What am I supposed to have done?"

"You're supposed to have come courting my daughter, Mr. Somebody Else," said the other, re-leasing himself and thrusting his face into Mr. Carter's, "and, after getting her promise to marry you, nipping off to London to arrange for the wedding. She's been mourning over you for four years now, having an idea that you had been made away with."

"Being true to your memory, you skunk," said the son.

"And won't look at decent chaps that want to marry her," added the other.

"It's all a mistake," said Mr. Carter. "I came down here this morning for the first time in my life."

"Bring him along," said the son, impatiently. "It's a waste of time talking to him."

Mr. Carter took a step back and parleyed. "I'll come along with you of my own free will," he said, hastily, "just to show you that you are wrong; but I won't be forced."

He turned and walked back with them towards the town, pausing occasionally to admire the view. Once he paused so long that an ominous growl arose from the elder of his captors.

"I was just thinking," said Mr. Carter, eying him in consternation; "suppose that she makes the same mistake that you have made? Oh, Lord!"

"Keeps it up pretty well, don't he, Jim?" said the father.

The other grunted and, drawing nearer to Mr. Carter as they entered the town, stepped along in silence. Questions which Mr. Carter asked with the laudable desire of showing his ignorance concerning the neighborhood elicited no reply. His discomfiture was increased by the behavior of an elderly boatman, who, after looking at him hard, took his pipe from his mouth and bade him "Good-evening." Father and son exchanged significant glances.

They turned at last into a small street, and the elder man, opening the door of a neat cottage, laid his hand on the prisoner's shoulder and motioned him in. Mr. Carter obeyed, and, entering a spotless living- room, removed his hat and with affected composure seated himself in an easy-chair.

"I'll go up and tell Nan," said Jim. "Don't let him run away."

He sprang up the stairs, which led from a corner of the room, and the next moment the voice of a young lady, laboring under intense excitement, fell on the ears of Mr. Carter. With a fine attempt at unconcern he rose and inspected an aged engraving of "The Sailor's Return."

"She'll be down in a minute," said Jim, returning

"P'r'aps it's as well that I didn't set about him, after all," said his father. "If I had done what I should like to do, his own mother wouldn't have known him."

Mr. Carter sniffed defiantly and, with a bored air, resumed his seat. Ten minutes passed—fifteen; at the end of half an hour the elder man's impatience found vent in a tirade against the entire sex.

"She's dressing up; that's what it is," explained Jim. "For him!"

A door opened above and a step sounded on the stairs. Mr. Carter looked up uneasily, and, after the first sensation of astonishment had passed, wondered vaguely what his double had run away for. The girl, her lips parted and her eyes bright, came swiftly down into the room.

"Where is he?" she said, quickly.

"Eh?" said her father, in surprise. "Why, there! Can't you see?"

The light died out of the girl's face and she looked round in dismay. The watchful Mr. Carter thought that he also detected in her glance a spice of that temper which had made her relatives so objectionable.

"That!" she said, loudly. "That! That's not my Bert!"

"That's what I told 'em," said Mr. Carter, deferentially, "over and over again."

"What!" said her father, loudly. "Look again."

"If I looked all night it wouldn't make any difference," said the disappointed Miss Evans. "The idea of making such a mistake!"

"We're all liable to mistakes," said Mr. Carter, magnanimously, "even the best of us."

"You take a good look at him," urged her brother, "and don't forget that it's four years since you saw him. Isn't that Bert's nose?"

"No," said the girl, glancing at the feature in question, "not a bit like it. Bert had a beautiful nose."

"Look at his eyes," said Jim.

Miss Evans looked, and meeting Mr. Carter's steady gaze tossed her head scornfully and endeavored to stare him down. Realizing too late the magnitude of the task, but unwilling to accept defeat, she stood confronting him with indignant eyes.

"Well?" said Mr. Evans, misunderstanding.

"Not a bit like," said his daughter, turning thank-fully. "And if you don't like Bert, you needn't insult him."

She sat down with her back towards Mr. Carter and looked out at the window.

"Well, I could ha' sworn it was Bert Simmons," said the discomfited Mr. Evans.

"Me, too," said his son. "I'd ha' sworn to him anywhere. It's the most extraordinary likeness I've ever seen."

He caught his father's eye, and with a jerk of his thumb telegraphed for instructions as to the disposal of Mr. Carter.

"He can go," said Mr. Evans, with an attempt at dignity; "he can go this time, and I hope that this'll be a lesson to him not to go about looking like other people. If he does, next time, p'r'aps, he won't escape so easy."

"You're quite right," said Mr. Carter, blandly. "I'll get a new face first thing to-morrow morning. I ought to have done it before."

He crossed to the door and, nodding to the fermenting Mr. Evans, bowed to the profile of Miss Evans and walked slowly out. Envy of Mr. Simmons was mingled with amazement at his deplorable lack of taste and common sense. He would willingly have changed places with him. There was evidently a strong likeness, and——

Busy with his thoughts he came to a standstill in the centre of the footpath, and then, with a sudden air of determination, walked slowly back to the house.

"Yes?" said Mr. Evans, as the door opened and the face of Mr. Carter was thrust in. "What have you come back for?"

The other stepped into the room and closed the door softly behind him. "I have come back," he said, slowly—"I have come back because I feel ashamed of myself."

"Ashamed of yourself?" repeated Mr. Evans, rising and confronting him.

Mr. Carter hung his head and gazed nervously in the direction of the girl. "I can't keep up this deception," he said, in a low but distinct voice. "I am Bert Simmons. At least, that is the name I told you four years ago."

"I knew I hadn't made a mistake," roared Mr. Evans to his son. "I knew him well enough. Shut the door, Jim. Don't let him go."

"I don't want to go," said Mr. Carter, with a glance in the direction of Nancy. "I have come back to make amends."

"Fancy Nancy not knowing him!" said Jim, gazing at the astonished Miss Evans.

"She was afraid of getting me into trouble," said Mr. Carter, "and I just gave her a wink not to recognize me; but she knew me well enough, bless her."

"How dare you!" said the girl, starting up. "Why, I've never seen you before in my life."

"All right, Nan," said the brazen Mr. Carter; "but it's no good keeping it up now. I've come back to act fair and square."

Miss Evans struggled for breath.

"There he is, my girl," said her father, patting her on the back. "He's not much to look at, and he treated you very shabby, but if you want him I suppose you must have him."

"Want him?" repeated the incensed Miss Evans. "Want him? I tell you it's not Bert. How dare he come here and call me Nan?"

"You used not to mind it," said Mr. Carter, plaintively.

"I tell you," said Miss Evans, turning to her father and brother, "it's not Bert. Do you think I don't know?"

"Well, he ought to know who he is," said her father, reasonably.

"Of course I ought," said Mr. Carter, smiling at her. "Besides, what reason should I have for saying I am Bert if I am not?"

"That's a fair question," said Jim, as the girl bit her lip. "Why should he?"

"Ask him," said the girl, tartly.

"Look here, my girl," said Mr. Evans, in ominous accents. "For four years you've been grieving over Bert, and me and Jim have been hunting high and low for him. We've got him at last, and now you've got to have him."

"If he don't run away again," said Jim. "I wouldn't trust him farther than I could see him."

Mr. Evans sat and glowered at his prospective son-in-law as the difficulties of the situation developed themselves. Even Mr. Carter's reminders that he had come back and surrendered of his own free will failed to move him, and he was hesitating between tying him up and locking him in the attic and hiring a man to watch him, when Mr. Carter himself suggested a way out of the difficulty.

"I'll lodge with you," he said, "and I'll give you all my money and things to take care of. I can't run away without money."

He turned out his pockets on the table. Seven pounds eighteen shillings and fourpence with his re-turn ticket made one heap; his watch and chain, penknife, and a few other accessories another. A suggestion of Jim's that he should add his boots was vetoed by the elder man as unnecessary.

"There you are," said Mr. Evans, sweeping the things into his own pockets; "and the day you are married I hand them back to you."

His temper improved as the evening wore on. By the time supper was finished and his pipe alight he became almost jocular, and the coldness of Miss Evans was the only drawback to an otherwise enjoyable evening.

"Just showing off a little temper," said her father, after she had withdrawn; "and wants to show she ain't going to forgive you too easy. Not but what you behaved badly; however, let bygones be bygones, that's my idea."

The behavior of Miss Evans was so much better next day that it really seemed as though her father's diagnosis was correct. At dinner, when the men came home from work, she piled Mr. Carter's plate up so generously that her father and brother had ample time at their disposal to watch him eat. And when he put his hand over his glass she poured half a pint of good beer, that other men would have been thankful for, up his sleeve.

She was out all the afternoon, but at tea time she sat next to Mr. Carter, and joined brightly in the conversation concerning her marriage. She addressed him as Bert, and when he furtively pressed her hand beneath the table-cloth she made no attempt to withdraw it.

"I can't think how it was you didn't know him at first," said her father. "You're usually wide-awake enough."

"Silly of me," said Nancy; "but I am silly sometimes."

Mr. Carter pressed her hand again, and gazing tenderly into her eyes received a glance in return which set him thinking. It was too cold and calculating for real affection; in fact, after another glance, he began to doubt if it indicated affection at all.

"It's like old times, Bert," said Miss Evans, with an odd smile. "Do you remember what you said that afternoon when I put the hot spoon on your neck?"

"Yes," was the reply.

"What was it?" inquired the girl.

"I won't repeat it," said Mr. Carter, firmly.

He was reminded of other episodes during the meal, but, by the exercise of tact and the plea of a bad memory, did fairly well. He felt that he had done very well indeed when, having cleared the tea-things away, Nancy came and sat beside him with her hand in his. Her brother grunted, but Mr. Evans, in whom a vein of sentiment still lingered, watched them with much satisfaction.

Mr. Carter had got possession of both hands and was murmuring fulsome flatteries when the sound of somebody pausing at the open door caused them to be hastily withdrawn.

"Evening, Mr. Evans," said a young man, putting his head in. "Why, halloa! Bert! Well, of all the——"

"Halloa!" said Mr. Carter, with attempted enthusiasm, as he rose from his chair.

"I thought you was lost," said the other, stepping in and gripping his hand. "I never thought I was going to set eyes on you again. Well, this is a surprise. You ain't forgot Joe Wilson, have you?"

"Course I haven't, Joe," said Mr. Carter. "I'd have known you anywhere."

He shook hands effusively, and Mr. Wilson, after a little pretended hesitation, accepted a chair and began to talk about old times.

"I lay you ain't forgot one thing, Bert," he said at last.

"What's that?" inquired the other.

"That arf-quid I lent you," said Mr. Wilson.

Mr. Carter, after the first shock of surprise, pretended to think, Mr. Wilson supplying him with details as to time and place, which he was in no position to dispute. He turned to Mr. Evans, who was still acting as his banker, and, after a little hesitation, requested him to pay the money. Conversation seemed to fail somewhat after that, and Mr. Wilson, during an awkward pause, went off whistling.

"Same old Joe," said Mr. Carter, lightly, after he had gone. "He hasn't altered a bit."

Miss Evans glanced at him, but said nothing. She was looking instead towards a gentleman of middle age who was peeping round the door indulging in a waggish game of peep-bo with the unconscious Mr. Carter. Finding that he had at last attracted his attention, the gentleman came inside and, breathing somewhat heavily after his exertions, stood before him with outstretched hand.

"How goes it?" said Mr. Carter, forcing a smile and shaking hands.

"He's grown better-looking than ever," said the gentleman, subsiding into a chair.

"So have you," said Mr. Carter. "I should hardly have known you."

"Well, I' m glad to see you again," said the other in a more subdued fashion. "We're all glad to see you back, and I 'ope that when the wedding cake is sent out there'll be a bit for old Ben Prout."

"You'll be the first, Ben," said Mr. Carter, quickly.

Mr. Prout got up and shook hands with him again. "It only shows what mistakes a man can make," he said, resuming his seat. "It only shows how easy it is to misjudge one's fellow-creeturs. When you went away sudden four years ago, I says to myself, 'Ben Prout,' I says, 'make up your mind to it, that two quid has gorn.'"

The smile vanished from Mr. Carter's face, and a sudden chill descended upon the company.

"Two quid?" he said, stiffly. "What two quid?"

"The two quid I lent you," said Mr. Prout, in a pained voice.

"When?" said Mr. Carter, struggling.

"When you and I met him that evening on the pier," said Miss Evans, in a matter-of-fact voice.

Mr. Carter started, and gazed at her uneasily. The smile on her lip and the triumphant gleam in her eye were a revelation to him. He turned to Mr. Evans and in as calm a voice as he could assume, requested him to discharge the debt. Mr. Prout, his fingers twitching, stood waiting "Well, it's your money," said Mr. Evans, grudgingly extracting a purse from his trouser-pocket; "and I suppose you ought to pay your debts; still——"

He put down two pounds on the table and broke off in sudden amazement as Mr. Prout, snatching up the money, bolted headlong from the room. His surprise was shared by his son, but the other two made no sign. Mr. Carter was now prepared for the worst, and his voice was quite calm as he gave instructions for the payment of the other three gentlemen who presented claims during the evening endorsed by Miss Evans. As the last departed Mr. Evans, whose temper had been gradually getting beyond his control, crossed over and handed him his watch and chain, a few coppers, and the return half of his railway ticket.

"I think we can do without you, after all," he said, breathing thickly. "I've no doubt you owe money all over England. You're a cadger, that's what you are."

He pointed to the door, and Mr. Carter, after twice opening his lips to speak and failing, blundered towards it. Miss Evans watched him curiously.

"Cheats never prosper," she said, with gentle severity.

"Good-by," said Mr. Carter, pausing at the door.

"It's your own fault," continued Miss Evans, who was suffering from a slight touch of conscience. "If you hadn't come here pretending to be Bert Simmons and calling me 'Nan' as if you had known me all my life, I wouldn't have done it."

"It doesn't matter," said Mr. Carter. "I wish I was Bert Simmons, that's all. Good-by."

"Wish you was!" said Mr. Evans, who had been listening in open-mouthed astonishment. "Look here! Man to man—are you Bert Simmons or are you not?"

"No," said Mr. Carter.

"Of course not," said Nancy.

"And you didn't owe that money?"

"Nobody owed it," said Nancy. "It was done just to punish him."

Mr. Evans, with a strange cry, blundered towards the door. "I'll have that money out of 'em," he roared, "if I have to hold 'em up and shake it out of their trouser-pockets. You stay here."

He hurried up the road, and Jim, with the set face of a man going into action against heavy odds, followed him.

"Your father told me to stay," said Mr. Carter, coming farther into the room.

Nancy looked up at him through her eyelashes. "You need not unless you want to," she said, very softly.

*** END OF THE PROJECT GUTENBERG EBOOK DOUBLE DEALING ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

SAILORS' KNOTS

1909

Part 11.

List of Illustrations

DOUBLE DEALING

THE FULL PROJECT GUTENBERG LICENSE